Emil Jannings and Werner Krauss are both almost unrecognisable in this enjoyable breeze through Shakespeare's play. Jannings is fairly restrained and cuts an impressive figure in the title role; but a portly, moon-faced Krauss (looking like Zero Mostel wearing an earring and a silly little moustache) remains overshadowed by Micheal Macliammoir's poisonously definitive Iago in Orson Welles's version thirty years later.
Review of Othello
