Have always loved Tom and Jerry. Have vivid and fond memories of seeing all of their cartoons, with the classic ones (the Hanna Barbera years, the best of which among the best cartoons ever made, Chuck Jones' output was a mixed bag and most of Gene Deitch's were abominations and disgraces to cartoondom) being watched over and over, at my sister's late godfather's house at the age of six and have been a huge fan since.
'The Bodyguard' is up there as one my favourites, along with 'The Cat Concerto', 'The Little Orphan', 'Johann Mouse', 'The Two Mouseketeers', 'Tom and Jerry at the Hollywood Bowl', 'Down Beat Bear', 'Heavenly Puss', 'Solid Serenade', 'Mice Follies', 'The Invisible Mouse' and 'Quiet Please'. The premise may sound very familiar and formulaic but it has incredibly clever and imaginative execution and actually does do things differently, with less focus on the chases, Tom's plan for once not backfiring and a very atypical ending for a Tom and Jerry cartoon.
As ever with classic Tom and Jerry, the animation is beautiful to watch. Love the colours which are all smooth and vibrant, the gorgeously detailed backgrounds and all the characters are very well drawn (even early-design Tom). The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms, not only fitting perfectly but enhancing the action.
When it comes to the writing, 'The Bodyguard' may be one of the more violent classic Hanna/Barbera-era cartoons but it is also one of the funniest. The gags are never distastefully sadistic like the ones in the Gene Deitch cartoons and they are not only imaginatively timed they are never less than very funny. The story is set up beautifully and never loses the entertainment and intrigue value.
Spike steals the show of the three characters. Brilliantly voiced by Billy Bletcher, he has great comic timing, is very clever and it is hard not to like him. Jerry amuses too and is suitably anarchic, proving to be more than just a cute-looking mouse. The funnier and more interesting of the duo has always been Tom, he not only takes the butt of the laughs wonderfully to great comic effect one also feels sorry for him, the cartoon does a great job with his expressions as is often the case with Tom and Jerry.
Overall, up there with the Hanna/Barbera Tom and Jerry classics. 10/10 Bethany Cox
'The Bodyguard' is up there as one my favourites, along with 'The Cat Concerto', 'The Little Orphan', 'Johann Mouse', 'The Two Mouseketeers', 'Tom and Jerry at the Hollywood Bowl', 'Down Beat Bear', 'Heavenly Puss', 'Solid Serenade', 'Mice Follies', 'The Invisible Mouse' and 'Quiet Please'. The premise may sound very familiar and formulaic but it has incredibly clever and imaginative execution and actually does do things differently, with less focus on the chases, Tom's plan for once not backfiring and a very atypical ending for a Tom and Jerry cartoon.
As ever with classic Tom and Jerry, the animation is beautiful to watch. Love the colours which are all smooth and vibrant, the gorgeously detailed backgrounds and all the characters are very well drawn (even early-design Tom). The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms, not only fitting perfectly but enhancing the action.
When it comes to the writing, 'The Bodyguard' may be one of the more violent classic Hanna/Barbera-era cartoons but it is also one of the funniest. The gags are never distastefully sadistic like the ones in the Gene Deitch cartoons and they are not only imaginatively timed they are never less than very funny. The story is set up beautifully and never loses the entertainment and intrigue value.
Spike steals the show of the three characters. Brilliantly voiced by Billy Bletcher, he has great comic timing, is very clever and it is hard not to like him. Jerry amuses too and is suitably anarchic, proving to be more than just a cute-looking mouse. The funnier and more interesting of the duo has always been Tom, he not only takes the butt of the laughs wonderfully to great comic effect one also feels sorry for him, the cartoon does a great job with his expressions as is often the case with Tom and Jerry.
Overall, up there with the Hanna/Barbera Tom and Jerry classics. 10/10 Bethany Cox