Harriet Lauler (Shirley MacLaine) is an opinionated controlling rich old lady. She's retired after running an advertising company. Her family is estranged and nobody likes her. After OD'ing on her meds, she starts being concerned about her obituary. She hires newspaper obit writer Anne Sherman (Amanda Seyfried) to write one for her.
After talking to the at-risk girls, the story end point is more than obvious. There is also an obvious route for this movie. It's two great actresses on a road trip to self-discovery. Shirley MacLaine has made a career out of this character. This movie just needs some good writing. The writing is sometimes good standard stuff but sometimes gets clunky. The two leads usually are able to work out some good chemistry but some scene falls completely flat. For example, Anne is on a date when Harriet confronts her about her writing. It's an important moment but the date keep budding into it. He's a third wheel who keeps causing them to drive off course. Then there is the main third wheel, the little girl. She's the quintessential sassy black girl. She gets overshadowed despite the movie wanting her to be the breakout star. Harriet's reconnection with her daughter ends with a weird fake laugh. The audience is just like the other characters, looking at Harriet side-eyed. At the end of the day, I just want this to be better. The writing needs to be better.
After talking to the at-risk girls, the story end point is more than obvious. There is also an obvious route for this movie. It's two great actresses on a road trip to self-discovery. Shirley MacLaine has made a career out of this character. This movie just needs some good writing. The writing is sometimes good standard stuff but sometimes gets clunky. The two leads usually are able to work out some good chemistry but some scene falls completely flat. For example, Anne is on a date when Harriet confronts her about her writing. It's an important moment but the date keep budding into it. He's a third wheel who keeps causing them to drive off course. Then there is the main third wheel, the little girl. She's the quintessential sassy black girl. She gets overshadowed despite the movie wanting her to be the breakout star. Harriet's reconnection with her daughter ends with a weird fake laugh. The audience is just like the other characters, looking at Harriet side-eyed. At the end of the day, I just want this to be better. The writing needs to be better.