Personally, and although I like to watch it, I have a lot of itchiness with films and TV series based on historical material. They usually end up having so little rigor in the way they show the past and the real historical characters that they become worthy of my hatred or my disdain, as a historian. This series is another one, with an aggravating tone: we don't know as much as we wanted about Tutankhamun's life. In fact, as far as we know, Tutankhamun is one of the most unlit pharaohs of the dynasty to which he belonged. The story of his father, Akhenaten, is much more interesting in that he led a serious religious conflict in the heart of Egypt, a country where Pharaoh was also head of the state religion. However, it is not possible to escape the fascination that this young king has on us. He is, with his funerary mask, the face of Ancient Egypt.
The real Pharaoh Tut was born out of an incestuous union and began to reign around the age of ten. He married a half sister, with whom he had two daughters who did not survive childhood. The series addresses the problem of succession, but refers very briefly to these births and treats them as simple abortions. The series also takes the opportunity to create around the Pharaoh a web of intrigues and conspiracies involving the vizier Ay, who was head of the government, and the general commander of the army, General Horemheb. Both characters existed and came to reign, successively. One of the most wrong points of the series, from the point of life of historical rigor, concerns the Mitanni. The series portrays this kingdom in a way that, despite never placing it on the world map, seems to place it in present-day Sudan, reasonably close to Egypt for the characters to travel in just a few days' journey. The reality is, however, very different: the Mitanni kingdom was one of the Hurrian kingdoms and was located more or less in today's Kurdistan, far enough from the Egyptian capital to never represent a threat! Even more striking is the wrong way in which Tutankhamun himself is portrayed. In addition to his reasonably European features and white complexion, the pharaoh is shown to be a healthy person, even athletic and able to fight. In fact, and based on the analysis of his mummy, we know that Tutankhamun was fragile and would have had difficulty walking because he suffered from a mild form of scoliosis and a deformed foot. So forget the warrior pharaoh!
Now that we have seen how this series was able to run over history, the question remains: was it worth it? In fact, the series entertains, works well as an entertainment piece despite deceiving people and giving the wrong idea to Pharaoh! Reasonably well done and with an excellent cast, the series is decent.
The cast is strongly based on the performances of two specific actors: Avan Jogia and veteran Ben Kingsley. Both were effective in their work and knew how to act effectively, especially Kingsley, who gave Ay a Machiavellian aura. We also have the good performance of Kylie Bunbury, who gave life to the most emotional character and able to reach the public. Also admirable and praiseworthy were the efforts of Nonso Anozie and Iddo Goldberg. Sibylla Deen gave us the most fragile interpretation, but it was still quite convincing, especially in the scenes with the most dramatic load.
Technically, it is a series of average quality. Cinematography is quite good considering the TV quality that the series exudes. Using and abusing CGI and the green screen that everything makes possible, it was possible to recreate Egypt without great costs, although losing that pleasant feeling of realism. The royal palace with those overlapping floors, for example, is too fanciful to be credible and there are more problems of logic and lack of credibility to arise everywhere. This is the case of Egyptian military armor, clearly invented without the support of archeology, and having as its objective only and only the aesthetic criterion of production. The soundtrack is good, but of TV quality.
The real Pharaoh Tut was born out of an incestuous union and began to reign around the age of ten. He married a half sister, with whom he had two daughters who did not survive childhood. The series addresses the problem of succession, but refers very briefly to these births and treats them as simple abortions. The series also takes the opportunity to create around the Pharaoh a web of intrigues and conspiracies involving the vizier Ay, who was head of the government, and the general commander of the army, General Horemheb. Both characters existed and came to reign, successively. One of the most wrong points of the series, from the point of life of historical rigor, concerns the Mitanni. The series portrays this kingdom in a way that, despite never placing it on the world map, seems to place it in present-day Sudan, reasonably close to Egypt for the characters to travel in just a few days' journey. The reality is, however, very different: the Mitanni kingdom was one of the Hurrian kingdoms and was located more or less in today's Kurdistan, far enough from the Egyptian capital to never represent a threat! Even more striking is the wrong way in which Tutankhamun himself is portrayed. In addition to his reasonably European features and white complexion, the pharaoh is shown to be a healthy person, even athletic and able to fight. In fact, and based on the analysis of his mummy, we know that Tutankhamun was fragile and would have had difficulty walking because he suffered from a mild form of scoliosis and a deformed foot. So forget the warrior pharaoh!
Now that we have seen how this series was able to run over history, the question remains: was it worth it? In fact, the series entertains, works well as an entertainment piece despite deceiving people and giving the wrong idea to Pharaoh! Reasonably well done and with an excellent cast, the series is decent.
The cast is strongly based on the performances of two specific actors: Avan Jogia and veteran Ben Kingsley. Both were effective in their work and knew how to act effectively, especially Kingsley, who gave Ay a Machiavellian aura. We also have the good performance of Kylie Bunbury, who gave life to the most emotional character and able to reach the public. Also admirable and praiseworthy were the efforts of Nonso Anozie and Iddo Goldberg. Sibylla Deen gave us the most fragile interpretation, but it was still quite convincing, especially in the scenes with the most dramatic load.
Technically, it is a series of average quality. Cinematography is quite good considering the TV quality that the series exudes. Using and abusing CGI and the green screen that everything makes possible, it was possible to recreate Egypt without great costs, although losing that pleasant feeling of realism. The royal palace with those overlapping floors, for example, is too fanciful to be credible and there are more problems of logic and lack of credibility to arise everywhere. This is the case of Egyptian military armor, clearly invented without the support of archeology, and having as its objective only and only the aesthetic criterion of production. The soundtrack is good, but of TV quality.