Transatlantic (1931)
7/10
Workin' all the ladies on both sides of the Atlantic doesn't make him a gentleman.
14 February 2017
Warning: Spoilers
At the rate he's going, he's not going to make it from one side of the Atlantic to the other. Edmund Lowe is the cad of all cads-a bounder, a charlatan, a snake on the ocean. He's on his way to Europe working on the idea for a tunnel from one coast to the other, a ridiculous prospect in itself, and it seems to be his goal to make love to every woman (attached or not) on the ocean liner. Among his intended conquests are Lois Moran, Greta Nielsen and a very young Myrna Loy. Other situations include passengers dealing with a bank crash and a not so surprising murder, followed by a storm at sea. Moran's father, Jean Hersholt, confronts John Halliday over the bank failing while various husbands confront the amoral Lowe.

This isn't a great movie, but interesting in its depiction of excess on the high seas just 20 years after the Titanic and only a couple of years before the Moritania. It's early 1930's Art Deco with a mostly unknown cast, with Loy the most famous name in the film, yet not having a lot to do. But while a bit creaky and predictable, there's enough elements of pre-code scandal and sin to keep the audience engaged. Lowe goes to show ya that even a somewhat paunchy middle aged man can get all the girls he wants. The twists and turns come at an alarming rate, so if you remain patient with it, you'll find it an early talkie with many great qualities, not the least of which is its Oscar winning art direction.
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