I thought fellow-blaxploitation horror flick "Blacula" (1972) had slipshod production values and was campy, but, wow, it's "Citizen Kane" compared to "Blackenstein." I understand the other IMDb reviews and voters who voted this movie 1/10, a rating I usually reserve for motion pictures that lack even the most basic of technical competence, for which in many ways this one is wanting. But, I found its wretchedness to be amusing.
The story is thin, the plotting repetitive (the monster interrupts three near rapes, Malcolm exchanges way too many creepy glances, and there are far too many lingering exterior shots of Dr. Stein's residence), the science-y stuff is ludicrous. the monster is pathetically slow and his victims hilariously too stupid to just keep running away, or merely walking away at a comfortable pace, and the editing is some of the worst I've ever seen. I wonder if the film was cut for censorship or something during its violent scenes, because the version I saw was extremely choppy. But, the editing is bad all over the place. The cuts to close-ups of Malcolm and Dr. Walker, for instance, which are also poorly directed and acted--I didn't even know what the movie was trying to convey, at first, until Malcolm declared his love for her.
Like "Blacula" and its sequel "Scream Blacula Scream" (1973), "Blackenstein" has at least one nightclub interlude, where we're treated to a stand-up act and some singing. The dog joke, though, as with much of the movie, is bad, although it's not nearly as atrocious as the use of dogs in the film's conclusion. The actor playing Eddie turned the monster has his arms and legs covered by blankets in too obvious of a way during the scenes where he supposedly has no arms and legs. Choppy editing and dark lighting help hide the later makeup job, where he's made to look like a cross between Universal's Frankenstein monsters and a giant Neanderthal. Additionally, "Blackenstein" doesn't deal with anything like the racial issues that elevated the Blacula films beyond mere camp. The semi-mad doctor Stein is white, but there's also a female black doctor assistant. One detective is black, the other white. Race is never really mentioned. And you can forget about there being any intelligent reworking of Mary Shelley's novel.
But, Dr. Stein's lab is fabulous. I have nothing bad to say about it; it's all I could hope for from a low-budget, bad 1970s exploitation monster movie trying to rip-off the 1931 "Frankenstein," complete with pseudoscientific gizmos, beakers that are always burning with bubbling liquids, shadows cast on the walls, flickering lights, spinning things and other nonsense. The film's lingering and repetitive shots and scenes also are put to good use in showing off the space.
The story is thin, the plotting repetitive (the monster interrupts three near rapes, Malcolm exchanges way too many creepy glances, and there are far too many lingering exterior shots of Dr. Stein's residence), the science-y stuff is ludicrous. the monster is pathetically slow and his victims hilariously too stupid to just keep running away, or merely walking away at a comfortable pace, and the editing is some of the worst I've ever seen. I wonder if the film was cut for censorship or something during its violent scenes, because the version I saw was extremely choppy. But, the editing is bad all over the place. The cuts to close-ups of Malcolm and Dr. Walker, for instance, which are also poorly directed and acted--I didn't even know what the movie was trying to convey, at first, until Malcolm declared his love for her.
Like "Blacula" and its sequel "Scream Blacula Scream" (1973), "Blackenstein" has at least one nightclub interlude, where we're treated to a stand-up act and some singing. The dog joke, though, as with much of the movie, is bad, although it's not nearly as atrocious as the use of dogs in the film's conclusion. The actor playing Eddie turned the monster has his arms and legs covered by blankets in too obvious of a way during the scenes where he supposedly has no arms and legs. Choppy editing and dark lighting help hide the later makeup job, where he's made to look like a cross between Universal's Frankenstein monsters and a giant Neanderthal. Additionally, "Blackenstein" doesn't deal with anything like the racial issues that elevated the Blacula films beyond mere camp. The semi-mad doctor Stein is white, but there's also a female black doctor assistant. One detective is black, the other white. Race is never really mentioned. And you can forget about there being any intelligent reworking of Mary Shelley's novel.
But, Dr. Stein's lab is fabulous. I have nothing bad to say about it; it's all I could hope for from a low-budget, bad 1970s exploitation monster movie trying to rip-off the 1931 "Frankenstein," complete with pseudoscientific gizmos, beakers that are always burning with bubbling liquids, shadows cast on the walls, flickering lights, spinning things and other nonsense. The film's lingering and repetitive shots and scenes also are put to good use in showing off the space.