Episode films shot with the help of Francesco Rosi, in three different geographical areas, Italy, France and England, and as many languages, but with a common denominator: disturbing youth behavior up to the crime!
Of course not the whole young generation, represented in the film, released from the second world conflict, devoted himself to the overwhelming of one another, to affirm his personality, perhaps wounded by the incongruity of fathers who had allowed and immediately the horrors of the war. But the investigator eye of a young antonioni at his second feature film, focuses on chronicle facts that at that time followed with worrying frequency. Demonstrating the boredom and the cynicism of a bourgeois class which, according to the director, will result in the incommunicability between people who will be represented, as a stylistic figure, in his subsequent films, at least until the movie pop of the movie blow-up which for certain verses, echoes Posthum the English episode, the third, of the film in question.
To see to recognize the evolution of one of the great Italian cinema, hoping that the Cineteca di Bologna or the Criterion can restore the original and integral copy, given the aversion that was made by the censorship of the time!
Of course not the whole young generation, represented in the film, released from the second world conflict, devoted himself to the overwhelming of one another, to affirm his personality, perhaps wounded by the incongruity of fathers who had allowed and immediately the horrors of the war. But the investigator eye of a young antonioni at his second feature film, focuses on chronicle facts that at that time followed with worrying frequency. Demonstrating the boredom and the cynicism of a bourgeois class which, according to the director, will result in the incommunicability between people who will be represented, as a stylistic figure, in his subsequent films, at least until the movie pop of the movie blow-up which for certain verses, echoes Posthum the English episode, the third, of the film in question.
To see to recognize the evolution of one of the great Italian cinema, hoping that the Cineteca di Bologna or the Criterion can restore the original and integral copy, given the aversion that was made by the censorship of the time!