In Budd Boetticher’s 1959 parable of how we remember violence, “Ride Lonesome,” Randolph Scott confronts the man who killed his wife at the very spot where he murdered her.
“That was a long time ago,” the killer said. “I’d almost forgot.” Scott’s reply? “A man can do that.”
So too can a society. Especially when it’s all too convenient to forget things so unpleasant they may shake our very sense of identity. Felipe Galvez’s Chilean Western “The Settlers” may remind some viewers of a Boetticher film when they’re watching it: following three men on horseback on a cross-country journey, it dramatizes questions of identity and belonging, and how these things can be written in violence. Most Boetticher-like, in a tight 98 minutes “The Settlers” says more than a lot of films double its length. It’s one of the most chilling art-Westerns to come along in some time,...
“That was a long time ago,” the killer said. “I’d almost forgot.” Scott’s reply? “A man can do that.”
So too can a society. Especially when it’s all too convenient to forget things so unpleasant they may shake our very sense of identity. Felipe Galvez’s Chilean Western “The Settlers” may remind some viewers of a Boetticher film when they’re watching it: following three men on horseback on a cross-country journey, it dramatizes questions of identity and belonging, and how these things can be written in violence. Most Boetticher-like, in a tight 98 minutes “The Settlers” says more than a lot of films double its length. It’s one of the most chilling art-Westerns to come along in some time,...
- 5/22/2023
- by Christian Blauvelt
- Indiewire
How many movies are roundly better than Martin Scorsese’s After Hours? Whatever the number (seriously: six?) it is now surely among the greatest in the Criterion Collection, which will add a 4K Uhd edition in July––sufficiently packed with features, among them a new interview between Scorsese and Fran Lebowitz, who I assume will expand on her main talking point (New York used to be different). Breathless, as established a title as they have, is also getting an upgrade that fortunately retains all features from their earlier release, while Carl Franklin’s One False Move scores 2,160 pixels.
But the most purely sizable July offering is their Budd Boetticher 4K Uhd set, Criterion’s first such, boasting five films: The Tall T, Decision at Sundown, Buchanan Rides Alone, Ride Lonesome, and Comanche Station. Cheryl Dunye’s The Watermelon Woman “only” getting Blu-ray seems small in comparison, but few restorations from...
But the most purely sizable July offering is their Budd Boetticher 4K Uhd set, Criterion’s first such, boasting five films: The Tall T, Decision at Sundown, Buchanan Rides Alone, Ride Lonesome, and Comanche Station. Cheryl Dunye’s The Watermelon Woman “only” getting Blu-ray seems small in comparison, but few restorations from...
- 4/14/2023
- by Nick Newman
- The Film Stage
Next month’s lineup at The Criterion Channel has been unveiled, featuring no shortage of excellent offerings. Leading the pack is a massive, 20-film retrospective dedicated to John Huston, featuring a mix of greatest and lesser-appreciated works, including Fat City, The Dead, Wise Blood, The Man Who Would Be King, and Key Largo. (The Treasure of the Sierra Madre will join the series on October 1.)
Also in the lineup is series on the works of Budd Boetticher (specifically his Randolph Scott-starring Ranown westerns), Ephraim Asili, Josephine Baker, Nikos Papatakis, Jean Harlow, Lee Isaac Chung (pre-Minari), Mani Kaul, and Michelle Parkerson.
The sparkling new restoration of La Piscine will also debut, along with Amores perros, Kiyoshi Kurosawa’s To the Ends of the Earth, Cate Shortland’s Lore, both Oxhide films, Moonstruck, and much more.
See the full list of August titles below and more on The Criterion Channel.
Abigail Harm,...
Also in the lineup is series on the works of Budd Boetticher (specifically his Randolph Scott-starring Ranown westerns), Ephraim Asili, Josephine Baker, Nikos Papatakis, Jean Harlow, Lee Isaac Chung (pre-Minari), Mani Kaul, and Michelle Parkerson.
The sparkling new restoration of La Piscine will also debut, along with Amores perros, Kiyoshi Kurosawa’s To the Ends of the Earth, Cate Shortland’s Lore, both Oxhide films, Moonstruck, and much more.
See the full list of August titles below and more on The Criterion Channel.
Abigail Harm,...
