"Daniel J. Frohman Presents America's Foremost Screen Actress, MARY PICKFORD in the famous tale of a woman's heroism, "TESS OF THE STORM COUNTRY" by Grace Miller White, Produced by The Famous Players Film Co., Adolph Zukor Pres., Under the Personal Direction of Edwin S. Porter" read the opening titles. Then Miss Pickford in a beautiful dress emerges from a stage curtain and, speaking to people behind it, plops some flowers into a vase.
No one quite knew how to produce a feature-length movie in 1914. Zukor's idea was to offer "Famous Players in Famous Plays". This often resulted in stodgy reproductions of key scenes, held together by chapter-heading titles and the audience's understanding of the story. TESS is an example of this, and it has its problems, particularly with continuity. In fact, about the 50-minute mark, Mary pops out of a trash can for no reason I could tell and director Porter loses all sense of what is going on. He advances the plot by means of letters written by the characters for the next ten minutes. A skilled editor would have been a great deal of help.
In the end, this movie winds up a series of short stories linked solely by the performance of Mary Pickford. She performs most of it in a comic mode, ready to kick offenders and deal with often awful situations, wearing a ragged dress that is never patched nor trimmed over the nine months or so that the movie covers. She carries this movie solely on her acting abilities, while most of the people around her act like jerks. Only Olive Golden (later Carey) as the unwed mother whose baby Miss Pickford cares for, offers anything in the way of a worthwhile supporting performance.
Miss Pickford would return to the story eight years later, when film technique had caught up to the rigors of features and the self-possession to tell a story without reference to another, "superior" medium. That is the version to see. Except for Miss Pickford's performance, you can skip this one.
No one quite knew how to produce a feature-length movie in 1914. Zukor's idea was to offer "Famous Players in Famous Plays". This often resulted in stodgy reproductions of key scenes, held together by chapter-heading titles and the audience's understanding of the story. TESS is an example of this, and it has its problems, particularly with continuity. In fact, about the 50-minute mark, Mary pops out of a trash can for no reason I could tell and director Porter loses all sense of what is going on. He advances the plot by means of letters written by the characters for the next ten minutes. A skilled editor would have been a great deal of help.
In the end, this movie winds up a series of short stories linked solely by the performance of Mary Pickford. She performs most of it in a comic mode, ready to kick offenders and deal with often awful situations, wearing a ragged dress that is never patched nor trimmed over the nine months or so that the movie covers. She carries this movie solely on her acting abilities, while most of the people around her act like jerks. Only Olive Golden (later Carey) as the unwed mother whose baby Miss Pickford cares for, offers anything in the way of a worthwhile supporting performance.
Miss Pickford would return to the story eight years later, when film technique had caught up to the rigors of features and the self-possession to tell a story without reference to another, "superior" medium. That is the version to see. Except for Miss Pickford's performance, you can skip this one.