American International Pictures, that famed home of countless delightful B flicks, takes self-referential aim at its own filmography with this knowing script (by the legendary producer Herman Cohen and his frequent collaborator Aben Kandel). It can work as a follow-up to the two A.I.P. "Teenage Werewolf" and "Teenage Frankenstein" classics, with two young actors, Gary Conway (the actual Teenage Frankenstein) and Gary Clarke ('The Virginian'), working on the studios' final monster movie. You see, the new regime at the studio have decreed that the current monster movie cycle is over, and they want to concentrate on upbeat diversions like musicals.
This doesn't sit well with veteran makeup effects designer Pete Dumond; unsung character actor Robert H. Harris ("Valley of the Dolls"), in a rare case of top billing, plays the unstable Dumond. He can't abide the thought of his career possibly being over, so he takes revenge on the new executives, using a new formula in his makeup to make Tony and Larry (Conway and Clarke) very suggestible. Once they are all made up, they make for handy murderers. Dumond and his weak-willed longtime assistant Rivero (Paul Brinegar, "High Plains Drifter") must then dodge frequent questioning by some very determined police.
The landscape is dotted with a variety of familiar character actors - Harris, Brinegar, Malcolm Atterbury ("The Birds"), Morris Ankrum ("Earth vs. the Flying Saucers"), Paul Maxwell ("Aliens"), Thomas Browne Henry ("Beginning of the End"), and Robert Shayne ('Adventures of Superman'), as well as the various creations of real-life monster maker of the era, Paul Blaisdell. These creations also figure into a final sequence that is filmed in color in order for us to properly appreciate them. John Ashley (the later "Blood Island" film series) does a brief musical number.
Overall, the movie offers quite a bit of fun. It is capably directed by Herbert L. Strock, who'd done "I Was a Teenage Frankenstein", as well as other flicks like "Gog", "Blood of Dracula", and "The Crawling Hand". It will have the most resonance for "monster kids" of all decades, but particularly those who originally got to see these efforts in theaters. No, it doesn't sport a lot in the way of atmosphere, suspense, or major scares, but it's pretty hard to resist, just the same.
Seven out of 10.
This doesn't sit well with veteran makeup effects designer Pete Dumond; unsung character actor Robert H. Harris ("Valley of the Dolls"), in a rare case of top billing, plays the unstable Dumond. He can't abide the thought of his career possibly being over, so he takes revenge on the new executives, using a new formula in his makeup to make Tony and Larry (Conway and Clarke) very suggestible. Once they are all made up, they make for handy murderers. Dumond and his weak-willed longtime assistant Rivero (Paul Brinegar, "High Plains Drifter") must then dodge frequent questioning by some very determined police.
The landscape is dotted with a variety of familiar character actors - Harris, Brinegar, Malcolm Atterbury ("The Birds"), Morris Ankrum ("Earth vs. the Flying Saucers"), Paul Maxwell ("Aliens"), Thomas Browne Henry ("Beginning of the End"), and Robert Shayne ('Adventures of Superman'), as well as the various creations of real-life monster maker of the era, Paul Blaisdell. These creations also figure into a final sequence that is filmed in color in order for us to properly appreciate them. John Ashley (the later "Blood Island" film series) does a brief musical number.
Overall, the movie offers quite a bit of fun. It is capably directed by Herbert L. Strock, who'd done "I Was a Teenage Frankenstein", as well as other flicks like "Gog", "Blood of Dracula", and "The Crawling Hand". It will have the most resonance for "monster kids" of all decades, but particularly those who originally got to see these efforts in theaters. No, it doesn't sport a lot in the way of atmosphere, suspense, or major scares, but it's pretty hard to resist, just the same.
Seven out of 10.