DC’s animated shows have garnered widespread acclaim, captivating audiences with their diverse narratives and exceptional performances from the cast. Much of the credit for assembling such an outstanding ensemble, including luminaries like Kevin Conroy and Mark Hamill, goes to Andrea Romano the legendary voice director renowned for her uncanny ability to match actors with their animated counterparts.
Batman: The Animated Series | Warner Bros.
When asked about her ability to consistently select the ideal actors for each role, Romano revealed her preference for actors with stage experience when casting for animation projects, asserting that they possess a unique potential to excel in voice acting.
Andrea Romano Revealed Her Casting Secrets For Dcau
In a conversation with Bleeding Cool, Andrea Romano opened up about the casting process for the animated shows, sharing that she looked for actors with genuine talent and the ones who were willing to take risks to push boundaries.
Batman: The Animated Series | Warner Bros.
When asked about her ability to consistently select the ideal actors for each role, Romano revealed her preference for actors with stage experience when casting for animation projects, asserting that they possess a unique potential to excel in voice acting.
Andrea Romano Revealed Her Casting Secrets For Dcau
In a conversation with Bleeding Cool, Andrea Romano opened up about the casting process for the animated shows, sharing that she looked for actors with genuine talent and the ones who were willing to take risks to push boundaries.
- 4/25/2024
- by Laxmi Rajput
- FandomWire
Beyoncé recently sampled Nancy Sinatra’s “These Boots Are Made for Walkin'” in her new track “Ya Ya.” Sinatra revealed she once begged an icon from a different medium to use that song. He made Sinatra’s dream come true, but in the process, he created a scene with a troubling undercurrent.
Nancy Sinatra wanted ‘These Boots Are Made for Walkin” in a famous movie
Sinatra’s cover of Cher’s “Bang Bang (My Baby Shot Me Down)” was used quite literally in a sequence in Quentin Tarantino’s Kill Bill. During a 2004 interview with Hot Press, Sinatra discussed this scene. “I’m a huge Tarantino fan, so him choosing me over Sonny & Cher was very humbling,” she opined. “I had a similar experience when a year before Full Metal Jacket came out I got word that Stanley Kubrick wanted ‘Boots’ for the soundtrack. I sent him a telegram saying,...
Nancy Sinatra wanted ‘These Boots Are Made for Walkin” in a famous movie
Sinatra’s cover of Cher’s “Bang Bang (My Baby Shot Me Down)” was used quite literally in a sequence in Quentin Tarantino’s Kill Bill. During a 2004 interview with Hot Press, Sinatra discussed this scene. “I’m a huge Tarantino fan, so him choosing me over Sonny & Cher was very humbling,” she opined. “I had a similar experience when a year before Full Metal Jacket came out I got word that Stanley Kubrick wanted ‘Boots’ for the soundtrack. I sent him a telegram saying,...
- 4/13/2024
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Ever since his high school golf teammates realized he couldn’t hit a straight tee shot, Carter (David Krumholtz) has been saddled with a nickname that doesn’t allow much room for charitable interpretations. His days of athletic mediocrity are now far behind him, but the “Lousy Carter” moniker has followed him throughout his adult life — and frankly, it’s hard to argue he doesn’t deserve it. The question of whether his high school bullies were abnormally clairvoyant or he simply lived down to their insults is a chicken-and-egg dilemma, but the middle-aged iteration of Carter that we meet in Bob Byington’s latest film is an undeniably lousy man.
The literature professor has spent the bulk of his adult life coasting on the glimmer of promise that he showed as an animator when he released his first film 13 years ago. He parlayed those 15 seconds of fame into a...
The literature professor has spent the bulk of his adult life coasting on the glimmer of promise that he showed as an animator when he released his first film 13 years ago. He parlayed those 15 seconds of fame into a...
- 3/29/2024
- by Christian Zilko
- Indiewire
Initially inspired by an all too common misreading of the classic novel Lolita in her younger years, filmmaker Victoria Singh-Thompson – last featured on Directors Notes with her caught between cultures coming-of-age drama Don’t Forget To Go Home – wanted to depict the complex layers of trauma and how it affects the way we see the world. The resulting film 14 in February is a fragmented and haunting look at the world through the eyes of a young hard-of-hearing schoolgirl who isn’t yet able to process the experiences she has undergone and dissociates from her memories. The immersive and quietly shocking short is as visually still as it is emotionally frantic, with a focused lens pulling us into its young protagonist’s point of view, accented with purposeful jarring sounds which as a package, disturb and succeed in creating the unease that Singh-Thompson wanted. Making a welcome return to Dn’s pages,...
- 2/13/2024
- by Sarah Smith
- Directors Notes
Eric Roberts Joins ‘Lolita’
Exclusive: Oscar nominee Eric Roberts (Runaway Train) has joined Johnny Ortiz (Peppermint) and Alexis Vazquez in feature drama Lolita from director Jorge Xolalpa. Filming is currently underway on the Mighty Aphrodite Pictures movie. The plot centers on Jesus (Vazquez), a man who after being released from jail tries to get custody of his daughter. Roberts will portray jaded police officer Jones who grows to care for Jesus’ wellbeing. Pic is being produced by Xolalpa at Mighty Aphrodite Pictures and Alfredo Widman. Roberts, whose recent credits include Damien Chazelle’s Babylon for Paramount Pictures, is repped by Sovereign Talent Group and Scott Carlson Entertainment.
Banijay Benelux Bolsters Nl Film Management Team
Banijay Benelux has promoted Dennis Cornelisse to the role of Managing Director and appointed Wynand Chocolaad as Head of Productions at Nl Film with immediate effect. Cornelisse, who previously served as producer at Nl Film, is replacing Alex Doff,...
