The film runs with a plot and subplot. Young women scantily clad are tied up in a room. The film focuses on one of the victims (Caitlin Stasey) in her effort to get free. The subplot concerns Andrew (Markus Taylor) divorced and behind on his child support. The two subplots come together near the end as this turns out to be a plot not too unfamiliar.
The director did a heck of a job to take a 40 minute film and turn it into 85 minutes. The opening scene of emerging from darkness, the disoriented angle in order to give us the feeling of the victim was subtle and effective. Likewise we see Andrew through the back of a chair, making him look imprisoned in his life. I must say Dylan K. Narang's direction was spot on in framing a scene. The door scene was ridiculously long. We knew where Andrew was going to end up. The reasoning was a bit different, combing two different horror genres, both that had been done before.
Guide: No sex or nudity. No swearing as I recall.
The director did a heck of a job to take a 40 minute film and turn it into 85 minutes. The opening scene of emerging from darkness, the disoriented angle in order to give us the feeling of the victim was subtle and effective. Likewise we see Andrew through the back of a chair, making him look imprisoned in his life. I must say Dylan K. Narang's direction was spot on in framing a scene. The door scene was ridiculously long. We knew where Andrew was going to end up. The reasoning was a bit different, combing two different horror genres, both that had been done before.
Guide: No sex or nudity. No swearing as I recall.