There's no getting around the densely populated territory this movie plays in. The "evil doll" notion has been around seemingly forever, and dominated for a long time by the 'Child's play' series that saw the first three entries released all within a few short years (or months!) all before this. Though specifics differ, scenes and story beats recall Don Mancini's brainchild, 'The omen,' and various other genre flicks even including 'The exorcist,' while plot development is decidedly direct and swift. 'Dolly Dearest' is modestly enjoyable, but it also isn't anything to get especially excited about.
I don't think this is altogether bad. It's fairly well made, in fact. The picture ably carries slight measures of atmosphere at times, and a few small moments are almost mildly hair-raising or thrilling. Such as it is, I think 'Dolly Dearest' is reasonably well written and directed; some scenes come off better than others. I like Mark Snow's score in and of itself, dramatic and dynamic; post-production visuals are dated, but effects at large look good. The production design and art direction are swell generally, and the cast are fine - Hey! Denise Crosby! Rip Torn! A job well done, young Candace Hutson! It's hardly gripping and essential, but when all is said and done this is passably entertaining genre fare.
There are issues, however, and the biggest is that there's nothing here we haven't seen before. No matter how well done this or that may be, nothing particularly inspires, let alone elevates one's pulse. It's not quite accurate to say this is "horror by numbers," but such a phrase does loosely approximate how it looks and feels. More concretely, 'Dolly Dearest' is almost certainly at its best where the genre element is more suggested than shown; a dash of subtlety can go a long way. While they look good in and of themselves, the more a scene shows us of the titular toys in action, the more dubious it all becomes. And while the screenplay is suitable enough in the broad strokes, some of the dialogue and scene writing is overly tired, if not outright hackneyed. For all the hard work and care that went into making this, there are definite rough patches throughout the writing, and in some parts that really shows. With this said, the actors on hand perform admirably overall, but there's no doubt they're restricted by the material.
I can't say I didn't have a good time watching. If it's a horror movie you want, a horror movie you'll get. Only, there's a splendid array of other features past and present that are more original, more chilling, more compelling, and all around better. For as fundamentally solid as 'Dolly Dearest' is, weaknesses and shortcomings hold it back to the point that this is best reserved for a lazy, quiet day; file under "why not." Most recommendable specifically for fans of the cast, there are much worse things you could see, but plenty other horror flicks should top your watch list first.
I don't think this is altogether bad. It's fairly well made, in fact. The picture ably carries slight measures of atmosphere at times, and a few small moments are almost mildly hair-raising or thrilling. Such as it is, I think 'Dolly Dearest' is reasonably well written and directed; some scenes come off better than others. I like Mark Snow's score in and of itself, dramatic and dynamic; post-production visuals are dated, but effects at large look good. The production design and art direction are swell generally, and the cast are fine - Hey! Denise Crosby! Rip Torn! A job well done, young Candace Hutson! It's hardly gripping and essential, but when all is said and done this is passably entertaining genre fare.
There are issues, however, and the biggest is that there's nothing here we haven't seen before. No matter how well done this or that may be, nothing particularly inspires, let alone elevates one's pulse. It's not quite accurate to say this is "horror by numbers," but such a phrase does loosely approximate how it looks and feels. More concretely, 'Dolly Dearest' is almost certainly at its best where the genre element is more suggested than shown; a dash of subtlety can go a long way. While they look good in and of themselves, the more a scene shows us of the titular toys in action, the more dubious it all becomes. And while the screenplay is suitable enough in the broad strokes, some of the dialogue and scene writing is overly tired, if not outright hackneyed. For all the hard work and care that went into making this, there are definite rough patches throughout the writing, and in some parts that really shows. With this said, the actors on hand perform admirably overall, but there's no doubt they're restricted by the material.
I can't say I didn't have a good time watching. If it's a horror movie you want, a horror movie you'll get. Only, there's a splendid array of other features past and present that are more original, more chilling, more compelling, and all around better. For as fundamentally solid as 'Dolly Dearest' is, weaknesses and shortcomings hold it back to the point that this is best reserved for a lazy, quiet day; file under "why not." Most recommendable specifically for fans of the cast, there are much worse things you could see, but plenty other horror flicks should top your watch list first.