Exclusive: Oscar nominee Eric Roberts (Runaway Train) has joined Johnny Ortiz (Peppermint) and Alexis Vazquez in feature drama Lolita from director Jorge Xolalpa. Filming is currently underway on the Mighty Aphrodite Pictures movie. The plot centers on Jesus (Vazquez), a man who after being released from jail tries to get custody of his daughter. Roberts will portray jaded police officer Jones who grows to care for Jesus’ wellbeing. Pic is being produced by Xolalpa at Mighty Aphrodite Pictures and Alfredo Widman. Roberts, whose recent credits include Damien Chazelle’s Babylon for Paramount Pictures, is repped by Sovereign Talent Group and Scott Carlson Entertainment.
Banijay Benelux Bolsters Nl Film Management Team
Banijay Benelux has promoted Dennis Cornelisse to the role of Managing Director and appointed Wynand Chocolaad as Head of Productions at Nl Film with immediate effect. Cornelisse, who previously served as producer at Nl Film, is replacing Alex Doff,...
- 1/31/2024
- by Melanie Goodfellow and Andreas Wiseman
- Deadline Film + TV
Black Swan (Fox Searchlight), V For Vendetta (Warner Bros. Pictures), Jackie (Fox Searchlight), May December (Netflix)Graphic: The A.V. Club
From indie comedies to sci-fi box office juggernauts and seemingly every genre in between, Natalie Portman’s career is staggeringly expansive. With more than 30-plus years in the industry (and...
From indie comedies to sci-fi box office juggernauts and seemingly every genre in between, Natalie Portman’s career is staggeringly expansive. With more than 30-plus years in the industry (and...
- 11/28/2023
- by Lauren Coates
- avclub.com
Suzanne Shepherd, an actress known for playing mothers to key characters in Goodfellas and The Sopranos, has died. She was 89.
Shepherd died peacefully in her home in New York City early Friday morning, her agent told The Hollywood Reporter.
Shepherd appeared in 20 episodes of The Sopranos as Mary DeAngelis, the mother of Edie Falco’s Carmela Soprano, and played the mother of Lorraine Bracco’s Karen Hill in Goodfellas.
Sopranos actor Ray Abruzzo remembered Shepherd on Instagram, calling her “a force of nature.”
Her other credits include roles in movies like Mystic Pizza, Uncle Buck, Lolita, Requiem for a Dream, Living Out Loud and Working Girl and guest appearances in TV shows like Ed, Blue Bloods, Law & Order and Third Watch.
Shepherd’s last onscreen role was in 2023’s The Performance as Tess.
Born Oct. 31, 1934, Shepherd graduated from Bennington College and studied with Larry Arrick, Herbert Berghoff and Sanford Meisner...
Shepherd died peacefully in her home in New York City early Friday morning, her agent told The Hollywood Reporter.
Shepherd appeared in 20 episodes of The Sopranos as Mary DeAngelis, the mother of Edie Falco’s Carmela Soprano, and played the mother of Lorraine Bracco’s Karen Hill in Goodfellas.
Sopranos actor Ray Abruzzo remembered Shepherd on Instagram, calling her “a force of nature.”
Her other credits include roles in movies like Mystic Pizza, Uncle Buck, Lolita, Requiem for a Dream, Living Out Loud and Working Girl and guest appearances in TV shows like Ed, Blue Bloods, Law & Order and Third Watch.
Shepherd’s last onscreen role was in 2023’s The Performance as Tess.
Born Oct. 31, 1934, Shepherd graduated from Bennington College and studied with Larry Arrick, Herbert Berghoff and Sanford Meisner...
- 11/19/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Suzanne Shepherd, best known for her roles in The Sopranos and Goodfellas, has died. She was 89.
The actress passed away Friday morning in her New York City home, her agent confirmed to our sister site Variety.
More from TVLineLisa Kudrow Pens Heartfelt 'Thank You' Note to Late Friends Co-Star Matthew PerryDavid Schwimmer Pays Tribute to Late Friends Co-Star Matthew Perry: 'Your Comic Timing Still Astonishes'Jennifer Aniston Mourns Loss of 'Little Brother' Matthew Perry, Shares Personal Text That 'Says It All'
Shepherd played Mary DeAngelis, the mother of Edie Falco’s Carmela Soprano, on the HBO crime drama The Sopranos between 2000 and 2007. Ray Abruzzo,...
The actress passed away Friday morning in her New York City home, her agent confirmed to our sister site Variety.
More from TVLineLisa Kudrow Pens Heartfelt 'Thank You' Note to Late Friends Co-Star Matthew PerryDavid Schwimmer Pays Tribute to Late Friends Co-Star Matthew Perry: 'Your Comic Timing Still Astonishes'Jennifer Aniston Mourns Loss of 'Little Brother' Matthew Perry, Shares Personal Text That 'Says It All'
Shepherd played Mary DeAngelis, the mother of Edie Falco’s Carmela Soprano, on the HBO crime drama The Sopranos between 2000 and 2007. Ray Abruzzo,...
- 11/19/2023
- by Claire Franken
- TVLine.com
Suzanne Shepherd, an actor known for her roles in “The Sopranos” and “Goodfellas,” died Friday morning in her home in New York City, her agent confirmed to Variety. She was 89.
Shepherd portrayed Mary DeAngelis, the mother of Carmela Soprano (Edie Falco), in HBO’s crime drama series “The Sopranos,” as well as the mother of Lorraine Bracco’s character Karen Hill in 1990’s “Goodfellas.” She also had roles in “Jacob’s Ladder” (1990), “Trees Lounge” (1996), “Lolita” (1997), “American Cuisine” (1998), “Living Out Loud” (1998), “Requiem for a Dream” (2000), “A Dirty Shame” (2004), “Harold” (2008), “The Week Of” (2018) and “The Performance” (2023), among other films.
Shepherd was born on Oct. 31, 1934. She made her acting debut in the 1988 romcom “Mystic Pizza,” starring Julia Roberts, and appeared in such films as “Working Girl,” “Uncle Buck” and “Second Sight” before working on Martin Scorsese’s “Goodfellas.”
