8/10
The incredible career of a stepping magician
7 February 2020
This is one of those notorious films in which Orson Welles agreed to play a part because he needed money badly, and here he submits himself to maybe the silliest plot in his life. He is the manager of a queer school for stepping magicians, and could you possibly imagine anything more silly than a stepping magician? Nevertheless, this is a comedy and it constantly grows more hilarious. John Astin is the personal manager of Tommy Smothers, and his character is very similar to that of Gomez in the Addams family of the 60s - you recognize him immediately. What saves the film though is Katherine Ross, always a joy to behold on the screen, and here she enters just in time for the comical climax of the film. It's very unusual to encounter a comedy by Brian de Palma, but you recognize his special cinematographic style immediately. The comedy is absurd, but it definitely succeeds in making you laugh and heartily, for the silliness of the intrigue and its complications transcends all limits of reason while at the same time it consistently remains realistic, as Tommy Smothers actually succeeds in remaining dead serious all through in his absurd mission. It's a kind of Buster Keaton sort of comedy, all dreadfully laughable without the main character ever losing his face.
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