A handsome vehicle for up-and-coming young Audie Murphy as Jesse James with an interesting cast supporting him both old (Richard Arlen), new ('Tony' Curtis, as he was now billed, now fifth billed and finally getting close-ups) and shortly to be blacklisted (David Bauer under his Hollywood alias 'David Wolfe'). Although shot in pristine Technicolor, parts of it look positively gothic and it's even rather gory in places, the blood showing up bright red.
Most westerns set in the final days of the Civil War mention Quantrill's raiders only in passing, but here he for once takes centre stage in the imposing form of Brian Donlevy, almost twice the age Quantrell was himself, who died aged 27 far less heroically than depicted here.
Marguerite Chapman as the Colonel's robust, immaculately coifed Girl Friday (aptly described as a woman rather than a girl) in glossy red lips and amazing eyebrows is obviously in her thirties and makes baby-faced Audie Murphy looks even younger than he already does; and her interest in him throughout seems more maternal than romantic).
Most westerns set in the final days of the Civil War mention Quantrill's raiders only in passing, but here he for once takes centre stage in the imposing form of Brian Donlevy, almost twice the age Quantrell was himself, who died aged 27 far less heroically than depicted here.
Marguerite Chapman as the Colonel's robust, immaculately coifed Girl Friday (aptly described as a woman rather than a girl) in glossy red lips and amazing eyebrows is obviously in her thirties and makes baby-faced Audie Murphy looks even younger than he already does; and her interest in him throughout seems more maternal than romantic).