On the television side, she guest-starred in “Law & Order,” “Third Watch,” “Ed,” “Blue Bloods,” “Deadline,...
Shepherd portrayed Mary DeAngelis, the mother of Carmela Soprano (Edie Falco), in HBO’s crime drama series “The Sopranos,” as well as the mother of Lorraine Bracco’s character Karen Hill in 1990’s “Goodfellas.” She also had roles in “Jacob’s Ladder” (1990), “Trees Lounge” (1996), “Lolita” (1997), “American Cuisine” (1998), “Living Out Loud” (1998), “Requiem for a Dream” (2000), “A Dirty Shame” (2004), “Harold” (2008), “The Week Of” (2018) and “The Performance” (2023), among other films.
Shepherd was born on Oct. 31, 1934. She made her acting debut in the 1988 romcom “Mystic Pizza,” starring Julia Roberts, and appeared in such films as “Working Girl,” “Uncle Buck” and “Second Sight” before working on Martin Scorsese’s “Goodfellas.”
On the television side, she guest-starred in “Law & Order,” “Third Watch,” “Ed,” “Blue Bloods,” “Deadline,...
- 11/19/2023
- by Michaela Zee
- Variety Film + TV
Alfred Hitchcock's 1963 classic "The Birds" is a staple of Hollywood cinema, and it had to age a bit to earn its spot in the canon. The film only earned one Oscar nomination for special effects, but it is easily one of the most well-remembered works in the accomplished director's oeuvre. Almost half a century has passed since the film's release and many of its main actors are no longer with us. Most of them went on to have storied careers, some of them were already established figures of the entertainment industry, but unfortunately only two of them are still alive today.
Her character Melanie barely survives "The Birds," but Tippi Hedren is one of two stars in the film that has lived to see the 2020s. Hedren worked with Hitchcock again on his thriller "Marnie," but did not have much of a career afterwards. She did go on to...
Her character Melanie barely survives "The Birds," but Tippi Hedren is one of two stars in the film that has lived to see the 2020s. Hedren worked with Hitchcock again on his thriller "Marnie," but did not have much of a career afterwards. She did go on to...
- 11/18/2023
- by Shae Sennett
- Slash Film
When 24-year-old Zoe Jackson scrolls her for-you-page, there are books all the way down. As a BookTok creator, Jackson spends much of her time on TikTok watching videos and recommendations surrounding the best books out there, from newly published novels to classic tomes. But while the average reader might stop scrolling when they recognize a book cover from high school English or a college course — like Catcher In The Rye, The Brothers Karamazov, or Infinite Jest, Jackson usually keeps it moving in an effort to avoid one of BookTok’s biggest icks: bro-lit.
- 10/19/2023
- by CT Jones
- Rollingstone.com
Belgian director Joachim Lafosse is done being silent.
Just like the family in his latest film “A Silence,” inspired by the real-life case of Victor Hissel: a former lawyer for two victims of killer Marc Dutroux, ultimately charged with possession of child pornography.
“To me, it’s not a dark story, because they do start to talk,” he says about the characters played by Emmanuelle Devos and newcomer Matthieu Galoux, slowly digging up the long-buried sins of their husband and father (Daniel Auteuil).
“Astrid and her children decide to step out of that criminal environment. With this film, I want to show how people can be violated by something like that, how difficult it is to shake off that shame and guilt. It’s difficult, but I think it’s possible.”
He also had to learn how to speak up, he says.
“In 2008, I made ‘Private Lessons.’ I didn’t say that at the time,...
Just like the family in his latest film “A Silence,” inspired by the real-life case of Victor Hissel: a former lawyer for two victims of killer Marc Dutroux, ultimately charged with possession of child pornography.
“To me, it’s not a dark story, because they do start to talk,” he says about the characters played by Emmanuelle Devos and newcomer Matthieu Galoux, slowly digging up the long-buried sins of their husband and father (Daniel Auteuil).
“Astrid and her children decide to step out of that criminal environment. With this film, I want to show how people can be violated by something like that, how difficult it is to shake off that shame and guilt. It’s difficult, but I think it’s possible.”
He also had to learn how to speak up, he says.
“In 2008, I made ‘Private Lessons.’ I didn’t say that at the time,...
- 9/27/2023
- by Marta Balaga
- Variety Film + TV
Russell Brand was dropped by his agent Saturday following the accusations of rape and sexual assault against the actor-comedian in a new investigative report.
Among the claims against Brand include an alleged three-month relationship with a then-16-year-old girl. According to the joint The Times UK and Channel 4’s Dispatches report, Brand was “emotionally and sexually abusive” during their time together, and one point “forced his penis down her throat,” causing her to choke. She also claimed that Brand — who referred to her as “the child” — asked her to...
Among the claims against Brand include an alleged three-month relationship with a then-16-year-old girl. According to the joint The Times UK and Channel 4’s Dispatches report, Brand was “emotionally and sexually abusive” during their time together, and one point “forced his penis down her throat,” causing her to choke. She also claimed that Brand — who referred to her as “the child” — asked her to...
- 9/17/2023
- by Daniel Kreps
- Rollingstone.com
Four women — including one who was just 16 at the time — have accused actor-comedian Russell Brand of sexual assault and rape in a new report.
The allegations against Brand were brought forth in both an article by The Times UK as well as an episode of the Channel 4 investigative show Dispatches that is set to air Saturday night in the U.K.
The accusations span a seven-year period from 2006 to 2013, during which time Brand was married to singer Katy Perry from 2010 to 2012.
Among the most serious allegations involves a woman...
The allegations against Brand were brought forth in both an article by The Times UK as well as an episode of the Channel 4 investigative show Dispatches that is set to air Saturday night in the U.K.
The accusations span a seven-year period from 2006 to 2013, during which time Brand was married to singer Katy Perry from 2010 to 2012.
Among the most serious allegations involves a woman...
- 9/16/2023
- by Daniel Kreps
- Rollingstone.com
Actor and comedian Russell Brand of rape, sexual assault, and abuse by four women, including one who was 16 years old at the time of the incident.
