I never liked William Faulkner, and I never liked Lee Remick, since I always saw her in the same kind of roles, as sinful victims. This film made me completely change my mind about both.
Not that the major credit is to either of them, but the real character here is Odetta as Nancy, the one person who takes responsibility and stands up to things and does something about it, actually interfering with destiny, at a full price which she pays willingly with heroic stoicism. Every scene in which she appears comes alive with a secret life of intensity, as if this presence of fate hanging in the air was self-evidently in her control. The most interesting scene is therefore when she (with the other fallen ladies) interprets the cards telling their fortunes.
It's a tawdry story, many scenes are downright disgusting, but Tony Richardson's direction is impressing as usual, and Yves Montand is the second best to Odetta. Another triumph is the very skilfully contrived music by Alex North. There is a wonderful scene in the dirty bar with all the wenches as they wallow in dancing Charleston. This is a story of the 20s with bootlegging as the chief subject of the plot. I can't help it, but I enjoyed it - and will remember Odetta for this forever.
Not that the major credit is to either of them, but the real character here is Odetta as Nancy, the one person who takes responsibility and stands up to things and does something about it, actually interfering with destiny, at a full price which she pays willingly with heroic stoicism. Every scene in which she appears comes alive with a secret life of intensity, as if this presence of fate hanging in the air was self-evidently in her control. The most interesting scene is therefore when she (with the other fallen ladies) interprets the cards telling their fortunes.
It's a tawdry story, many scenes are downright disgusting, but Tony Richardson's direction is impressing as usual, and Yves Montand is the second best to Odetta. Another triumph is the very skilfully contrived music by Alex North. There is a wonderful scene in the dirty bar with all the wenches as they wallow in dancing Charleston. This is a story of the 20s with bootlegging as the chief subject of the plot. I can't help it, but I enjoyed it - and will remember Odetta for this forever.