8/10
Wit, Words, and Windex
6 July 2018
By the time this goes to press My Big Fat Greek Wedding will have set a box-office record for an independent film. The question that begs to be answered is why? There is no epic love story, no superhero, no psychiatrist-turned cannibal, and no guns-blazing action. So how did this low-budget independent film make its way to the top of the box-office heap? What is it that has audiences going back for more? I think it's because there is no epic love story, no superhero, no psychiatrist-turned cannibal, etc. That is, this could be about the family next door.

I know, growing up in Chicago (where the movie is set), I lived next door to a Greek family, and dated a Greek-American girl who was afraid to tell her parents she was dating a non-Greek. This is the central problem in My Big Fat Greek Wedding.

Nia Vardalos, the author of the play on which the movie is based, plays Toula Portokalos, a 30-year old "seating hostess" at the family restaurant. Toula is still single and this makes her a failure of sorts in the eyes of her extended family. The good news is that she falls in love and the guy loves her too. The bad news is that her new love is not Greek, and marrying a non-Greek is the only thing worse than being single.

There's not much suspense in how this story ends. The title is a dead giveaway. But the real excitement and charm is in the telling. This film reminded me of two other romantic comedies, While You Were Sleeping and Return to Me. But this film manages the same humor and charm without resorting to plot devices like rescuing a man thrown on the train tracks or finding out that your new love has your dead wife's heart.

Like those stories, much of the charm comes from the quirky family and friends. Michael Constantine is especially good as Toulah's father, a man who believes Windex can cure anything and all words are derived from Greek. Unlike those movies, this one has an air of plausibility. The characters seem like real people, and while the situations seem strange at points, they are close enough to possible that the viewer is easily caught up in the tale.

In an era of special effects razzle-dazzle and movie spectaculars, I enjoyed this small film with a big heart. If you, like me, are bored with all of the formula films, give this one a chance. Just be sure to take some Windex in case you hurt yourself laughing.
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