One of the more interesting entries in the SCOTLAND YARD canon, where the villain turns out to be a gender-bending performer. Director Ken Hughes unearths another seamier side of Mid-Fifties British culture set in the world of the theatre: not the respectable world of pantomime and plays, but the seamier world of revue, just one or two points up fron the Windmill Theatre.
Review of The Strange Case of Blondie
