Documentaries that singlehandedly convey one person's life are far easier than to tackle an entire culture, so director Livingstone had a challenge ahead to portray New York's ballroom community. A minority culture powered by African-Americans, Latinos, gays and transgenders where they "walk" in a variety of categories for trophies. Against the controversy she received for being a white lesbian female, Livingston intelligently crafted a documentary that manages to be both historically significant and personably poignant. To portray a relatively underground subculture, using each key participant to tackle inherent issues that surround LGBT individuals, whilst presenting developed backstories of each competitor and remaining informative throughout, is nothing short of genius. The AIDS crisis, gender equality, the class and wealth system of American at the time, drag acts and the progression of fashion. A plethora of sensitive subjects where we view the perspective of possibly America's most prominent minority group. It was emotionally impactful and saddening to hear that these young performers yearn for fame and wealth, because it's something they've never experienced and believe it to be a privilege among "real" culture (a category within the balls where performers must act straight). The differing attitudes between younger performers like Venus Xtravaganza and the more experienced like Dorian Corey was refreshing to see. The whole documentary was incredibly powerful and insightful. It's unfortunate that it feels overstuffed, where the narrative cohesion needs more focus. The first half represents a history lesson in comparison to the second half that progresses towards the performers themselves. The short 78 minute runtime is mostly to blame, as Livingstone attempts to pack as many subjects in as possible. However, this documentary gifts us with a rare view into a subculture that never becomes sentimental or emotionally manipulative, and I truly appreciate that.