- 7/26/2021
- by Jordan Raup
- The Film Stage
Normal 0 false false false En-us X-none X-none
By John M. Whalen
In “Wings of the Hawk” (1953), Van Heflin stars as Irish Gallagher, an American mining for gold down in Mexico. He and his partner Marco (Mario Siletti) are ripped off by local military ruler Coronel Paco Ruiz (George Dolenz), who takes over the mine and kills Marco. Irish barely manages to escape on horseback and is rescued by insurrectionists led by Raquel Noriega (Julia Adams), who gets a bullet in the shoulder for her trouble. Irish patches her up in exchange for his freedom and romance rears its ugly head. Jealousy also flares when revolutionary leader Arturo Torres (Rudolpho Acosta), who had been her lover, sees what’s going on. Enter Pascual Orozco who asks for Arturo’s help in taking Ciudad Juarez. They’ll need $5,000 to buy 200 rifles but the revolutionaries have no money. However, they come up with a brainstorm.
By John M. Whalen
In “Wings of the Hawk” (1953), Van Heflin stars as Irish Gallagher, an American mining for gold down in Mexico. He and his partner Marco (Mario Siletti) are ripped off by local military ruler Coronel Paco Ruiz (George Dolenz), who takes over the mine and kills Marco. Irish barely manages to escape on horseback and is rescued by insurrectionists led by Raquel Noriega (Julia Adams), who gets a bullet in the shoulder for her trouble. Irish patches her up in exchange for his freedom and romance rears its ugly head. Jealousy also flares when revolutionary leader Arturo Torres (Rudolpho Acosta), who had been her lover, sees what’s going on. Enter Pascual Orozco who asks for Arturo’s help in taking Ciudad Juarez. They’ll need $5,000 to buy 200 rifles but the revolutionaries have no money. However, they come up with a brainstorm.
- 3/5/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Here are many more movies to watch when you’re staying in for a while, featuring recommendations from Steven Canals, Larry Karaszewski, Gareth Reynolds, and Alan Arkush with special guest star Blaire Bercy from the Hollywood Food Coalition.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Master of the Flying Guillotine (1976)
Groundhog Day (1993)
Kung Fu Mama a.k.a. Queen of Fist (1973)
Ali: Fear Eats The Soul (1974)
Portrait Of A Lady On Fire (2019)
In The Mood For Love (2000)
Hunger (2008)
The Sweet Hereafter (1997)
Fargo (1996)
Night of the Lepus (1971)
Dolemite Is My Name (2019)
Soylent Green (1973)
Silent Running (1972)
Canyon Passage (1946)
McCabe & Mrs. Miller (1971)
The Professionals (1966)
Ride Lonesome (1959)
Carrie (1952)
The Heartbreak Kid (1972)
Hello Down There (1969)
The Brass Bottle (1964)
The Trouble With Angels (1966)
Pollyanna (1960)
Tiger Bay (1959)
The Parent Trap (1961)
Endless Night (1972)
The Family Way (1966)
Take A Girl Like You (1970)
Freddy Got Fingered...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Master of the Flying Guillotine (1976)
Groundhog Day (1993)
Kung Fu Mama a.k.a. Queen of Fist (1973)
Ali: Fear Eats The Soul (1974)
Portrait Of A Lady On Fire (2019)
In The Mood For Love (2000)
Hunger (2008)
The Sweet Hereafter (1997)
Fargo (1996)
Night of the Lepus (1971)
Dolemite Is My Name (2019)
Soylent Green (1973)
Silent Running (1972)
Canyon Passage (1946)
McCabe & Mrs. Miller (1971)
The Professionals (1966)
Ride Lonesome (1959)
Carrie (1952)
The Heartbreak Kid (1972)
Hello Down There (1969)
The Brass Bottle (1964)
The Trouble With Angels (1966)
Pollyanna (1960)
Tiger Bay (1959)
The Parent Trap (1961)
Endless Night (1972)
The Family Way (1966)
Take A Girl Like You (1970)
Freddy Got Fingered...
- 4/10/2020
- by Kris Millsap
- Trailers from Hell
Randolph Scott's final 'Ranown' western is a minimalist masterpiece, an unusually gentle story about a great westerner on a forlorn romantic quest. It's also a showcase for the underrated Nancy Gates and Claude Akins, and a pleasure to watch in wide, wide CinemaScope. Comanche Station All-region Blu-ray Explosive Media / Alive 1960 / Color / 2:35 widescreen / 74 min. / Street Date July 22, 2016 / Einer Gibt Nicht Auf / available at Amazon.de/ EUR14,99 Starring Randolph Scott, Nancy Gates, Claude Atkins, Skip Homeier, Richard Rust. Cinematography Charles Lawton Jr. Film Editor Edwin H. Bryant Music supervisor Mischa Balaleinikoff Written by Burt Kennedy Produced and Directed by Budd Boetticher
Reviewed by Glenn Erickson
One must be careful when ordering Blu-ray discs of Hollywood films from overseas. Foreign distributors license American movies that the studios won't release here, but sometimes they don't have access to good video masters. In a few cases the films being offered are simply being pirated.
