Kicked out of Vegas for uncovering the presence of a creepy vampire, Darren McGavin's Kolchak refuses to abide by the old adage "What happens in Vegas stays in Vegas!" He heads to Seattle where he runs into old boss Simon Oakland, gets a new job working with him on John Carradine's newspaper, and goes undercover to discover why half a dozen women every 21 years are being murdered in the very same area. Along the way, he encounters some creepy Seattle citizens, among them a prissy library clerk (Wally Cox), a ghoulish professor of the occult (Margaret Hamilton), a drunken tramp (Al Lewis) who has seen perhaps too much, and a group of go-go dancers, one of whom (Joanna Pflug) he brings into his investigation, and another one with a very butch female lover. The mystery involves the old underground city and a nefarious civil war era doctor whose experiments are very Lugosi and Karloff like in their sinister goals.
Obviously heading towards a TV series, Kolchak continues his witty observations about all of these freaky people and puts his own life in jeopardy just so he can get a story. It's ironic to see Carradine cast as a newspaper owner rather than one of the creepy characters involved in McGavin's investigation, and in her one scene, Hamilton is deliciously over the top and given some rather risque dialog. What could in a sense be called a variation of the Jack the Ripper case and the Boston Strangler mystery gets its own unique telling where once again McGavin's narration paves the way for intrigue, subtle comedy and a fun finale where everything is wrapped up yet left open for the potential series which came McGavin's way. A well known TV character actor gets to inhabit the role of the fiendish ghoul, a far cry from their respectable film and television roles, and chewing the scenery (and a few women's throats) along the way.
Obviously heading towards a TV series, Kolchak continues his witty observations about all of these freaky people and puts his own life in jeopardy just so he can get a story. It's ironic to see Carradine cast as a newspaper owner rather than one of the creepy characters involved in McGavin's investigation, and in her one scene, Hamilton is deliciously over the top and given some rather risque dialog. What could in a sense be called a variation of the Jack the Ripper case and the Boston Strangler mystery gets its own unique telling where once again McGavin's narration paves the way for intrigue, subtle comedy and a fun finale where everything is wrapped up yet left open for the potential series which came McGavin's way. A well known TV character actor gets to inhabit the role of the fiendish ghoul, a far cry from their respectable film and television roles, and chewing the scenery (and a few women's throats) along the way.