7/10
Watch it for Brooks, and Wellman's train scenes
6 November 2018
A little thin on plot, but seeing Louise Brooks helps make up for that. We feel her vulnerability and the danger of rape that she faces from the scowling men in the film, first her adoptive father, and then a group of hobos she meets while on the run with Richard Arlen. Director William A. Wellman does a good job of making us feel the grit and grime of this world, and gives quite a few train stunts as well, with people jumping aboard moving trains, decoupling cars, and slipping off perilously at various times. In her auto-biography 'Lulu in Hollywood', Brooks says that Wellman convinced her to take the place of her stunt double and hop aboard a fast-moving boxcar and that it nearly sucked her under its wheels, so it was interesting to look for that scene. The film loses momentum in the middle and has some silly scenes with the hobos (a free-for-all and a mock trial come to mind), but finishes reasonably well, and has a touch of sweetness to it. Watch it for Brooks, and Wellman's train scenes.
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