In 1989, the protestors outside The Revealers Bookstore & peep shows harass booth girl Caito Aase on her way in for a day performing for coin in the slot customers.
Manager Bishop Stevens still hasn't fixed the door. However this happens to be the day of the Apocalypse and Aase finds herself locked in the building with Shaina Schrooten, the protestor girl she exchanges insults with as she arrives, and menaced by yukky unclean (digital) spirits.
The two characters are given motivation. As she gets more covered in dirt and gore, Schrooten resents the humiliations being piled on her. "All my life I've lived as if he was watching." Their growing together is quite involving. Staging of the scary journey is passing convincing and till an ending which is a bit of a let down.
As exploitation fringe film making goes, this one shows quite a bit of skill. It's not hard to imagine those involved doing something more substantial.
Manager Bishop Stevens still hasn't fixed the door. However this happens to be the day of the Apocalypse and Aase finds herself locked in the building with Shaina Schrooten, the protestor girl she exchanges insults with as she arrives, and menaced by yukky unclean (digital) spirits.
The two characters are given motivation. As she gets more covered in dirt and gore, Schrooten resents the humiliations being piled on her. "All my life I've lived as if he was watching." Their growing together is quite involving. Staging of the scary journey is passing convincing and till an ending which is a bit of a let down.
As exploitation fringe film making goes, this one shows quite a bit of skill. It's not hard to imagine those involved doing something more substantial.