Jaume Balagueró is a filmmaker who loves telling stories about horrors that take place in apartments. REC, REC², Sleep Tight, To Let, Inquilinos (short).. the list goes on. Venus is a genre-bender with heavy inclinations towards cosmic horror (loosely inspired by H. P. Lovecraft's short story "The Dreams in the Witch House"). Venus begins as a crime-drama about stolen drugs, though the film drops early hints about the horrors that await the protagonist Lucía. Things aren't what they seem, and there are mysteries surrounding the building she takes refuge in, i.e. Her sister's residence. Fernando Navarro's writing gives nearly equal footing to both crime and horror angles, but I was obviously more invested in the latter.
The visual style of Balagueró is still something to watch out for, and when coupled with practical effects, the outcome in certain scenes is a Lovecraftian horror fan's wet dream. That said, the way both stories eventually blend into one isn't really smooth, and as a viewer, you have no choice but to lean into the absurdity of it all. Ester Expósito gets a meaty role and she's the only one in the film to come out looking absolutely badass. The other characters purely exist as victims or villains. The finale will leave some viewers perplexed (like, THAT'S IT?) whereas some may deem it poetic justice.
The visual style of Balagueró is still something to watch out for, and when coupled with practical effects, the outcome in certain scenes is a Lovecraftian horror fan's wet dream. That said, the way both stories eventually blend into one isn't really smooth, and as a viewer, you have no choice but to lean into the absurdity of it all. Ester Expósito gets a meaty role and she's the only one in the film to come out looking absolutely badass. The other characters purely exist as victims or villains. The finale will leave some viewers perplexed (like, THAT'S IT?) whereas some may deem it poetic justice.