Directed by David Butler, it tells the story of two families who held a hatred for generations: the Goodwins and the Dillons. The niece of the former and the son of the latter are united by the love of horse racing, they try to erase the past between their relatives but they do not succeed, generating a dispute with the heads of each house.
At least that's the idea, but reading reviews I found myself in the same situation as everyone. I thought it was a love story with a lot of drama and it ended up being a horse racing movie with an incoherent secondary romance.
It is entertaining and passes fast but it does not mean that its focus is unclear. The characters that should have been the main characters, Loretta Young and Richard Greene, were very flat, especially the first one which seems to always be in the same mood despite all the misfortunes that happen to her during. Both their relationship and the outcome of the betrayal unravel and it is not understood what Greene did wrong or what Loretta did not really know. Undoubtedly the one who knew how to take advantage of it and take over the screen was Walter Brennan, who with his stubborn and curmudgeonly character becomes the funniest, most dynamic and natural part of the film. This role was his second win at the Oscars in 1939 for 'Best Supporting Actor', deserved.
At least that's the idea, but reading reviews I found myself in the same situation as everyone. I thought it was a love story with a lot of drama and it ended up being a horse racing movie with an incoherent secondary romance.
It is entertaining and passes fast but it does not mean that its focus is unclear. The characters that should have been the main characters, Loretta Young and Richard Greene, were very flat, especially the first one which seems to always be in the same mood despite all the misfortunes that happen to her during. Both their relationship and the outcome of the betrayal unravel and it is not understood what Greene did wrong or what Loretta did not really know. Undoubtedly the one who knew how to take advantage of it and take over the screen was Walter Brennan, who with his stubborn and curmudgeonly character becomes the funniest, most dynamic and natural part of the film. This role was his second win at the Oscars in 1939 for 'Best Supporting Actor', deserved.