"Hong Kong action flick specialist Dante Lam's one-two punch THE BEAST STALKER and THE STOOL PIGEON are essentially manufactured by the same team. Both wrestle with the guilt conscience of police officers, one for his own accidental doing, the other over his maneuver towards at-risk informants, they are exemplars of Hong Kong cinema in the noughties, recruiting actors from mainland China into the indigenous milieu, and striving for a morally correct guidance (both are requisites to secure a lucrative Chinese market release)."
read my full review on my blog: cinema omnivore, thanks.
read my full review on my blog: cinema omnivore, thanks.