The book is wonderful, one of my favourite and most memorable reads in recent years. It was thought-provoking, harrowing and poignant, with a chillingly troubled but complex portrayal of dysfunctional family life. So there were high expectations on that front, as well as that a great cast were involved.
Seeing 'The Glass Castle' last night, it is a pretty well done film on its own terms despite a few faults. On the other hand, it is very understandable why it has been said that as an adaptation it is mishandled. Although always striving to judge a film adaptation always as a standalone, if asked which is better between the book and the film the answer's a no brainer. The book feels much more balanced and more complex and the ending rang true far more. Although 'The Glass Castle' has a huge amount to recommend and is better than some of the mixed critical reception suggests (personal opinion), its ending and some tonal issues are its biggest faults.
Particularly in the case of the ending. Not just because it is drenched in sentimentality that is hard even for the strongest of stomachs. Even more so because things feel wrapped up too tidily and patly, the ending is far more realistic in the source material and should have made it on film, definitely would have preferred something more daring than a conclusion that really did not ring true and felt tacked on. Another issue with the ending is that we are told up to the end one thing about Rex and Rose Mary, and it is so overwhelming in evidence that it's easy to believe, then at the end it does a complete 180 degrees and it was just hard to buy.
While not as problematic, things do get a little melodramatic in places and the point of view of the film is somewhat too one-sided, with much more development to Rose Mary and showing her as equally accountable there would have been more complexity.
However, 'The Glass Castle' is a beautifully shot film and the production values are never less than top drawer. The music is neither too intrusive or too low-key and the direction is skillful visually, handles most of the tonal and time shifts well and with good attention to making the portrayal of the family as real as possible.
Script flows naturally and is thought-provoking and nuanced. The story has its problems, but mostly it is very compelling, hard-hitting and pathos-filled. It's particularly good in its careful balance of laughter and tears, the intense but also profound understanding of the central father-daughter bond and in the twisted but troubled portrayal of the dysfunctional family. Apart from Rose Mary being underwritten and underused, the characters are more than archetypal clichés, Jeannette is especially well realised.
Woody Harrelson gives a courageously gutsy performance as a pretty reprehensible human being, while Brie Larson's Jeanette is powerfully conflicted. All the children are well cast, with Ella Anderson in particular being an absolute revelation. Naomi Watts does a very good job with what she has.
In conclusion, adaptation-wise it is mishandled and the ending really doesn't ring true at all, but it's a well made emotional roller-coaster with a believable portrayal of dysfunctional family life and stellar performances deserving of some kind of award recognition (Harrelson, Larson and Anderson in particular). 7/10 Bethany Cox
Seeing 'The Glass Castle' last night, it is a pretty well done film on its own terms despite a few faults. On the other hand, it is very understandable why it has been said that as an adaptation it is mishandled. Although always striving to judge a film adaptation always as a standalone, if asked which is better between the book and the film the answer's a no brainer. The book feels much more balanced and more complex and the ending rang true far more. Although 'The Glass Castle' has a huge amount to recommend and is better than some of the mixed critical reception suggests (personal opinion), its ending and some tonal issues are its biggest faults.
Particularly in the case of the ending. Not just because it is drenched in sentimentality that is hard even for the strongest of stomachs. Even more so because things feel wrapped up too tidily and patly, the ending is far more realistic in the source material and should have made it on film, definitely would have preferred something more daring than a conclusion that really did not ring true and felt tacked on. Another issue with the ending is that we are told up to the end one thing about Rex and Rose Mary, and it is so overwhelming in evidence that it's easy to believe, then at the end it does a complete 180 degrees and it was just hard to buy.
While not as problematic, things do get a little melodramatic in places and the point of view of the film is somewhat too one-sided, with much more development to Rose Mary and showing her as equally accountable there would have been more complexity.
However, 'The Glass Castle' is a beautifully shot film and the production values are never less than top drawer. The music is neither too intrusive or too low-key and the direction is skillful visually, handles most of the tonal and time shifts well and with good attention to making the portrayal of the family as real as possible.
Script flows naturally and is thought-provoking and nuanced. The story has its problems, but mostly it is very compelling, hard-hitting and pathos-filled. It's particularly good in its careful balance of laughter and tears, the intense but also profound understanding of the central father-daughter bond and in the twisted but troubled portrayal of the dysfunctional family. Apart from Rose Mary being underwritten and underused, the characters are more than archetypal clichés, Jeannette is especially well realised.
Woody Harrelson gives a courageously gutsy performance as a pretty reprehensible human being, while Brie Larson's Jeanette is powerfully conflicted. All the children are well cast, with Ella Anderson in particular being an absolute revelation. Naomi Watts does a very good job with what she has.
In conclusion, adaptation-wise it is mishandled and the ending really doesn't ring true at all, but it's a well made emotional roller-coaster with a believable portrayal of dysfunctional family life and stellar performances deserving of some kind of award recognition (Harrelson, Larson and Anderson in particular). 7/10 Bethany Cox