Early in his film career, Neal briefly worked at MGM. His first role was in "Out West with the Hardys" from Mickey Rooney's "Andy Hardy" series. This one came next and is from the studio's B-movie unit, starring Ruth Hussey as a clerk wrongfully convicted of theft. After serving 3 years in prison, she seeks revenge on the department store tycoon who sent her upriver. It's not bad and it's certainly a cut above the cheap PRC and Republic movies in Neal's later career.
The film itself is a remake of a 1911 play about a saleswoman who becomes a criminal mastermind using legal means ("Within the Law") to screw with the system she blames for her downfall. It spawned 5 film versions, including a silent one with Norma Talmadge and the most famous being "Paid" in 1930 with Joan Crawford. This is the final version.
Hussey was actually a major lead in MGM's B-unit, but is best known today for her supporting roles ("The Philadelphia Story," "Susan and God") and her time on Broadway. She's a little too sophisticated for a saleswoman, but she still pulls it off. A few MGM regulars, including Paul Kelly performing his standard gangster role, are involved. Neal isn't especially good as the rich department store son Hussey marries and (surprise, surprise) falls in love with. The film again highlights that he was much better at playing crooks and crooks than a jovial protagonist.
The story is highly improbable. But I enjoyed the working class versus the rich tones, as well as a smart woman being the leader of a group of crooks and crooks. Finally, I'm always amused by some of the weird women's fashions of the time (costumes here from Dolly Tree). In the final scene, Hussy is wearing an outfit that seems more suited to a carnival or magic act.
The film itself is a remake of a 1911 play about a saleswoman who becomes a criminal mastermind using legal means ("Within the Law") to screw with the system she blames for her downfall. It spawned 5 film versions, including a silent one with Norma Talmadge and the most famous being "Paid" in 1930 with Joan Crawford. This is the final version.
Hussey was actually a major lead in MGM's B-unit, but is best known today for her supporting roles ("The Philadelphia Story," "Susan and God") and her time on Broadway. She's a little too sophisticated for a saleswoman, but she still pulls it off. A few MGM regulars, including Paul Kelly performing his standard gangster role, are involved. Neal isn't especially good as the rich department store son Hussey marries and (surprise, surprise) falls in love with. The film again highlights that he was much better at playing crooks and crooks than a jovial protagonist.
The story is highly improbable. But I enjoyed the working class versus the rich tones, as well as a smart woman being the leader of a group of crooks and crooks. Finally, I'm always amused by some of the weird women's fashions of the time (costumes here from Dolly Tree). In the final scene, Hussy is wearing an outfit that seems more suited to a carnival or magic act.