This is a contemporary film noir. A bleak, harsh look at a society in deep crisis not only of an economic nature but a crisis of moral values as well, where people have lost their moral compass and literally everything is for sale.
It's language is really harsh and this serves the story well because on the one hand it has to do with the mob and on the other hand it signifies the lack of any hope of the main character escaping from the path of the existential annihilation that naturally follows in the end.
People who don't appreciate or understand this realistic depiction of the way the mobsters talk in this movie are the same people who never appreciated the message of movies like Natural Born Killers and thus decided to exhaust their criticism talking about the violence and swearing. No, Ekonomides is not Oliver Stone by any means, but still he's one of the most promising Greek directors right now along with Voulgaris.
This movie is not from the faint hearted. It's a black, unforgiving stare into the abyss. And when you look into the abyss, the abyss looks right back at you!
N.
It's language is really harsh and this serves the story well because on the one hand it has to do with the mob and on the other hand it signifies the lack of any hope of the main character escaping from the path of the existential annihilation that naturally follows in the end.
People who don't appreciate or understand this realistic depiction of the way the mobsters talk in this movie are the same people who never appreciated the message of movies like Natural Born Killers and thus decided to exhaust their criticism talking about the violence and swearing. No, Ekonomides is not Oliver Stone by any means, but still he's one of the most promising Greek directors right now along with Voulgaris.
This movie is not from the faint hearted. It's a black, unforgiving stare into the abyss. And when you look into the abyss, the abyss looks right back at you!
N.