Reviewed by Glenn Erickson
One must be careful when ordering Blu-ray discs of Hollywood films from overseas. Foreign distributors license American movies that the studios won't release here, but sometimes they don't have access to good video masters. In a few cases the films being offered are simply being pirated.
- 9/12/2016
- by Glenn Erickson
- Trailers from Hell
Jean Simmons is the original frustrated Mad Housewife who runs away from a 'dream marriage' in search of something more fulfilling. Uncompromising, adult, and making use of an interesting cast. Plus, the soundtrack uses Michel Legrand's incomparable song "What Are You Doing the Rest of Your Life?" The Happy Ending Blu-ray Twilight Time Limited Edition 1969 / Color / 2:35 widescreen / 112 min. / Ship Date January 19, 2016 / available through Twilight Time Movies / 29.95 Starring Jean Simmons, John Forsythe, Shirley Jones, Teresa Wright, Nanette Fabray, Bobby Darin, Kathy Fields, Tina Louise, Dick Shawn, Lloyd Bridges, Karen Steele, Erin Moran. Cinematography Conrad Hall Original Music Michel Legrand, lyrics Alan & Marilyn Bergman Produced, Written and Directed by Richard Brooks
Reviewed by Glenn Erickson
I looked at some of the poster artwork for The Happy Ending, and yes indeed, one of the main styles is indeed like the cover of this disc -- a photo of a rusty garbage...
Reviewed by Glenn Erickson
I looked at some of the poster artwork for The Happy Ending, and yes indeed, one of the main styles is indeed like the cover of this disc -- a photo of a rusty garbage...
- 2/13/2016
- by Glenn Erickson
- Trailers from Hell
I interviewed James Coburn in late 1998 for the cover story of the February 1999 issue of Venice Magazine. I had grown up watching Coburn on the late show, but also seeing him on the big screen, first-run. Meeting him was a thrill as he entered the living room of his manager, the late Hilly Elkins', home in Beverly Hills. Coburn was elegant, charming and had the grace of a cat. The only thing that revealed the health problems that had nearly done him in were his gnarled hands, the result of severe arthritis. We spoke about his role in Paul Schrader's newest film, "Affliction," which would earn him a Best Supporting Actor Academy Award. Later, as I walked Coburn to his Acura Nsx sport coupe, he bid me a warm farewell.
Several months later, I encountered him again at The Independent Spirit Awards, in Santa Monica. I went up...
Several months later, I encountered him again at The Independent Spirit Awards, in Santa Monica. I went up...
- 7/15/2015
- by The Hollywood Interview.com
- The Hollywood Interview
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2013—in theaters or at a festival—and creatively pair it with an old film they also saw in 2013 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2013 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How...
All the contributors were given the option to write some text explaining their 2013 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How...
- 1/13/2014
- by Notebook
- MUBI
Randolph Scott Westerns, comedies, war dramas: TCM schedule on August 19, 2013 See previous post: “Cary Grant and Randolph Scott Marriages — And ‘Expect the Biographical Worst.’” 3:00 Am Badman’S Territory (1946). Director: Tim Whelan. Cast: Randolph Scott, George ‘Gabby’ Hayes, Ann Richards. Bw-98 mins. 4:45 Am Trail Street (1947). Director: Ray Enright. Cast: Randolph Scott, Robert Ryan, Anne Jeffreys. Bw-84 mins. 6:15 Am Return Of The Badmen (1948). Director: Ray Enright. Cast: Randolph Scott, Robert Ryan, Anne Jeffreys, George ‘Gabby’ Hayes, Jacqueline White, Steve Brodie, Tom Keene aka Richard Powers, Robert Bray, Lex Barker, Walter Reed, Michael Harvey, Dean White, Robert Armstrong, Tom Tyler, Lew Harvey, Gary Gray, Walter Baldwin, Minna Gombell, Warren Jackson, Robert Clarke, Jason Robards Sr., Ernie Adams, Lane Chandler, Dan Foster, John Hamilton, Kenneth MacDonald, Donald Kerr, Ida Moore, ‘Snub’ Pollard, Harry Shannon, Charles Stevens. Bw-90 mins. 8:00 Am Riding Shotgun (1954). Director: André De Toth. Cast: Randolph Scott, Wayne Morris,...
