A superb dramatic movie, more a drama than a thriller. One of the best acting by the talented, flexible and universal actor that Michael Keaton is.
The movie is raw, emotional and very well-made, having awesome vibe and flow on its own script terms. Nothing is clogged, drawn out and dragged. Sure, the logic is not on par, but it has a better one than most productions.
Knox's fast-evolving issues, on a weekly basis, felt real and were very saddening on medical terms and viewpoints, while we were offered graceful and thrilling dramatic developments up to the end.
A special note to James Marsden believable acting and the detectives, especially Detective Emily Ikari who really gave embodiment to her tasked duty.
The movie is raw, emotional and very well-made, having awesome vibe and flow on its own script terms. Nothing is clogged, drawn out and dragged. Sure, the logic is not on par, but it has a better one than most productions.
Knox's fast-evolving issues, on a weekly basis, felt real and were very saddening on medical terms and viewpoints, while we were offered graceful and thrilling dramatic developments up to the end.
A special note to James Marsden believable acting and the detectives, especially Detective Emily Ikari who really gave embodiment to her tasked duty.
- Screenplay/storyline/plots: 6.5
- Production value/impact: 7.5
- Development: 8
- Realism: 7.5
- Entertainment: 8
- Acting: 8
- Filming/photography/cinematography: 7
- VFX: 8
- Music/score/sound: 8
- Depth: 7
- Logic: 6
- Flow: 8
- Thriller: 7
- Ending: 8.