Glazers movie is loosely based on Martin Amis' novel The Zone Of Interest, extracting just one aspect out of it, the so-called normal life of the Höss family, living next to Auschwitz Concentration Camp, which was under Höss' command. Their life is being shown in an almost documentary style, in absolutely realistic reconstruction of the historical setting. Everything about their home is so bluntly normal, average and pseudo idyllic that it would be even boring, if we weren't be aware of the concentration camp hell just behind the wall around their garden.
What we don't see we're getting to hear on the background sound. While garden parties are being celebrated and children play at the pool side, we hear the barking of dogs, brutal shouting, the shooting, the permanent sound of industrial murder, as a constant reminder of the atrocities the family doesn't ever seem to notice.
The banality of evil is based on ignoring the murderous Nazi reality all around.
What we get to see sometimes are smoking chimneys and the smoke of incoming trains in the distance, transporting more victims to the gas chambers.
The erasing horror is a result of Glazers concept of refusing any empathy and subjective involvement to the viewer, with disturbing effect, because we, unlike the Nazi family, are unable to suppress the obvious.
For some this might be an unbearable patience test, for others it might raise the question of how much we're suppressing and ignoring nowadays to be able to continue our average daily life.
What we don't see we're getting to hear on the background sound. While garden parties are being celebrated and children play at the pool side, we hear the barking of dogs, brutal shouting, the shooting, the permanent sound of industrial murder, as a constant reminder of the atrocities the family doesn't ever seem to notice.
The banality of evil is based on ignoring the murderous Nazi reality all around.
What we get to see sometimes are smoking chimneys and the smoke of incoming trains in the distance, transporting more victims to the gas chambers.
The erasing horror is a result of Glazers concept of refusing any empathy and subjective involvement to the viewer, with disturbing effect, because we, unlike the Nazi family, are unable to suppress the obvious.
For some this might be an unbearable patience test, for others it might raise the question of how much we're suppressing and ignoring nowadays to be able to continue our average daily life.