Little Mary Sunshine (1916) Poster

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5/10
Cutesy
Cineanalyst4 December 2009
This short silent feature, "Little Mary Sunshine", is mostly an exercise in photographing a cute child being cute. Its highpoint is when the little girl interacts with and competes in cuteness with a trained bear, first in a humorous episode with the bear drinking water from a hose and, second, in the girl's dream where she offers the bear milk and a bath. (Clearly, there were laxer standards of child safety back then.) Otherwise, nothing of much interest happens, resulting in an essentially forgettable picture.

In the first part, there are parallel stories, which at first appear to be unconnected, but which will later become intertwined. Additionally, we're fed a dull teetotaler message after the male lead loses his fiancée after he gets drunk and after little Mary's drunkard father terrorizes his family. Technically, "Little Mary Sunshine" is unimpressive and probably somewhat below average; some of the editing seems especially choppy, although the print isn't in great shape. Some abrupt cuts were probably original, though, such as the one that leaves us only to assume that Mary's father struck her mother, but which we never see. A couple actors even look directly in the camera's direction, probably receiving direction--briefly but noticeably--another indication that this film was produced by a small company and by a then-inexperienced director Henry King.

By the way, as of this writing, the child star here, "Baby" Marie Osborne is one of the few to still survive from the early silent era and has recently turned 98. "Little Mary Sunshine" seems to be her only silent film available and to have also survived to today. In his "Silent Films" guide, Robert Klepper relates that in 1998, thanks to film preservationists, Osborne saw this picture after not having seen any of her silent films since the silent era.

EDIT: Marie Osborne Yeats died 11 November 2010 - a few days after her 99th birthday.
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Pleasant, If A Little Bland, & A Chance to See A Forgotten Child Star
Snow Leopard3 January 2006
This pleasant if somewhat bland feature is not bad for its time and genre, and it offers a chance to see Baby Marie Osborne, a long forgotten child star of her era. The feature was made during the years when film-makers were gradually learning the differences between short features and full-length movies, and this is an example of a story that would have been perfect for a somewhat shorter movie. Nevertheless, it's worth seeing, just a little slow.

Osborne plays "Little Mary Sunshine", a young child who is suddenly orphaned and taken in by the parents of Bob, a young man whose drunkenness has just ruined his engagement. The actual story is mostly a setup for the interaction between Osborne and her new family. Much of the time, she is simply expected to look engaging, while the adult characters drive the action.

Osborne does get a couple of sequences in which she is really the star, and they are the most entertaining parts of the movie. The sequences with the tame bear are amusing, and the interplay between the child and the equally endearing bear is enjoyable. Henry King both directed and played Bob, and he did a solid job on both counts.

Osborne made a fair number of movies as a child, but this seems to be the only one that has been found anywhere. Aside from providing some light entertainment, it is worth seeing to watch one of many of the stars of the era, who would otherwise not be remembered except through second-hand accounts and a handful of brief screen appearances later in her life.
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4/10
Bear with What Drink Did
wes-connors23 November 2007
Henry King (as Bob Daley) and Marguerite Nichols (as Sylvia Sanford) are engaged; to celebrate, Mr. King goes out drinking with the boys. Meanwhile, "Baby" Marie Osborne (as "Little" Mary) sits with her ailing (or abused) mother Mollie McConnell. She gets Ms. McConnell a drink, and plays with her doll. King continues to drink; so much so, he is late for a theater date with Ms. Nichols. Then, Mary's father stumbles home, obviously drunk, and fights with his wife. King finally arrives for his date, stumbling drunk; furious, Nichols ends their engagement, and throws him out. Elsewhere, Osborne runs away from home; her mother has died. So that she can get to Heaven faster, and see her mother again, "Little Mary" stows away in a fast car; there, she meets the despondent King.

Has Providence provided King's life with meaning?

This "Sunbeam" was a cute draw for viewers; so, King starred in several more films with "Baby" Marie Osborne. King was more renown as a director; and, Marguerite Nichols was, arguably, more renown as Mrs. Hal Roach. The early 1900s cars are very cool. The adults are more interesting viewing than the little girl -- her antics with a live bear are unsettling. Still, "Mr. Bear" always appears gentle on screen, even when chasing "Baby" Marie, after she gives him a bath, thanks to Providence, no doubt.