- 8/20/2013
- by Andre Soares
- Alt Film Guide
Randolph Scott movies: From Westerns to Cary Grant / Irene Dunne comedy Handsome, granite-faced Randolph Scott is Turner Classic Movies’ next great choice in its "Summer Under the Stars" film series. Monday, August 19, 2013, is Randolph Scott Day, which begins and ends with Westerns. That shouldn’t be surprising, for although Scott was initially cast in a variety of roles and movie genres (including Westerns), he became exclusively a Western star in the late ’40s, sticking to that genre until his retirement in 1962 following the release of Sam Peckinpah’s elegiac Ride the High Country, which TCM will be showing on Monday evening. Joel McCrea at his very best and Mariette Hartley co-star. (See “On TCM: Randolph Scott Westerns.”) (Photo: Randolph Scott ca. 1945.) Many of Scott’s Westerns were routine fare, including Badman’s Territory (1946), which kicks off Randolph Scott Day. Some, however, have become classics of the genre, especially his late...
- 8/19/2013
- by Andre Soares
- Alt Film Guide
Cinema is a kind of uber-art form that’s made up of a multitude of other forms of art including writing, directing, acting, drawing, design, photography and fashion. As such, film is, as all cinema aficionados know, a highly collaborative venture.
One of the most consistently fascinating collaborations in cinema is that of the director and actor.
This article will examine some of the great director & actor teams. It’s important to note that this piece is not intended as a film history survey detailing all the generally revered collaborations.
There is a wealth of information and study available on such duos as John Ford & John Wayne, Howard Hawks & John Wayne, Elia Kazan & Marlon Brando, Akira Kurosawa & Toshiro Mifune, Alfred Hitchcock & James Stewart, Ingmar Bergman & Max Von Sydow, Federico Fellini & Giulietta Masina/Marcello Mastroianni, Billy Wilder & Jack Lemmon, Francis Ford Coppola & Al Pacino, Woody Allen & Diane Keaton, Martin Scorsese & Robert DeNiro...
One of the most consistently fascinating collaborations in cinema is that of the director and actor.
This article will examine some of the great director & actor teams. It’s important to note that this piece is not intended as a film history survey detailing all the generally revered collaborations.
There is a wealth of information and study available on such duos as John Ford & John Wayne, Howard Hawks & John Wayne, Elia Kazan & Marlon Brando, Akira Kurosawa & Toshiro Mifune, Alfred Hitchcock & James Stewart, Ingmar Bergman & Max Von Sydow, Federico Fellini & Giulietta Masina/Marcello Mastroianni, Billy Wilder & Jack Lemmon, Francis Ford Coppola & Al Pacino, Woody Allen & Diane Keaton, Martin Scorsese & Robert DeNiro...
- 7/11/2013
- by Terek Puckett
- SoundOnSight
The “adult” Western – as it would come to be called – was a long time coming. A Hollywood staple since the days of The Great Train Robbery (1903), the Western offered spectacle and action set against the uniquely American milieu of the Old West – a historical period which, at the dawn of the motion picture industry, was still fresh in the nation’s memory. What the genre rarely offered was dramatic substance.
Early Westerns often adopted the same traditions of the popular Wild West literature and dime novels of the 19th and early 20th centuries producing, as a consequence, highly romantic, almost purely mythic portraits the Old West. Through the early decades of the motion picture industry, the genre went through several creative cycles, alternately tilting from fanciful to realistic and back again. By the early sound era, and despite such serious efforts as The Big Trail (1930) and The Virginian (1929), Hollywood Westerns were,...
Early Westerns often adopted the same traditions of the popular Wild West literature and dime novels of the 19th and early 20th centuries producing, as a consequence, highly romantic, almost purely mythic portraits the Old West. Through the early decades of the motion picture industry, the genre went through several creative cycles, alternately tilting from fanciful to realistic and back again. By the early sound era, and despite such serious efforts as The Big Trail (1930) and The Virginian (1929), Hollywood Westerns were,...
