This has been a great year for alternate realities at the movies. Films like The Matrix, Sixth Sense, Blair Witch Project, Thirteenth Floor, and Run, Lola, Run have all, in different ways, played with the line that separates past from present, reality from simulation, and truth from fiction. Being John Malkovich can be added to this list of innovative films that a recent issue of Entertainment Weekly described as the first films of the 21st century.
There is little in this film that is formula. John Cusack plays a gifted puppeteer who aspires to be one of the world's great puppeteers. Unfortunately, there are not a lot of job openings for puppeteers so he is reduced to street theater where he is clearly underappreciated. An almost unrecognizable Cameron Diaz plays Cusack's wife, a pet lover who is just a little quirky. When Cusack decides to take a job as a file clerk on floor 7.5 of an office building, life becomes even weirder. Cusack discovers an opening behind a file cabinet, a little door that leads into a tunnel. Like the characters in C.S. Lewis's The Lion, the Witch, and the Wardrobe, (or Alice Through the Looking Glass), Cusack jumps in and finds himself in an alternative universe. Instead of Narnia or Wonderland, Cusack finds himself on a 15-minute ride inside actor John Malkovich (played quite capably by . . . John Malkovich).
Cusack joins forces with a co-worker to create a business. For $200 people can spend 15 minutes inside of John Malkovich's head, seeing the world through his eyes. Since this is even better than Real World or a WebCam show, people come in droves. Eventually, Malkovich himself discovers what's going on and jumps the line to go inside of his own mind. This leads to what has to be one of the more unique scenes in the history of film. The story takes on an even more interesting twist when Cusack finds a unique way to fulfill his lifelong dream of being the world's greatest puppeteer.
This is one weird film--and I've left out some of the weird. This is also one of the most creative films I have seen, and the film raises interesting questions about consciousness, identity, love and meaning. There are great performances here by Cusack, Diaz, Malkovich, and Catherine Keener (Cusack's co-worker and eventual love interest). The real star of the show, however, is the story itself. First-time screenwriter Charlie Kaufman has crafted an interesting and innovative story. First-time director Spike Jonze handles the material extremely well. This is clearly not a film for all tastes, and the language and sexual scenes may well offend. This is, however, something that is very rare, in Hollywood--innovative, creative, and thought provoking. Watch for this film during the Oscar nominations. If this doesn't get nominated for screenplay--at least--I will hang up my trophy.
There is little in this film that is formula. John Cusack plays a gifted puppeteer who aspires to be one of the world's great puppeteers. Unfortunately, there are not a lot of job openings for puppeteers so he is reduced to street theater where he is clearly underappreciated. An almost unrecognizable Cameron Diaz plays Cusack's wife, a pet lover who is just a little quirky. When Cusack decides to take a job as a file clerk on floor 7.5 of an office building, life becomes even weirder. Cusack discovers an opening behind a file cabinet, a little door that leads into a tunnel. Like the characters in C.S. Lewis's The Lion, the Witch, and the Wardrobe, (or Alice Through the Looking Glass), Cusack jumps in and finds himself in an alternative universe. Instead of Narnia or Wonderland, Cusack finds himself on a 15-minute ride inside actor John Malkovich (played quite capably by . . . John Malkovich).
Cusack joins forces with a co-worker to create a business. For $200 people can spend 15 minutes inside of John Malkovich's head, seeing the world through his eyes. Since this is even better than Real World or a WebCam show, people come in droves. Eventually, Malkovich himself discovers what's going on and jumps the line to go inside of his own mind. This leads to what has to be one of the more unique scenes in the history of film. The story takes on an even more interesting twist when Cusack finds a unique way to fulfill his lifelong dream of being the world's greatest puppeteer.
This is one weird film--and I've left out some of the weird. This is also one of the most creative films I have seen, and the film raises interesting questions about consciousness, identity, love and meaning. There are great performances here by Cusack, Diaz, Malkovich, and Catherine Keener (Cusack's co-worker and eventual love interest). The real star of the show, however, is the story itself. First-time screenwriter Charlie Kaufman has crafted an interesting and innovative story. First-time director Spike Jonze handles the material extremely well. This is clearly not a film for all tastes, and the language and sexual scenes may well offend. This is, however, something that is very rare, in Hollywood--innovative, creative, and thought provoking. Watch for this film during the Oscar nominations. If this doesn't get nominated for screenplay--at least--I will hang up my trophy.