I'm sorely tempted to side with two of the previous reviewers and give this movie a nil rating, but it's not really all that bad!
Copyright 1955 by 20th Century-Fox Film Corp. New York opening at the Roxy: 11 March 1955. U.S. release: 3 March 1955. U.K. release: July 1955. Australian release: 4 August 1955. 111 minutes. Censored to 109 minutes in the U.K.
SYNOPSIS: Katie O'Neill (Hayward) meets Paul Van Riebeck (Power), a South African Boer bigwig, when he comes to Ireland to buy horses. They fall for each other, but Paul does not want to get married until he establishes a Boer state in South Africa.
COMMENT: Impossibly trite. For once it's easy to choose the movie's worst feature. The banal script wins hands down over the hammy and amateurish acting and the consistently lackluster direction. The plot is, to say it as kindly as possible, such utterly ridiculous tosh, even the most unsophisticated audience would laugh it off the screen. It's also racist and badly dated. If were not so laughably unbelievable, it would have been blandly offensive. What passes for characterization are actually the most superficial and poorly motivated of cardboard figures. Even worse is the dialogue which for sheer banality and lack of drama would be difficult to match.
Admittedly, the story, poorly motivated though it is and proceeding in a series of fits and starts, does lay on a bit of action and it is set against some awesome and fascinating backgrounds. But the actors were handed an impossible task to bring warmth and sympathy to such posturing, paste-board characters. Susan turns on all the synthetic mannerisms at her command; Egan grimaces and rants; Power just says his lines. The support cast players have little impact.
King's direction is dull and even some of the action scenes are limply staged. The film runs on and on, seemingly without end. Despite some obvious back projection, the locations rather than the actors or the story, make the most impression.
Copyright 1955 by 20th Century-Fox Film Corp. New York opening at the Roxy: 11 March 1955. U.S. release: 3 March 1955. U.K. release: July 1955. Australian release: 4 August 1955. 111 minutes. Censored to 109 minutes in the U.K.
SYNOPSIS: Katie O'Neill (Hayward) meets Paul Van Riebeck (Power), a South African Boer bigwig, when he comes to Ireland to buy horses. They fall for each other, but Paul does not want to get married until he establishes a Boer state in South Africa.
COMMENT: Impossibly trite. For once it's easy to choose the movie's worst feature. The banal script wins hands down over the hammy and amateurish acting and the consistently lackluster direction. The plot is, to say it as kindly as possible, such utterly ridiculous tosh, even the most unsophisticated audience would laugh it off the screen. It's also racist and badly dated. If were not so laughably unbelievable, it would have been blandly offensive. What passes for characterization are actually the most superficial and poorly motivated of cardboard figures. Even worse is the dialogue which for sheer banality and lack of drama would be difficult to match.
Admittedly, the story, poorly motivated though it is and proceeding in a series of fits and starts, does lay on a bit of action and it is set against some awesome and fascinating backgrounds. But the actors were handed an impossible task to bring warmth and sympathy to such posturing, paste-board characters. Susan turns on all the synthetic mannerisms at her command; Egan grimaces and rants; Power just says his lines. The support cast players have little impact.
King's direction is dull and even some of the action scenes are limply staged. The film runs on and on, seemingly without end. Despite some obvious back projection, the locations rather than the actors or the story, make the most impression.