- 1/4/2013
- by Bill Mesce
- SoundOnSight
Isn't there something kind of hot about a cowgirl? I'm not sure what it is. Maybe it's the long hair spilling out from under the cowboy hat, or the way they can gaze out mysteriously from just under the brim. Maybe it's the jeans and the boots, or maybe it's the "southern belle" factor. The fact is that Megan Fox is the latest Western hottie to hit the screens, playing "Lilah" in Jonah Hex. She has her plusses and minuses; whenever she comes up in conversation among female friends, I usually explain how "plastic" she is, as if she's a manufactured pleasure-bot. But truthfully, she's pretty darn hot, with those pale blue eyes, raven hair, perfectly-shaped lips, and perfectly-shaped everything else. Clad in what looks like a cross between Stetson and Victoria's Secret, she is, indeed, the latest in a long line of hot movie cowgirls. Here are seven others.
- 6/18/2010
- by Jeffrey M. Anderson
- Cinematical
Over the past couple of years, the indefatigable Iain Stott over at The On-Line Review has conducted several polls of film critics and film buffs (yours truly included). First he created a list of the 50 Greatest Films, which frankly, turned out pretty much the same as all the other polls of the 50 greatest films. So Iain started all over again, and sent out a new poll called Beyond the Canon. In this one, he gave us a list of films that were ineligible, films like Citizen Kane, Vertigo and The Rules of the Game that were already very well represented in the "canon." We could send in a ballot with anything we wanted, provided it did not appear on the ineligible list. That list turned out pretty well, but it still received some gripes from purists. So now Iain has gone still further and come up with a new poll,...
- 5/25/2010
- by Jeffrey M. Anderson
- Cinematical
I was so impressed with Lisandro Alonso’s Liverpool when it screened at the 2008 Toronto International Film Festival that—not only did I write it up right away for Twitch and The Evening Class—but I actively pursued and scored an interview. Since writing up Liverpool nearly a year ago, I’ve read commentary here and there that has deepened my appreciation of the film. Most noteworthy is James Quandt’s ArtForum essay “Ride Lonesome” (available at Highbeam Research Library). “Ride Lonesome” is an especially impressive piece of criticism, tackling all of Alonso’s films, while specifically noting: “Liverpool seems designed for auteurial legibility.” Praising Alonso’s “dilatory style”, Quandt adds that Liverpool “keeps to [Alonso’s] antidramatic ways, attenuating narrative through empty time and withheld information.” Of related interest: Violeta Kovacsics and Adam Nayman’s interview for Cinema Scope; Darren Hughes interview for Senses of Cinema; and R. Emmett Sweeney’s interview for The Rumpus.
- 8/28/2009
- by Michael Guillen
- Screen Anarchy
With on-demand and digital options threatening to make physical discs obsolete and the extremely impressive Blu-Ray format currently doing little but reissuing favorites from studios' increasingly picked-over vaults, the golden age of DVDs might be over. But we still easily found 10 items that make the format seem far from dead. 1. The Films Of Budd Boetticher (Columbia) Practically since the invention of the DVD, fans of classic westerns have been clamoring for the release of the seven films director Budd Boetticher made with star Randolph Scott between 1956 and 1960. In 2006, Paramount released a nice edition of the first film in the series, 7 Men From Now, and this year Columbia followed suit with the five in their vaults: Buchanan Rides Alone, Comanche Station, Decision At Sundown, and the two masterpieces Ride Lonesome and The Tall T. The set adds a superb feature-length documentary about...
- 12/31/2008
- by Scott Tobias, Noel Murray, Nathan Rabin, Keith Phipps
- avclub.com
By Michael Atkinson
The last of the red hot Golden Age Hollywood genre buckaroos, Budd Boetticher represented a long-vanished prototype: the man's man studio director who, before turning gruffly to making pictures, had spent years being a boxer or a stevedore or a soldier or what have you. Today, filmmakers pay their dues by earning six figures shooting shampoo commercials; then, a man who made westerns or war movies or gangster films was a man who had lived in the world and returned with a heartful of brutal and hopeful business you can't learn by watching other movies. In a sense, Boetticher outdid the competition by becoming a professional Mexican matador right out of college -- a scenario difficult to beat for hard-won iron-man chops in Tinseltown. Of course his biography influences how his best films -- the westerns he made between 1956 and 1960 -- have been perceived and why they've been canonized,...
