**** SPOILER ALERT ****
Opens with a 'climate change crisis' Intro. Plot then veers completely off-topic.
Storyline: expounds almost same premise as 'The Edge' ie. city folk do photo-shoot on location in the arctic circle. Hopelessly out-of-their- depth they then run foul of a man-eating stuffed trophy animal/live grizzly bear.
Foregrounding: enter said stuffed trophy bear. An experimental subject, an actual bear is shown, gets loose in a research station that has no stated research goal. The prop from this point onward is a fluffy, plush stuffed trophy bear with maybe a bear tooth denture plate stuck in its mouth.
Development: A bear has been noticed entering the NP-2 corridors on cctv by a brilliant researcher, stroke of brilliance she hails her genius-level colleagues at their galley by intercom to warn. They are not there. The formidable scientists that she aims to warn of danger continue on a path toward their death, she persistently hails the galley intercom in her 'genuine' desperation to save them. She hails it over, and over again; a room, it happens, in which nobody is present anyway. Hollywood did NOT foresee that possibility. Yeh right.
Said scientist flees, escapes research station in panic, leaves door open ..bear escapes. Main protagonists story arc now begins...
Cliché 1950's b+w horror genre except with color. I mean, the budget is post-Silent Movie Era, pre-Star Trek/Space Family Robinson/Jaws theatre stage-prop production quality. Not much of a serious production effort in the Art department. No amount of performing art in the medium of empty space/stage is going to cover for the captured image.
Or
Cue 'The Edge' with Anthony Hopkins and Alec Baldwin also Elle MacPheersom. It is a way better film production.
'Un-Natural' movie is a complete fraud.
Opens with a 'climate change crisis' Intro. Plot then veers completely off-topic.
Storyline: expounds almost same premise as 'The Edge' ie. city folk do photo-shoot on location in the arctic circle. Hopelessly out-of-their- depth they then run foul of a man-eating stuffed trophy animal/live grizzly bear.
Foregrounding: enter said stuffed trophy bear. An experimental subject, an actual bear is shown, gets loose in a research station that has no stated research goal. The prop from this point onward is a fluffy, plush stuffed trophy bear with maybe a bear tooth denture plate stuck in its mouth.
Development: A bear has been noticed entering the NP-2 corridors on cctv by a brilliant researcher, stroke of brilliance she hails her genius-level colleagues at their galley by intercom to warn. They are not there. The formidable scientists that she aims to warn of danger continue on a path toward their death, she persistently hails the galley intercom in her 'genuine' desperation to save them. She hails it over, and over again; a room, it happens, in which nobody is present anyway. Hollywood did NOT foresee that possibility. Yeh right.
Said scientist flees, escapes research station in panic, leaves door open ..bear escapes. Main protagonists story arc now begins...
Cliché 1950's b+w horror genre except with color. I mean, the budget is post-Silent Movie Era, pre-Star Trek/Space Family Robinson/Jaws theatre stage-prop production quality. Not much of a serious production effort in the Art department. No amount of performing art in the medium of empty space/stage is going to cover for the captured image.
Or
Cue 'The Edge' with Anthony Hopkins and Alec Baldwin also Elle MacPheersom. It is a way better film production.
'Un-Natural' movie is a complete fraud.