If we really want to place 'Cries and Whispers' (the original Swedish title is 'Viskningar och rop'), the film made in 1972 by Ingmar Bergman, in a category or genre of films, the most appropriate categorization would be 'family drama' with the addition of 'period', the story taking place sometime at the beginning of the 20th century, the period in which the action of August Strinberg's plays also takes place. However, it is one of those films that refuses to be categorized and which, over time, we realize is itself a separate category and genre. Or in other words - a masterpiece.
The story takes place in the mansion of a rich family from the Swedish province. The three sisters who grew up here are together again, but the circumstances are not happy. Agnes, the unmarried sister and permanent tenant of the villa, is sick with cancer and lives her last days in suffering. Karin and Maria come to be with her in her last moments, but the one who really supports her in her suffering before her death, and perhaps after, is the faithful servant Anna. Each of the four women carries a baggage of sufferings, frustrations, unhappiness. Agnes's suffering is physical, but her memories are not very happy either, she experiences the feeling that she was their mother's least loved daughter. Karin cannot stand physical contact, primarily with her much older husband. Maria, the youngest sister and the most beautiful of the three, also has an unsuccessful marriage marked by infidelities. Karin and Maria each carry the memories of traumatic events that happened in the past in the same villa. Finally, Anna, a simple woman with a round face, carries with her the memory of her dead little girl. She is the only one of the four women who is faithful. After the death of their sick sister, Karin and Maria will try to reconnect, but the accumulation of frustrations and hatred is difficult to overcome.
Cinematography plays an essential role in this film. Some scenes make direct references to the Bible. The dominant color is red - "the color of the interior of the soul". The walls of the villa are painted red, the transition between scenes is done using the color red rather than the usual black, and blood appears in some dramatic scenes. For contrast, white is used quite a lot, the color of the heroines' clothing, which will be replaced by black after Agnes' death. Cinematographer Sven Nykvist won the Academy Award for Best Cinematography - the only Academy Award won by this film (out of 5 nominations, including Best Picture). The acting performances are overwhelming. The performances of the four actresses are all the more remarkable as Ingmar Bergman was a fanatic of close-ups and did not hesitate to use them copiously in this film as well. Agnes is Harriet Andersson - dramatic and emotional, experiencing physical suffering but also a coming to life hinting at the Resurrection. Ingrid Thulin and Liv Ullmann play Karin and Maria and their scenes together are anthological. Finally, Kari Sylwan is Anna, managing to create a deeply human but also symbolic character, the social and moral opposite of the three sisters. 'Cries and whispers' is a deeply human film, loaded with moral and religious references, a film about death, pain, hatred and compassion, about the power of empathy and about the priceless value of small moments of happiness. Sensitive and symbolic. Not to be missed.
The story takes place in the mansion of a rich family from the Swedish province. The three sisters who grew up here are together again, but the circumstances are not happy. Agnes, the unmarried sister and permanent tenant of the villa, is sick with cancer and lives her last days in suffering. Karin and Maria come to be with her in her last moments, but the one who really supports her in her suffering before her death, and perhaps after, is the faithful servant Anna. Each of the four women carries a baggage of sufferings, frustrations, unhappiness. Agnes's suffering is physical, but her memories are not very happy either, she experiences the feeling that she was their mother's least loved daughter. Karin cannot stand physical contact, primarily with her much older husband. Maria, the youngest sister and the most beautiful of the three, also has an unsuccessful marriage marked by infidelities. Karin and Maria each carry the memories of traumatic events that happened in the past in the same villa. Finally, Anna, a simple woman with a round face, carries with her the memory of her dead little girl. She is the only one of the four women who is faithful. After the death of their sick sister, Karin and Maria will try to reconnect, but the accumulation of frustrations and hatred is difficult to overcome.
Cinematography plays an essential role in this film. Some scenes make direct references to the Bible. The dominant color is red - "the color of the interior of the soul". The walls of the villa are painted red, the transition between scenes is done using the color red rather than the usual black, and blood appears in some dramatic scenes. For contrast, white is used quite a lot, the color of the heroines' clothing, which will be replaced by black after Agnes' death. Cinematographer Sven Nykvist won the Academy Award for Best Cinematography - the only Academy Award won by this film (out of 5 nominations, including Best Picture). The acting performances are overwhelming. The performances of the four actresses are all the more remarkable as Ingmar Bergman was a fanatic of close-ups and did not hesitate to use them copiously in this film as well. Agnes is Harriet Andersson - dramatic and emotional, experiencing physical suffering but also a coming to life hinting at the Resurrection. Ingrid Thulin and Liv Ullmann play Karin and Maria and their scenes together are anthological. Finally, Kari Sylwan is Anna, managing to create a deeply human but also symbolic character, the social and moral opposite of the three sisters. 'Cries and whispers' is a deeply human film, loaded with moral and religious references, a film about death, pain, hatred and compassion, about the power of empathy and about the priceless value of small moments of happiness. Sensitive and symbolic. Not to be missed.