'Long Lost Christmas' (2022)
Opening thoughts: Was generally not particularly impressed by the previous 2022 Hallmark Christmas Movies and Mysteries films, the best being the promising 'We Need a Little Christmas' and there was a lot good about 'Our Italian Christmas Memories'. 'Christmas Bedtime Stories' and particularly 'Maple Valley Christmas' were very bad. As said elsewhere, Hallmark have succeeded in the past with producing quieter more serious films.
'Long Lost Christmas' is by far the best 2022 Hallmark Christmas Movies and Mysteries film up to this point and one of the best of what continued to be a very variable seasonal block. 'Long Lost Christmas' is a beautiful film and in the better half of Hallmark's 2022 Hallmark output, as well as proof of Taylor Cole (personally find her on the take and leave side) being capable of giving a good performance with good material.
Bad things: It is not quite perfect. The pace is a little too slow to begin with.
One reaction to a major revelation leading into the conflict didn't really ring true, seeming at odds at what is revealed, and came slightly out of nowhere. Maybe the music could have been toned down at times.
Good things: However, 'Long Lost Christmas' is beautifully acted. Cole's performance is very charming and heartfelt, she has a good deal of warmth and there is none of the ice queen persona that is present in some of her roles. Benjamin Ayres' character is somewhat a cipher, but one that Ayres brings a lot of subtle charisma and easy-going charm to him.
The supporting cast are strong, Jacqueline Ann Stuart bringing a lot of class. The characters are relatable and sympathetic and the relationships are written in a way that's affecting and easy to relate to. That between Cole's character and the daughter in particular.
Moreover, it is pleasingly shot with lovely scenery. The music is still pleasant enough and the direction is accommodating without losing momentum. The script is thought provoking and doesn't go overboard on the schmaltz (meaning not too frequent or too heavy). The story is quiet and reflective and has a lot of poignant emotional impact, it isn't too predictable and is honest and charming. Did tear up at the ending.
Closing thoughts: Overall, beautiful.
8/10.
Opening thoughts: Was generally not particularly impressed by the previous 2022 Hallmark Christmas Movies and Mysteries films, the best being the promising 'We Need a Little Christmas' and there was a lot good about 'Our Italian Christmas Memories'. 'Christmas Bedtime Stories' and particularly 'Maple Valley Christmas' were very bad. As said elsewhere, Hallmark have succeeded in the past with producing quieter more serious films.
'Long Lost Christmas' is by far the best 2022 Hallmark Christmas Movies and Mysteries film up to this point and one of the best of what continued to be a very variable seasonal block. 'Long Lost Christmas' is a beautiful film and in the better half of Hallmark's 2022 Hallmark output, as well as proof of Taylor Cole (personally find her on the take and leave side) being capable of giving a good performance with good material.
Bad things: It is not quite perfect. The pace is a little too slow to begin with.
One reaction to a major revelation leading into the conflict didn't really ring true, seeming at odds at what is revealed, and came slightly out of nowhere. Maybe the music could have been toned down at times.
Good things: However, 'Long Lost Christmas' is beautifully acted. Cole's performance is very charming and heartfelt, she has a good deal of warmth and there is none of the ice queen persona that is present in some of her roles. Benjamin Ayres' character is somewhat a cipher, but one that Ayres brings a lot of subtle charisma and easy-going charm to him.
The supporting cast are strong, Jacqueline Ann Stuart bringing a lot of class. The characters are relatable and sympathetic and the relationships are written in a way that's affecting and easy to relate to. That between Cole's character and the daughter in particular.
Moreover, it is pleasingly shot with lovely scenery. The music is still pleasant enough and the direction is accommodating without losing momentum. The script is thought provoking and doesn't go overboard on the schmaltz (meaning not too frequent or too heavy). The story is quiet and reflective and has a lot of poignant emotional impact, it isn't too predictable and is honest and charming. Did tear up at the ending.
Closing thoughts: Overall, beautiful.
8/10.