This superbly made prison movie is one of the few that put homosexuality in the epicentre. Great Freedom centers around the postwar life path of a German homosexual which more often than not leads him to incarceration whenever he exercises his Freedom of choice. The irony of the German modernity miracle is plain to see.
The protagonist's -played by Rogowski- pathway intertwines more and more with another inmate's, a drug addict played by Friedrich. Both actors performances are exemplary and the latter shines particularly towards the end.
The film has a low profile, recreating a realistic and moody representation of 1950s- 1970s. There are few colours, just a dark grey and washed away blue are used that help acclimatise the viewer. The incorporation of the 'Great step for mankind' into the prison's microcosm is another brilliant moment.
Understandably, many people will consider this a movie about true love. Whatever that means. More generally, it is a story about human condition and the effort to retain one's defining qualities, our humanity in the most arid wastelands. Ultimately, as Rilke would have put it, this can only be a tale about loneliness.
An emblematic scene arises at the court when the judges clinically y summarise Rogowski's moral crimes and deprivation. The bureaucratic onslaught carried out with impeccable bureaucratic professionalism and disregard for human life leaves the audience numb and speechless.
To capitalism critics the movie offers a striking parable to former-communist countries collapse. The Great Freedom they were promised, never realised. This can explain the last scene, which I nevertheless find more convincing than Moonlight's far-fetched virginity supposition.
The protagonist's -played by Rogowski- pathway intertwines more and more with another inmate's, a drug addict played by Friedrich. Both actors performances are exemplary and the latter shines particularly towards the end.
The film has a low profile, recreating a realistic and moody representation of 1950s- 1970s. There are few colours, just a dark grey and washed away blue are used that help acclimatise the viewer. The incorporation of the 'Great step for mankind' into the prison's microcosm is another brilliant moment.
Understandably, many people will consider this a movie about true love. Whatever that means. More generally, it is a story about human condition and the effort to retain one's defining qualities, our humanity in the most arid wastelands. Ultimately, as Rilke would have put it, this can only be a tale about loneliness.
An emblematic scene arises at the court when the judges clinically y summarise Rogowski's moral crimes and deprivation. The bureaucratic onslaught carried out with impeccable bureaucratic professionalism and disregard for human life leaves the audience numb and speechless.
To capitalism critics the movie offers a striking parable to former-communist countries collapse. The Great Freedom they were promised, never realised. This can explain the last scene, which I nevertheless find more convincing than Moonlight's far-fetched virginity supposition.