By 1932 the Laurel and Hardy comedy partnership was at the top of its game and Any Old Port! is a fine example of the resultant product. The two star performers and the characters they had honed naturally steal the show, but make no mistake, they are far from being the only talents present here.
In order to fit the short two-reel running time the plot is, of course, a simple one - Stan and Ollie, eager to do the right thing, come to a girl's rescue when a brute tries to force her into marriage. But in so doing they make an enemy, one which they must face again when Stan finds himself drawn against the very same man in a boxing contest.
The magic of the Laurel and Hardy series is just how simple everything appears to be on the surface, belying just how carefully crafted every detail actually was. Comedy is injected into every moment, not just the obvious gags but the deft little touches such as the brief cutaway shot of Long's incredulous reaction as Stan and Ollie make the simple task of signing in at the guest house a cumbersome exercise, or the nervous fumbling with the pool table cues when Long calls the Boys over.
Long excels in this film every bit as much as Laurel and Hardy, making a truly frightening opponent. At the same time, however, and like just about every supporting character in this successful series of shorts, there remains that perceptible undercurrent of the comically absurd even in the scenes when he is threatening the girl. It was this comedic depth to all of the characters that was so sorely missed when Laurel and Hardy made the switch to the big studios , but that's another story.
One of the other unsung stars of Any Old Port! is the pacing; the cutting, the skillfully-planned chase sequence, the comic timing of the performers all contrive to enhance the experience of watching this film and keep the viewer's interest at a high level throughout.
And whilst the passage of decades has wrought many changes on the world, the core themes within this short have ensured that the comedy has not dated: the basic ideas of good against evil, David pitted against Goliath, money corrupting morals and, fundamentally, grown men still being capable of acting like children.
In order to fit the short two-reel running time the plot is, of course, a simple one - Stan and Ollie, eager to do the right thing, come to a girl's rescue when a brute tries to force her into marriage. But in so doing they make an enemy, one which they must face again when Stan finds himself drawn against the very same man in a boxing contest.
The magic of the Laurel and Hardy series is just how simple everything appears to be on the surface, belying just how carefully crafted every detail actually was. Comedy is injected into every moment, not just the obvious gags but the deft little touches such as the brief cutaway shot of Long's incredulous reaction as Stan and Ollie make the simple task of signing in at the guest house a cumbersome exercise, or the nervous fumbling with the pool table cues when Long calls the Boys over.
Long excels in this film every bit as much as Laurel and Hardy, making a truly frightening opponent. At the same time, however, and like just about every supporting character in this successful series of shorts, there remains that perceptible undercurrent of the comically absurd even in the scenes when he is threatening the girl. It was this comedic depth to all of the characters that was so sorely missed when Laurel and Hardy made the switch to the big studios , but that's another story.
One of the other unsung stars of Any Old Port! is the pacing; the cutting, the skillfully-planned chase sequence, the comic timing of the performers all contrive to enhance the experience of watching this film and keep the viewer's interest at a high level throughout.
And whilst the passage of decades has wrought many changes on the world, the core themes within this short have ensured that the comedy has not dated: the basic ideas of good against evil, David pitted against Goliath, money corrupting morals and, fundamentally, grown men still being capable of acting like children.