The allegations are the result of a joint investigation by The Sunday Times, The Times, and Channel 4 Dispatches in the UK.
One woman, identified as Nadia, said Brand raped her in his Los Angeles home in 2012. Following the incident, Nadia sought medical assistance from the Rape Treatment Center (Rtc) at UCLA Santa Monica Medical Center. She provided The Times with a copy of her medical records, which state that she provided her underwear and other samples as evidence, which were frozen. Nadia also spoke with a Los Angeles Police Officer, but declined to press charges, because “she was worried that, if her assailant’s name is somehow released, then her name will be dragged through the dirt.”
Nadia also provided The Times with text...
The allegations are the result of a joint investigation by The Sunday Times, The Times, and Channel 4 Dispatches in the UK.
One woman, identified as Nadia, said Brand raped her in his Los Angeles home in 2012. Following the incident, Nadia sought medical assistance from the Rape Treatment Center (Rtc) at UCLA Santa Monica Medical Center. She provided The Times with a copy of her medical records, which state that she provided her underwear and other samples as evidence, which were frozen. Nadia also spoke with a Los Angeles Police Officer, but declined to press charges, because “she was worried that, if her assailant’s name is somehow released, then her name will be dragged through the dirt.”
Nadia also provided The Times with text...
- 9/16/2023
- by Scoop Harrison
- Consequence - Film News
Russell Brand has been accused of “rape, sexual assaults and emotional abuse” in a new report by The Sunday Times of London.
The joint investigation with The Times of London and Channel 4’s documentary team “Dispatches” published on Saturday afternoon in the U.K. “Dispatches” will air its 90-minute documentary on the allegations on Saturday evening on U.K. network Channel 4. “Five women, four of whom asked to remain anonymous, agreed to share their stories of serious sexual allegations in the program,” said a rep for the show.
According to The Sunday Times, the British comedian, who originally found fame as a host on MTV U.K. before starring in Hollywood films such as “Forgetting Sarah Marshall” and “Get Him to the Greek,” has been accused of sexual assault by four women between 2006 and 2013.
He was married to singer Katy Perry between 2010 and 2012.
The newspaper reported that one alleged victim...
The joint investigation with The Times of London and Channel 4’s documentary team “Dispatches” published on Saturday afternoon in the U.K. “Dispatches” will air its 90-minute documentary on the allegations on Saturday evening on U.K. network Channel 4. “Five women, four of whom asked to remain anonymous, agreed to share their stories of serious sexual allegations in the program,” said a rep for the show.
According to The Sunday Times, the British comedian, who originally found fame as a host on MTV U.K. before starring in Hollywood films such as “Forgetting Sarah Marshall” and “Get Him to the Greek,” has been accused of sexual assault by four women between 2006 and 2013.
He was married to singer Katy Perry between 2010 and 2012.
The newspaper reported that one alleged victim...
- 9/16/2023
- by K.J. Yossman
- Variety Film + TV
This year marks 30 years since Bob Byington’s first feature, though it’s only during the last 15 of those — since SXSW midnight-movie breakout “Rso: Registered Sex Offender” — that the Austin-based director has enjoyed “indie darling” status. During that same stretch, the cultural discourse has changed a great deal, while Byington’s voice remains remarkably (if somewhat frustratingly) consistent, churning out self-deprecating feature-length sitcoms about flaccid man-babies. Those aren’t the kind of movies American festivals are looking for so much anymore, which could explain why his latest, “Lousy Carter,” wound up premiering abroad, at the Locarno Film Festival.
Locarno’s programmers typically gravitate toward austere, experimental and/or formally audacious works of cinema. “Lousy Carter” is none of these things, but neither is it lousy. That unfortunate moniker belongs to the film’s lead character, a lumpy failed animator turned tenured literature professor, who’s rendered all the more pathetic...
Locarno’s programmers typically gravitate toward austere, experimental and/or formally audacious works of cinema. “Lousy Carter” is none of these things, but neither is it lousy. That unfortunate moniker belongs to the film’s lead character, a lumpy failed animator turned tenured literature professor, who’s rendered all the more pathetic...
- 8/9/2023
- by Peter Debruge
- Variety Film + TV
A deranged killer clown…
A mad bride covered in blood…
A desperate man sells his soul to the Devil…
Horror movie villains? Of course. But also, surprisingly, protagonists of world-famous operas.
Because while it might not seem immediately obvious, opera and horror are genres with many commonalities. Like horror, traditional classical opera thrives on grandiosity, with overwhelming visuals and soaring soundtracks to imply the conflict, intrigue and drama. Like horror, opera focuses on the extremes of human emotion and interaction: obsessive vengeance, unresolved despair, consuming passions. Both genres are stereotyped by outsiders–opera as a tedious or incomprehensible ordeal, horror movies as tawdry and tasteless. And fans of both will cry betrayal at anything that deviates from long-standing, deeply cherished genre tropes–they like what they like and they’ll throw down to defend their opinions. (Forget about your heated Freddy vs. Jason arguments; start a debate on whether a...
A mad bride covered in blood…
A desperate man sells his soul to the Devil…
Horror movie villains? Of course. But also, surprisingly, protagonists of world-famous operas.
Because while it might not seem immediately obvious, opera and horror are genres with many commonalities. Like horror, traditional classical opera thrives on grandiosity, with overwhelming visuals and soaring soundtracks to imply the conflict, intrigue and drama. Like horror, opera focuses on the extremes of human emotion and interaction: obsessive vengeance, unresolved despair, consuming passions. Both genres are stereotyped by outsiders–opera as a tedious or incomprehensible ordeal, horror movies as tawdry and tasteless. And fans of both will cry betrayal at anything that deviates from long-standing, deeply cherished genre tropes–they like what they like and they’ll throw down to defend their opinions. (Forget about your heated Freddy vs. Jason arguments; start a debate on whether a...