**** Little Mary Sunshine (3/6/16) Henry King ~ Marie Osborne, Henry King, Marguerite Nichols
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2/10
Overdose on sugar if you dare; disgusting acting besides!
mmipyle28 September 2020
Overdosed on sugar last night by watching "Little Mary Sunshine" (1916) with "Baby" Marie Osborne, Henry King, Marguerite Nichols, Andrew Arbuckle, and Mollie McConnell. Not only starring Henry King, but also directed by him, this might have been worth watching. After all, King directed "Tol'able David", "Twelve O'clock High", "The Gunfighter", and many, many other very fine films later. But this one??! Everybody, including King himself, keeps looking at the camera as though camera shy. Marie Osborne is OBVIOUSLY listening to the director tell her what to do, where to move, who or what to look at, etc. "Baby" Marie - oh, I'm so sorry to say! - is as cute as a button, and simply one of the worst child actresses I've ever seen. The 46 minutes that remain of this film - and I'm sure it must have been closer to 50 or more originally - fluctuate between bathos, morality tale, and simply implausible nonsense of the worst sort. The scenes with the bear, which most people will admit to liking best about the film over all the humans, will appeal to the four year olds who watch - and no doubt did in 1916 - but will have a difficult time appealing to the four year old mentality that remains today in those over five to ninety-five.
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3/10
Tedious direction, dreary plot!
JohnHowardReid6 January 2018
Warning: Spoilers
Everyone likes to get two movies for the price of one on a single DVD, especially when both movies are worth seeing. That, alas, is not exactly the case on the Unknown Video double of Tom Sawyer (1917) and Little Mary Sunshine (1916).

The second feature is a nice tinted print, but, alas, it out-stays its welcome long before its short running time of 46 minutes is up.

I'm not a fan of Baby Marie Osborne who plays the title role. And the tediously slow-paced direction of Henry King does nothing for the dreary, hearts-and-flowers plot.

On the other hand, Tom Sawyer, as directed by the legendary William Desmond Taylor, is quite a find. Disappointingly, the movie comes to a sudden halt after a mere 59 minutes with the playing-at-pirates episode which occurs (if my memory serves me correctly) halfway through the Mark Twain book. Nonetheless, this is a remarkably realistic version which comes closer to the novel's atmosphere. True, Jack Pickford is a little old for the lead character, but he gives Tom such an enthusiastic workout, we can overlook this factor. You can tell this is a Kodascope version. It has been re-edited, but it's a very nice print and well worth the money.
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The King and her
kekseksa1 March 2018
It is curious to find someone talking of "not being a fan of Marie Osborne" as though her films were everywhere to be seen and evaluated. This is not absolutely the only film I know of but the only other one if a very abbreviated version of one (Dolly' Vacation) in a series of comedies he made in which, rather remarkably, she co-stars with young black child star Ernest Morrison right at the beginning of his career. It is, needless to say, Baby Marie who is billed but Ernie is quite as important in the film and this, and the other films they made together, represents the only examples I know of a black actor co-starring in a full-length mainstream (ie not a "race" film with only black actors) feature film until.....the 1930s (except...see below).

In that snippet Ernie rather outacts Marie but in this film, rather well directed by Henry King, she does considerably better even if she is again upstaged, this time by a bear. Compared with other child stars, she is not overly winsome - she was herself genuinely a foundling of some kind - and King, who does a good job also as her co-star, keeps the tenor reasonably low-key and natural throughout.

The references to her as "sunshine" and "gold", although they may seem a shade yukky, are actually a sly allusion to George Eliot's Silas Marner which is clearly in part the inspiration for the plot. To appreciate the point visually have a look at Jean Girardin who played the part of little Eppie in the 1922 film of the Eliot novel (there was also a version in 1916),a blond-haired little girl who was known "the most photographed girl in America" because of her appearance in streetcar-ads (and who, at 110, is seemingly still alive). I do not know if the film as such survives but Charles Urban's George Eliot (1922), which appears on the web as "Silas Marner", is actually mostly a long trailer for the film and includes the relevant scene.

For a slight modern fairy-tale with a fashionable anti-drink message tacked on, it does not do too badly. Little Marie would not really have much of a career but Henry King would go on to make some excellent films. The film was a notable success (Baby Marie was often known as Little Mary Sunshine thereafter) and King made two sequels (Shadows and Sunshine and Sunshine and Gold) as well as several other films in which she starred. It was seemingly King who was first responsible for teaming her with a black actor (Leon Pardue) who is "Shadows" in Sunshine and Shadows and co-stars again with her in the 1917 Told at Twilight.

After that King and Baby Marie parted comapny but the director remained fond of her (as well he might, this film ws amjor breakthrugh for King). and he invited her back as an adult to play in the 1934 film Carolina although this did not in any way revive her acting career (she became a costumière).
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