I agree when someone else says that this TV story shows the best of Tony Randall, as excellent as Jack Lemmon was in the Blake Ewards 's masterpiece or even Ray Milland in Billy Wilder's LOST WEEK END. This story is so compelling, so character inner deep depiction. Watch out for the conference scene, when Randall speaks to the executives. Poignant, sad, but so powerful, even not at all in the usual ALFRED HITCHCOCK PRESENTS manner, I agree about that. But who cares?