- 7/28/2023
- by Neeraja Viswanathan
- DailyDead
It began in the son’s room, when the father was away on business. L’enfant thought it was l’amour, but for her, 30-odd years his senior, the sex, lies and audiotape were a mistake. Wild at heart, she’d yielded to the taste of … oh, never mind. Competing for the Palme d’Or at Cannes, Catherine Breillat’s “Last Summer” echoes films that have come before — most notably, 2019 Danish drama “Queen of Hearts,” on which it’s based — but it proves most daring in the ways the film departs from its more conventionally moralistic source, and especially in Breillat’s refusal to call either party a parasite.
Yes, the affair between a lawyer and her 17-year-old stepson is a betrayal — of her marriage, of her parental responsibilities, of everything she stands for as an attorney — but that’s nothing compared with how the 50-ish woman deals with it...
Yes, the affair between a lawyer and her 17-year-old stepson is a betrayal — of her marriage, of her parental responsibilities, of everything she stands for as an attorney — but that’s nothing compared with how the 50-ish woman deals with it...
- 5/25/2023
- by Peter Debruge
- Variety Film + TV
‘The Sweet East’ Review: ‘Good Time’ Dp Sean Price Williams Hits the Road in Promising Feature Debut
Festival reviews just love to hype a breakout performance, to the extent that one worries about becoming the little critic that cried breakout. But here goes: Talia Ryder, lead actor in “The Sweet East,” is a star. There’s something of Kristen Stewart about her, not merely in terms of physical resemblance, but more in her gift for not just acting but reacting. That’s fortunate, because her character is generally surrounded by extremely chatty blowhards, most of them interested only in the role she might play for them in their own lives. She lies constantly about her identity and where she’s from, and these lies go down easy because nobody is particularly invested in who she might actually be — they’re too keen to fit her into their own mythology.
In debuting director Sean Price Williams’ picaresque road trip along the United States’ east coast, the most horribly...
In debuting director Sean Price Williams’ picaresque road trip along the United States’ east coast, the most horribly...
- 5/18/2023
- by Catherine Bray
- Variety Film + TV
The desert will again be a hotbed of deceit and larceny in luxurious black-and-white as the Arthur Lyons Film Noir Festival returns to Palm Springs this Thursday through Sunday, with the quintessential noir classics “The Killing” and “Double Indemnity” bookending a marathon weekend that otherwise tends toward more rarely screened ‘40s and ‘50s titles.
Several sons or daughters of the original actors or directors will be on hand, but of special interest to festival attendees will be the presence of one of the actual filmmakers: James B. Harris, 94, Stanley Kubrick’s producing partner for several of his best early films, who’ll be able to speak first-hand about the making of 1956’s “The Killing,” the crime drama that turned out to be Kubrick’s first real masterpiece.
“I’m just utterly thrilled that ‘The Killing’ will show and Jimmy will be the guest on opening night,” says the festival’s longtime guiding light,...
Several sons or daughters of the original actors or directors will be on hand, but of special interest to festival attendees will be the presence of one of the actual filmmakers: James B. Harris, 94, Stanley Kubrick’s producing partner for several of his best early films, who’ll be able to speak first-hand about the making of 1956’s “The Killing,” the crime drama that turned out to be Kubrick’s first real masterpiece.
“I’m just utterly thrilled that ‘The Killing’ will show and Jimmy will be the guest on opening night,” says the festival’s longtime guiding light,...
- 5/9/2023
- by Chris Willman
- Variety Film + TV
The film was shot in Italy and is now in post-production.
London-based WestEnd Films has boarded Eran Riklis’ Reading Lolita In Tehran starring Golshifteh Farahani and Zar Amir-Ebrahimi, and will introduce the film to buyers in Cannes.
The film was shot in Italy and is now in post-production.
Adapted from Azar Nafisi’s autobiographical novel, the story centres around a teacher in Iran who secretly gathers a group of female students to read forbidden western classics. Marjorie David wrote the screenplay.
It is an Italy-Israel co-production between United King Films, Topia Communications, Eran Riklis Productions, Minerva Pictures and Rosamont with Rai Cinema.
London-based WestEnd Films has boarded Eran Riklis’ Reading Lolita In Tehran starring Golshifteh Farahani and Zar Amir-Ebrahimi, and will introduce the film to buyers in Cannes.
The film was shot in Italy and is now in post-production.
Adapted from Azar Nafisi’s autobiographical novel, the story centres around a teacher in Iran who secretly gathers a group of female students to read forbidden western classics. Marjorie David wrote the screenplay.
It is an Italy-Israel co-production between United King Films, Topia Communications, Eran Riklis Productions, Minerva Pictures and Rosamont with Rai Cinema.
- 5/5/2023
- by Ellie Calnan
- ScreenDaily
Iranian-American writer Azar Nafisi’s classic memoir Reading Lolita in Tehran has been adapted for the big screen with an ensemble cast led by actors Golshifteh Farahani (Paterson) and Zar Amir-Ebrahimi (Holy Spider).
The pic is an Italian-Israeli co-production directed by Eran Riklis (Lemon Tree) from a screenplay by Marjorie David. Production took place in Italy. It’s now in post, and WestEnd will launch sales at the upcoming Cannes market.
Translated into 32 languages and set after the revolution in Iran as extremism took hold, Nafisi’s memoir tells the autobiographical story of a bold and inspired teacher, who secretly gathered seven of her most committed female students to read forbidden Western classics, while their world as they knew it closed in around them. As the Islamic Republic took power, morality squads staged arbitrary raids in Tehran, and as fundamentalists seized hold of the universities, the women in Nafisi’s living room,...
The pic is an Italian-Israeli co-production directed by Eran Riklis (Lemon Tree) from a screenplay by Marjorie David. Production took place in Italy. It’s now in post, and WestEnd will launch sales at the upcoming Cannes market.
