Forever Mine is not a good movie. Many other reviewers on this site have pointed out why.
But let's give credit where credit is due.
Cinematographer John Bailey did a magnificent, Oscar-worthy job on this film! It looks great. The first half takes place in Miami in 1973. I lived in Miami in the early 70's, and this film caught the feel of it so beautifully that I could smell the Cafe Cubano, hear the Jai-Alai cheers, and feel the sea breezes. The pastels, the faded glory of the hotels, the neon lights, the whole palette.
John Bailey can't be blamed for Forever Mine's script, or its legal problems, but the result of those problems must have been depressing for him because nobody ever saw Bailey's work projected on the big screen after the film festivals. That's really a shame. This film was meant to be projected in a 2.35 aspect ratio, and that simply can't be appreciated anywhere except a big screen. Of course, Bailey didn't know it would go straight-to-cable-and-DVD when he filmed it in that super widescreen ratio.
By the way, this work was no isolated fluke for Mr. Bailey, as you might guess. He has never won an Oscar, or even a nomination, but he's shot some very fine films in his career. He probably should have been nominated for an Oscar for his work on The Big Chill, and he has shot some terrific offbeat stuff, like Cat People and Groundhog Day.
So, a strong "well done" for Mr Bailey, for work that few people will ever see.
But let's give credit where credit is due.
Cinematographer John Bailey did a magnificent, Oscar-worthy job on this film! It looks great. The first half takes place in Miami in 1973. I lived in Miami in the early 70's, and this film caught the feel of it so beautifully that I could smell the Cafe Cubano, hear the Jai-Alai cheers, and feel the sea breezes. The pastels, the faded glory of the hotels, the neon lights, the whole palette.
John Bailey can't be blamed for Forever Mine's script, or its legal problems, but the result of those problems must have been depressing for him because nobody ever saw Bailey's work projected on the big screen after the film festivals. That's really a shame. This film was meant to be projected in a 2.35 aspect ratio, and that simply can't be appreciated anywhere except a big screen. Of course, Bailey didn't know it would go straight-to-cable-and-DVD when he filmed it in that super widescreen ratio.
By the way, this work was no isolated fluke for Mr. Bailey, as you might guess. He has never won an Oscar, or even a nomination, but he's shot some very fine films in his career. He probably should have been nominated for an Oscar for his work on The Big Chill, and he has shot some terrific offbeat stuff, like Cat People and Groundhog Day.
So, a strong "well done" for Mr Bailey, for work that few people will ever see.