An unsettling and astonishing Japanese film that introduced me to the Japanese New Wave movement.
"Funeral Parade of Roses," like many of the best works of art, defies description or categorization. It dives into the Japanese gay sub-culture of the 1960s, and specifically young gay men who dress and act like women. It blurs the line between fact and fiction; at times, the actors in the movie become actors in a movie within the movie, and the movie itself becomes a documentary about the making of a movie about gay Japanese youths. If you can follow that sentence, then you're on the way to having the right sensibility to enjoy this film.
It's a shocking movie too, going places most other films at the time, and certainly few American movies, would dare. The only big American movie I can think of from that time period that comes even close to tackling subjects that general audiences would find equally unsavory is "Midnight Cowboy," and this film makes that one look like a Doris Day romp in comparison.
Grade: A
"Funeral Parade of Roses," like many of the best works of art, defies description or categorization. It dives into the Japanese gay sub-culture of the 1960s, and specifically young gay men who dress and act like women. It blurs the line between fact and fiction; at times, the actors in the movie become actors in a movie within the movie, and the movie itself becomes a documentary about the making of a movie about gay Japanese youths. If you can follow that sentence, then you're on the way to having the right sensibility to enjoy this film.
It's a shocking movie too, going places most other films at the time, and certainly few American movies, would dare. The only big American movie I can think of from that time period that comes even close to tackling subjects that general audiences would find equally unsavory is "Midnight Cowboy," and this film makes that one look like a Doris Day romp in comparison.
Grade: A