This inter-war comedy-drama is centred on Ernest Bliss; he is a millionaire but still isn't happy. A friend advises him to see Sir James Aldroyd, a Harley Street consultant. Sir James tells Bliss that the problem boredom; he has so much money he doesn't need to do anything. The two end up making a bet; Bliss must live for a year without touching his financial reserves; if he loses he must pat £50,000, if he wins he gets an apology. He leaves his expensive flat in the hands of his butler the catches a tube to the East End with only five pounds in his wallet.
He struggles to get a job but eventually gets one at a struggling business but after using some of his own money to help the company he moves on so he can't be seen as benefitting from his wealth. He later gets a job working as a chauffeur but keeps in touch with the secretary from his former job. They develop a relationship but will she settle down with a man she thinks is almost penniless?
The story is simple enough but works nicely. The protagonist may be rich but the message to viewers, few of whom could aspire to his wealth, is that money doesn't buy happiness; that it is better to be poor and happy then rich and bored... not too subtle but not as patronising as it could be. Gary Grant does a fine job as Bliss and Mary Brian is likeable as his romantic interest, Frances. There are a couple of entertaining if not entirely necessary subplots; one involving a pair of crooks who think Bliss is merely somebody who looks like him and try to recruit him to rob himself and second involving an employee who is trying to take advantage of Frances. Overall this isn't a classic but it is fun enough, especially if you are a fan of Cary Grant or 1930s British cinema.
These comments are based on watching the shortened version of the film; I must say it did feel a bit rushed at times so it would be interesting to compare it to the full length version.
He struggles to get a job but eventually gets one at a struggling business but after using some of his own money to help the company he moves on so he can't be seen as benefitting from his wealth. He later gets a job working as a chauffeur but keeps in touch with the secretary from his former job. They develop a relationship but will she settle down with a man she thinks is almost penniless?
The story is simple enough but works nicely. The protagonist may be rich but the message to viewers, few of whom could aspire to his wealth, is that money doesn't buy happiness; that it is better to be poor and happy then rich and bored... not too subtle but not as patronising as it could be. Gary Grant does a fine job as Bliss and Mary Brian is likeable as his romantic interest, Frances. There are a couple of entertaining if not entirely necessary subplots; one involving a pair of crooks who think Bliss is merely somebody who looks like him and try to recruit him to rob himself and second involving an employee who is trying to take advantage of Frances. Overall this isn't a classic but it is fun enough, especially if you are a fan of Cary Grant or 1930s British cinema.
These comments are based on watching the shortened version of the film; I must say it did feel a bit rushed at times so it would be interesting to compare it to the full length version.