The last of the red hot Golden Age Hollywood genre buckaroos, Budd Boetticher represented a long-vanished prototype: the man's man studio director who, before turning gruffly to making pictures, had spent years being a boxer or a stevedore or a soldier or what have you. Today, filmmakers pay their dues by earning six figures shooting shampoo commercials; then, a man who made westerns or war movies or gangster films was a man who had lived in the world and returned with a heartful of brutal and hopeful business you can't learn by watching other movies. In a sense, Boetticher outdid the competition by becoming a professional Mexican matador right out of college -- a scenario difficult to beat for hard-won iron-man chops in Tinseltown. Of course his biography influences how his best films -- the westerns he made between 1956 and 1960 -- have been perceived and why they've been canonized,...
- 11/11/2008
- by Michael Atkinson
- ifc.com
Oscar "Budd" Boetticher may not be as well known a Western director as John Ford, but he's got quite a fan club among filmmakers - Clint Eastwood and Quentin Tarantino, for starters.
Martin Scorsese and Taylor Hackford join them in singing the director's praises in a feature-length documentary included in the long-awaited "The Films of Budd Boetticher," a DVD set out today from Sony. It is the first effort in a collaboration with the Film Foundation,...
Martin Scorsese and Taylor Hackford join them in singing the director's praises in a feature-length documentary included in the long-awaited "The Films of Budd Boetticher," a DVD set out today from Sony. It is the first effort in a collaboration with the Film Foundation,...
- 11/4/2008
- by By LOU LUMENICK
- NYPost.com
James Coburn, the tough-guy actor known for his roles in The Magnificent Seven and Our Man Flint, died Monday at age 74 of a heart attack. Coburn was at his Beverly Hills home with his wife Paula when he suffered a massive coronary at 4:30 p.m. PST; he was rushed to Cedars-Sinai Medical Center, where he was pronounced dead. The tall, imposing actor with the wicked grin won a Best Supporting Actor Oscar in 1998 for Paul Schrader's Affliction, in which he played the abusive, alcoholic father of Nick Nolte, capping an illustrious career that began with the 1959 Western Ride Lonesome. Another Western a year later, The Magnificent Seven, made Coburn a name actor and catapulted him into roles in major Hollywood features, including Hell Is For Heroes, Charade, The Great Escape, and The Americanization of Emily. He achieved his greatest success as suave secret agent Derek Flint in Our Man Flint (1966) and In Like Flint (1967), which were considered the best James Bond spoofs ever made, and an inspiration for the Austin Powers films. Character roles followed in the 70s, including The Last of Shelia, Bite the Bullet, Pat Garrett and Billy the Kid and Cross of Iron. Coburn also achieved a comeback in the 90s, after he overcame a 15-year battle with rheumatoid arthritis that threatened his career in the 80s, when he scaled back his film appearances dramatically. In the past ten years, he appeared in films as varied as Young Guns II, The Nutty Professor, Maverick, and lent his voice to last year's hit film Monsters Inc. ; in all, he made over 100 movies. Coburn is survived by his wife, two children, Lisa and James Jr., and two grandchildren.
- 11/19/2002
- IMDb News
James Coburn, the tough-guy actor known for his roles in The Magnificent Seven and Our Man Flint, died Monday at age 74 of a heart attack. Coburn was at his Beverly Hills home with his wife Paula when he suffered a massive coronary at 4:30 p.m. PST; he was rushed to Cedars-Sinai Medical Center, where he was pronounced dead. The tall, imposing actor with the wicked grin won a Best Supporting Actor Oscar in 1998 for Paul Schrader's Affliction, in which he played the abusive, alcoholic father of Nick Nolte, capping an illustrious career that began with the 1959 Western Ride Lonesome. Another Western a year later, The Magnificent Seven, made Coburn a name actor and catapulted him into roles in major Hollywood features, including Hell Is For Heroes, Charade, The Great Escape, and The Americanization of Emily. He achieved his greatest success as suave secret agent Derek Flint in Our Man Flint (1966) and In Like Flint (1967), which were considered the best James Bond spoofs ever made, and an inspiration for the Austin Powers films. Character roles followed in the 70s, including The Last of Shelia, Bite the Bullet, Pat Garrett and Billy the Kid and Cross of Iron. Coburn also achieved a comeback in the 90s, after he overcame a 15-year battle with rheumatoid arthritis that threatened his career in the 80s, during which he scaled back his film appearances dramatically. In the past ten years, he appeared in films as varied as Young Guns II, The Nutty Professor, Maverick, and lent his voice to last year's hit film Monsters Inc. ; in all, he made over 100 movies. Coburn is survived by his wife, two children, Lisa and James Jr., and two grandchildren.
- 11/19/2002
- WENN
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