Translated into 32 languages and set after the revolution in Iran as extremism took hold, Nafisi’s memoir tells the autobiographical story of a bold and inspired teacher, who secretly gathered seven of her most committed female students to read forbidden Western classics, while their world as they knew it closed in around them. As the Islamic Republic took power, morality squads staged arbitrary raids in Tehran, and as fundamentalists seized hold of the universities, the women in Nafisi’s living room,...
- 5/5/2023
- by Zac Ntim
- Deadline Film + TV
Golshifteh Farahani (Pirates of the Caribbean, About Elly, Paterson) and Zar Amir-Ebrahami (Palme d’Or-winner in 2022 for Holy Spider) — two of most recognized and in-demand Iranian stars working outside of Iran today — have teamed for the feature adaptation of Azar Nafisi’s bestselling Iranian novel Reading Lolita in Tehran.
The two lead an ensemble cast in the the drama — from award-winning director Eran Riklis (Lemon Tree, The Syrian Bride, Dancing Arabs) and written by Marjorie David — alongside Mina Kavani (Red Rose, No Bears). WestEnd Films are launching sales of the film in Cannes.
Translated into 32 languages across the world and set after the revolution in Iran as extremism took hold, Reading Lolita in Tehran tells the autobiographical story of a bold and inspired teacher, who secretly gathered seven of her most committed female students to read forbidden western classics while their world as they knew it closed in around them.
The two lead an ensemble cast in the the drama — from award-winning director Eran Riklis (Lemon Tree, The Syrian Bride, Dancing Arabs) and written by Marjorie David — alongside Mina Kavani (Red Rose, No Bears). WestEnd Films are launching sales of the film in Cannes.
Translated into 32 languages across the world and set after the revolution in Iran as extremism took hold, Reading Lolita in Tehran tells the autobiographical story of a bold and inspired teacher, who secretly gathered seven of her most committed female students to read forbidden western classics while their world as they knew it closed in around them.
- 5/5/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Though he's known for his symmetrical compositions and that infamous stare, Stanley Kubrick was always chiefly concerned with story. If it wasn't for good stories there would be no great Kubrick films — as evidenced by the fact the celebrated auteur never made a movie that he hadn't adapted from someone else's work (barring an early noir effort he co-wrote). From "Lolita" to "Eyes Wide Shut," Kubrick would scour the cultural landscape for stories worth adapting, usually finding them in novels. And in the case of 1971's "A Clockwork Orange," the director would adhere to Anthony Burgess's 1962 work of fiction arguably more closely than with any of his later films.
Kubrick respected Burgess' novel greatly, calling it "brilliant and original." That's not to say he didn't feel similarly about other source material he worked with, but the director also had a knack for disappointing the originators of that material. Gus Hasford,...
Kubrick respected Burgess' novel greatly, calling it "brilliant and original." That's not to say he didn't feel similarly about other source material he worked with, but the director also had a knack for disappointing the originators of that material. Gus Hasford,...
- 3/26/2023
- by Joe Roberts
- Slash Film
Auteurs and Hollywood don't always mix. Stanley Kubrick put some considerable distance between himself and the studio system after being required to stick closely to Dalton Trumbo's "Spartacus" script in 1960 — heading to England to secure funding and creative control on 1962's "Lolita." But he wasn't the first American filmmaker to flee his homeland in search of artistic freedom and funding.
Orson Welles is perhaps the ultimate example of a director clashing with a filmmaking industry unaligned with his sophisticated artistic ambitions. After his first film, "Citizen Kane," debuted in 1941 and proved a financial failure, Welles had to fight for financing and artistic control on future projects. Rko, which had funded "Citizen Kane," renegotiated Welles' contract to remove the unprecedented creative control he was initially afforded. And even though the film would eventually become regarded as one of, if not the finest movie ever made, the director would regularly find...
Orson Welles is perhaps the ultimate example of a director clashing with a filmmaking industry unaligned with his sophisticated artistic ambitions. After his first film, "Citizen Kane," debuted in 1941 and proved a financial failure, Welles had to fight for financing and artistic control on future projects. Rko, which had funded "Citizen Kane," renegotiated Welles' contract to remove the unprecedented creative control he was initially afforded. And even though the film would eventually become regarded as one of, if not the finest movie ever made, the director would regularly find...
- 3/4/2023
- by Joe Roberts
- Slash Film
A number of great movies are leaving HBO Max at the end of March, so it’s time to prioritize these titles in your queue. Filmmaker James Gunn’s sequel/soft reboot “The Suicide Squad” will depart the streaming service on March 22 after first hitting HBO Max the same day it was released in theaters back in 2021. Similarly, “Space Jam: A New Legacy” was whisked away on March 1 after also getting a day-and-date release in 2021 (sorry/not sorry if you missed it).
You also only have until March 7 to stream “Just a Boy From Tupelo: Bringing Elvis to the Big Screen,” a short documentary on the making of the Oscar-nominated biopic “Elvis.”
Other noteworthy films leaving HBO Max this month include “The Assassination of Jesse James by the Coward Robert Ford,” “Contagion,” the extended version of “Dances with Wolves,” “Ghostbusters,” “Four Weddings and a Funeral,” “Love & Basketball” and “Popstar: Never Stop Never Stopping.
You also only have until March 7 to stream “Just a Boy From Tupelo: Bringing Elvis to the Big Screen,” a short documentary on the making of the Oscar-nominated biopic “Elvis.”
Other noteworthy films leaving HBO Max this month include “The Assassination of Jesse James by the Coward Robert Ford,” “Contagion,” the extended version of “Dances with Wolves,” “Ghostbusters,” “Four Weddings and a Funeral,” “Love & Basketball” and “Popstar: Never Stop Never Stopping.
- 3/3/2023
- by Adam Chitwood
- The Wrap
A full Free Movie of the Day is posted on the JoBlo Horror Movies YouTube channel every day of the week – but on Fridays things get even freakier and a little more fun. Get your weekend started the right way by indulging in Friday Fright Nights! Every Friday, we’ll be taking a look at another genre movie you can watch in its entirety, free of charge, either on the YouTube channel linked above or in the video embed here.
