...this film was a whole lot of fun. It is a fantastic spoof of all those usually pretty bad sword and sorcery movies that came out after Conan the Barbarian and Excalibur were huge hits. It also is a satire of the over-the-top vulgarity of many early 80s comedy hits, and it even takes it up a notch.
To borrow from Rob Reiner/Christopher Guest, they took all these elements and turned them up to 11. This film is about excess and it pulls it off fantastically. It's meant to be a genre-busting stoner movie, and, yes, it's sexist, but this is a *satire*, a point I think a lot of viewers and even more critics missed.
I just watched this now, 7 years later, because I was turned away from it by all the horrible reviews and I'm very grateful I was bored today and gave it a try. Watch it with a bud (nudge, nudge, wink, wink), you will *not* be disappointed. I think we need more films like this that take risks and push boundaries like Animal House and the Blues Brothers as two very apt examples did back in the day.
The comedic genre is increasingly mixed with dramatic content, and even comedies that do well at the box-office don't rate well it seems (a 6.5 on IMDB is fantastic rating for a comedy in my experience, which goes to show how stale a genre can get when it rests on its laurels, and for comedy especially, which at it's core is about pushing boundaries and taking chances, and has been since Duck Soup, Modern Times, etc.).
And good for David Gordon Green to make a movie that he felt like making, one he and I'm sure his friends would enjoy. It looks like it would be a blast making this movie, too. I love his more serious films like Joe, All The Real Girls, Undertow, Snow Angels, etc., mostly dramatic pieces that received critical acclaim. It makes me respect him all the more by moving to comedy when he feels like it like with this film and Pineapple Express; I think is part of the reason why he's one of my favourite directors, one where everyone of his films I've really enjoyed. I always hope that he gets his due credit someday if for no other reason than to lead viewers to some of his lesser known gems, or ones that were unfairly panned by critics who didn't seem to think about what he was trying to achieve, like with Your Highness.
To borrow from Rob Reiner/Christopher Guest, they took all these elements and turned them up to 11. This film is about excess and it pulls it off fantastically. It's meant to be a genre-busting stoner movie, and, yes, it's sexist, but this is a *satire*, a point I think a lot of viewers and even more critics missed.
I just watched this now, 7 years later, because I was turned away from it by all the horrible reviews and I'm very grateful I was bored today and gave it a try. Watch it with a bud (nudge, nudge, wink, wink), you will *not* be disappointed. I think we need more films like this that take risks and push boundaries like Animal House and the Blues Brothers as two very apt examples did back in the day.
The comedic genre is increasingly mixed with dramatic content, and even comedies that do well at the box-office don't rate well it seems (a 6.5 on IMDB is fantastic rating for a comedy in my experience, which goes to show how stale a genre can get when it rests on its laurels, and for comedy especially, which at it's core is about pushing boundaries and taking chances, and has been since Duck Soup, Modern Times, etc.).
And good for David Gordon Green to make a movie that he felt like making, one he and I'm sure his friends would enjoy. It looks like it would be a blast making this movie, too. I love his more serious films like Joe, All The Real Girls, Undertow, Snow Angels, etc., mostly dramatic pieces that received critical acclaim. It makes me respect him all the more by moving to comedy when he feels like it like with this film and Pineapple Express; I think is part of the reason why he's one of my favourite directors, one where everyone of his films I've really enjoyed. I always hope that he gets his due credit someday if for no other reason than to lead viewers to some of his lesser known gems, or ones that were unfairly panned by critics who didn't seem to think about what he was trying to achieve, like with Your Highness.