1/10
If this film had been any slower it would have gone backwards.
28 October 2020
And I'm talking ten minutes looking at a bloody doorknob waiting for himself to open the damn door we know he's been meant to go through since the year dot. The entire script must have been made of up HOLDs. I think they thought it was arty? But any tension they managed to build up (which was very little) was lost in the hour-long breaks taken to look down a hallway or at a flippin wall. How many 'legs in the orange light under the doorway' and slack-jawed mouth-breathing darting-bug-eyed expressions can a viewer be subjected to? This question needs to be answered and communicated to the writer/director/editor/cameraman. Mind-numbingly boring and predictable.
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