The Friday Fright Night feature we have for you this week is the 2007 supernatural horror film Dead Mary, starring Dominique Swain – an actress I always expected to have a more high profile career than she has had up to this point. She got a lot of attention when she first appeared on screens in Lolita and Face/Off back in 1997, but she hasn’t done many big movies since then, with...
The Friday Fright Night feature we have for you this week is the 2007 supernatural horror film Dead Mary, starring Dominique Swain – an actress I always expected to have a more high profile career than she has had up to this point. She got a lot of attention when she first appeared on screens in Lolita and Face/Off back in 1997, but she hasn’t done many big movies since then, with...
- 2/10/2023
- by Cody Hamman
- JoBlo.com
Despite its controversial subject matter, which involves a middle-aged man of letters obsessing over a 12-year-old "nymphet", Vladimir Nabokov's 1955 book "Lolita" is often regarded as one of the finest novels ever written. In 1998, the year that a new Adrian Lyne adaptation of "Lolita," starring Jeremy Irons and Dominique Swain, premiered on Showtime, Modern Library named Nabokov's book the fourth-best English-language novel published by Random House in the 20th century. This was the second attempt at a film adaptation of "Lolita;" the first came in 1962 when Stanley Kubrick was in the director's chair.
Kubrick's adaptation of "Lolita" works backward from the climax of Nabokov's novel, as Humbert Humbert (James Mason) confronts and shoots his drunken counterpart, Clare Quilty (Peter Sellers), in his mansion. The film magnifies Quilty's role, with Sellers even adopting a German disguise at one point, similar to how he would play multiple roles two years later in "Dr. Strangelove.
Kubrick's adaptation of "Lolita" works backward from the climax of Nabokov's novel, as Humbert Humbert (James Mason) confronts and shoots his drunken counterpart, Clare Quilty (Peter Sellers), in his mansion. The film magnifies Quilty's role, with Sellers even adopting a German disguise at one point, similar to how he would play multiple roles two years later in "Dr. Strangelove.
- 1/21/2023
- by Joshua Meyer
- Slash Film
In a postscript to his 1955 novel "Lolita," Vladimir Nabokov stated, quite shockingly, that it was a love story. Not between an adult man and a 12-year-old girl, as the dark plot of the novel details, but between Nabokov and the English language.
Nabokov, born in St. Petersburg in 1899, always had a strange affinity for the English language and often translated his own works from their original Russian. He also had an equally strange affinity for American culture as it looked in the 1950s, and "Lolita" was his full exploration of that. Among many other things, "Lolita" is about how post-War America -- featuring a money-raking landscape of hotels, kitsch, and secrets -- was all too willing to offer its youth as prey for a seemingly respectful European aristocracy. The book's main character, comically named Humbert Humbert, was a morally bankrupt transplant who saw himself as the king of his own story,...
Nabokov, born in St. Petersburg in 1899, always had a strange affinity for the English language and often translated his own works from their original Russian. He also had an equally strange affinity for American culture as it looked in the 1950s, and "Lolita" was his full exploration of that. Among many other things, "Lolita" is about how post-War America -- featuring a money-raking landscape of hotels, kitsch, and secrets -- was all too willing to offer its youth as prey for a seemingly respectful European aristocracy. The book's main character, comically named Humbert Humbert, was a morally bankrupt transplant who saw himself as the king of his own story,...
- 1/15/2023
- by Witney Seibold
- Slash Film
Stanley Kubrick always had a strange relationship with authors. On the one hand, the director relied on their work to prompt his own artistic exploits. He would spend his entire career searching for stories worth adapting for the big screen as though they were some sort of finite resource that required immediate mining. Almost all of the auteur's films were adaptations of pre-existing works, with Kubrick using the time between projects to peruse the pages of publications such as the Virginia Kirkus Review in search of the next story to spark his interest.
On the other hand, he had some, shall we say, complicated interactions with the various authors of these stories that were so crucial to his process. Gus Hasford, who wrote the 1979 novel "The Short-Timers," on which "Full Metal Jacket" was based, was so unhappy with what he witnessed on the film's set he waged his own battle...
On the other hand, he had some, shall we say, complicated interactions with the various authors of these stories that were so crucial to his process. Gus Hasford, who wrote the 1979 novel "The Short-Timers," on which "Full Metal Jacket" was based, was so unhappy with what he witnessed on the film's set he waged his own battle...
- 1/13/2023
- by Joe Roberts
- Slash Film
It's not really surprising that Stanley Kubrick never really got along with the whole American studio system of filmmaking. A notorious perfectionist, the director was at his best when retaining all creative control, and he knew it. Hence why he spent a large part of his career holed up in his Hertfordshire manor house. Childwickbury Manor has since become famous among fans of the auteur for being where he planned, wrote, and even edited some of his most famous movies, including the war epic "Full Metal Jacket."
But Kubrick actually made the move to the U.K. long before he took up residence in Childickbury in 1978. Back in 1960, he and his wife Christiane crossed the Atlantic to live just north of London while Kubrick worked on an adaptation of Vladimir Nabokov's now-classic novel "Lolita." The project was to be the director's triumphant escape from the rigidities of the Hollywood system,...
But Kubrick actually made the move to the U.K. long before he took up residence in Childickbury in 1978. Back in 1960, he and his wife Christiane crossed the Atlantic to live just north of London while Kubrick worked on an adaptation of Vladimir Nabokov's now-classic novel "Lolita." The project was to be the director's triumphant escape from the rigidities of the Hollywood system,...
- 1/13/2023
- by Joe Roberts
- Slash Film
Stanley Kubrick pushed a lot of boundaries as a filmmaker, but perhaps most controversial was his adaptation of Vladimir Nabokov's famed novel, "Lolita." The story centers around a middle-aged man's affection for a teenage girl, a romance that raised eyebrows when the film was released in 1962 and it is still the subject of controversy to this day. The director had no regrets about making such a scandalous film — in fact, he wished he had pushed the envelope even further.
