The first two 'Sharknado' movies were not great and had a lot wrong with them, but they were guilty pleasure fun as long as not taken seriously. 'Sharknado 3: Oh Hell No!' however was a let-down, it lacks the fun and charm of the first two as a result of being too self-aware and trying far too hard, really wanted to not take this seriously and view it as a guilty pleasure but it was just too amateurish and tired.
With 'Sharknado 4: The 4th Awakens', the amateurish-ness and fatigue are multiplied and highly indicative of that despite starting off in guilty pleasure fashion the novelty has worn off and well thin now. The previous film may have lacked charm, fun and energy, though the fun came in occasionally, but 'Sharknado 4: The 4th Awakens' is completely devoid of all three and has so many other things wrong too. Even when one tries to take it for what it's trying to be, which it manages to fail at.
Ian Ziering is likable and charismatic in the lead role, he plays it straight but still looks like he's having fun with the role. There is some nice scenery, an energetic and eerie music score and some of the references are fun and inspired, when they aren't being over obvious or dumb.
Very little else works. Tara Reid continues to be unspeakably awful, her facial expressions look so expressionless and very forced in the few times she tries, her line delivery is mechanical and she constantly looks ill at ease. The dizzying amount of cameos and the quality of them are nowhere near as entertaining as in the first two outings, not just the too deadpan approach but also that they're poorly written and feel too random and brief. Some also downright irritating, especially Jedward whose "annoying factor" from their joke act 'X Factor' days has not changed a bit. David Hasselhoff didn't seem comfortable and neither did Gary Busey.
Even for low-budget, 'Sharknado 4' is very shoddy stuff. The scenery is pretty good but the film is shot in a very rushed-looking and drab way, editing is sloppy as well as choppy and the shark special effects are typical dreadfully artificial Asylum/SyFy fare. Regarding the shark attacks and death scenes (none being good enough to even reach "reasonably fun" level), that the sharks have little personality let alone menace hurts them and even more so the unintentional silliness comes at the expense of thrills and suspense, which are nowhere in sight, and gets tiresome. The film is directed flatly, the energy and enthusiasm in the pacing is missing and there are too many cardboard characters that are difficult to give a toss about. The first two films had some great funny lines, but the script here contains nothing remotely amusing or memorable and instead feels stale and tiresomely cheesy.
'Sharknado 4' is even more of a pale retread than the third film, with very little maintaining interest and instead having numerous scenes leading nowhere It's further not helped by trying too hard being dopey fun and in the process taking itself too seriously at times that any life is sucked out, then including new ideas, like the different kinds of "nados", intended to be fresh but are just cheap and ridiculous.
Overall, a less than extravagant awakening and feels tired. 3/10 Bethany Cox
With 'Sharknado 4: The 4th Awakens', the amateurish-ness and fatigue are multiplied and highly indicative of that despite starting off in guilty pleasure fashion the novelty has worn off and well thin now. The previous film may have lacked charm, fun and energy, though the fun came in occasionally, but 'Sharknado 4: The 4th Awakens' is completely devoid of all three and has so many other things wrong too. Even when one tries to take it for what it's trying to be, which it manages to fail at.
Ian Ziering is likable and charismatic in the lead role, he plays it straight but still looks like he's having fun with the role. There is some nice scenery, an energetic and eerie music score and some of the references are fun and inspired, when they aren't being over obvious or dumb.
Very little else works. Tara Reid continues to be unspeakably awful, her facial expressions look so expressionless and very forced in the few times she tries, her line delivery is mechanical and she constantly looks ill at ease. The dizzying amount of cameos and the quality of them are nowhere near as entertaining as in the first two outings, not just the too deadpan approach but also that they're poorly written and feel too random and brief. Some also downright irritating, especially Jedward whose "annoying factor" from their joke act 'X Factor' days has not changed a bit. David Hasselhoff didn't seem comfortable and neither did Gary Busey.
Even for low-budget, 'Sharknado 4' is very shoddy stuff. The scenery is pretty good but the film is shot in a very rushed-looking and drab way, editing is sloppy as well as choppy and the shark special effects are typical dreadfully artificial Asylum/SyFy fare. Regarding the shark attacks and death scenes (none being good enough to even reach "reasonably fun" level), that the sharks have little personality let alone menace hurts them and even more so the unintentional silliness comes at the expense of thrills and suspense, which are nowhere in sight, and gets tiresome. The film is directed flatly, the energy and enthusiasm in the pacing is missing and there are too many cardboard characters that are difficult to give a toss about. The first two films had some great funny lines, but the script here contains nothing remotely amusing or memorable and instead feels stale and tiresomely cheesy.
'Sharknado 4' is even more of a pale retread than the third film, with very little maintaining interest and instead having numerous scenes leading nowhere It's further not helped by trying too hard being dopey fun and in the process taking itself too seriously at times that any life is sucked out, then including new ideas, like the different kinds of "nados", intended to be fresh but are just cheap and ridiculous.
Overall, a less than extravagant awakening and feels tired. 3/10 Bethany Cox