"Lolita" was an incredibly successful novel before it was made into a movie. However, it wasn't the book's popularity that attracted Kubrick to the project. "We bought it when it had not yet appeared on the New York Times bestseller list," the filmmaker revealed to The Guardian. "We never dreamed of the popularity that the book would achieve. We thought it would be popular, but how could one guess that...
"Lolita" was an incredibly successful novel before it was made into a movie. However, it wasn't the book's popularity that attracted Kubrick to the project. "We bought it when it had not yet appeared on the New York Times bestseller list," the filmmaker revealed to The Guardian. "We never dreamed of the popularity that the book would achieve. We thought it would be popular, but how could one guess that...
- 1/12/2023
- by Shae Sennett
- Slash Film
Actor Kevin Conroy – best known as the voice of Batman across various animated series and video games – has passed away at the age of 66, it has been reported.
For 30 years, Conroy lent his voice to the Caped Crusader, debuting in the role in 1992’s acclaimed Batman: The Animated Series. From there, he voiced Bruce Wayne and Batman regularly – in cinematically-released animated film Batman: Mask Of The Phantasm, and other DC Animated Universe series including The New Batman Adventures, Superman: The Animated Series, Batman Beyond, Justice League, and Justice League Unlimited. He also voiced Batman in animated films Batman & Mr Freeze: SubZero, Batman Beyond: Return Of The Joker, and Batman: Mystery Of The Batwoman.
Beyond his original vocal performances as Batman through the ‘90s and early ‘00s, Conroy returned to the role in various guises and forms of media. He voiced the Dark Knight in the Christopher Nolan-adjacent animated film...
For 30 years, Conroy lent his voice to the Caped Crusader, debuting in the role in 1992’s acclaimed Batman: The Animated Series. From there, he voiced Bruce Wayne and Batman regularly – in cinematically-released animated film Batman: Mask Of The Phantasm, and other DC Animated Universe series including The New Batman Adventures, Superman: The Animated Series, Batman Beyond, Justice League, and Justice League Unlimited. He also voiced Batman in animated films Batman & Mr Freeze: SubZero, Batman Beyond: Return Of The Joker, and Batman: Mystery Of The Batwoman.
Beyond his original vocal performances as Batman through the ‘90s and early ‘00s, Conroy returned to the role in various guises and forms of media. He voiced the Dark Knight in the Christopher Nolan-adjacent animated film...
- 11/11/2022
- by Ben Travis
- Empire - Movies
Actor / Filmmaker Alex Winter joins Josh Olson and Joe Dante to discuss movies featuring a cog in the machine – the individual struggling to exist within the system.
Show Notes: Movies Referenced In This Episode
Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings
Bill And Ted’s Bogus Journey (1991)
Bill And Ted Face The Music (2020)
The Game (1997)
Showbiz Kids (2020)
The Panama Papers (2018)
Zappa (2020)
200 Motels (1971)
Modern Times (1936)
Metropolis (1927) – Glenn Erickson’s Blu-ray review
Avatar (2009)
Things To Come (1936) – Jesus Trevino’s trailer commentary
M (1931)
M (1951)
The Last Laugh (1924) – Glenn Erickson’s Blu-ray review
Brazil (1985)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness
City Lights (1931)
Goin’ Down The Road (1970)
The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review
The Young And The Damned (1950)
Shock Corridor (1963) – Katt Shea’s trailer commentary
The Naked Kiss (1964)
Stroszek (1977)
Even Dwarves Started Small (1970)
Ikiru (1952) – Glenn Erickson’s trailer...
Show Notes: Movies Referenced In This Episode
Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings
Bill And Ted’s Bogus Journey (1991)
Bill And Ted Face The Music (2020)
The Game (1997)
Showbiz Kids (2020)
The Panama Papers (2018)
Zappa (2020)
200 Motels (1971)
Modern Times (1936)
Metropolis (1927) – Glenn Erickson’s Blu-ray review
Avatar (2009)
Things To Come (1936) – Jesus Trevino’s trailer commentary
M (1931)
M (1951)
The Last Laugh (1924) – Glenn Erickson’s Blu-ray review
Brazil (1985)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness
City Lights (1931)
Goin’ Down The Road (1970)
The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review
The Young And The Damned (1950)
Shock Corridor (1963) – Katt Shea’s trailer commentary
The Naked Kiss (1964)
Stroszek (1977)
Even Dwarves Started Small (1970)
Ikiru (1952) – Glenn Erickson’s trailer...
- 10/11/2022
- by Kris Millsap
- Trailers from Hell
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "The Crush"
Where You Can Stream It: Hulu and Peacock
The Pitch: Two years before Alicia Silverstone would become teen queen royalty for her performance as Cher Horowitz in "Clueless," she made her feature film debut opposite Cary Elwes in the evocative "Lolita" thriller, "The Crush."
The 1990s were a golden era for erotic thrillers, but few were willing to tackle the taboo nature of a sexually-forward teenage girl and a grown man who certainly knew better. Elwes plays a writer named Nick Eliot who moves to a new city for a magazine job, and rents the back house of Cliff (Kurtwood Smith) and Liv Forrester (Gwynyth Walsh), whose 14-year-old daughter, Adrian (Alicia Silverstone) becomes enamored with him. Nick...
The Movie: "The Crush"
Where You Can Stream It: Hulu and Peacock
The Pitch: Two years before Alicia Silverstone would become teen queen royalty for her performance as Cher Horowitz in "Clueless," she made her feature film debut opposite Cary Elwes in the evocative "Lolita" thriller, "The Crush."
The 1990s were a golden era for erotic thrillers, but few were willing to tackle the taboo nature of a sexually-forward teenage girl and a grown man who certainly knew better. Elwes plays a writer named Nick Eliot who moves to a new city for a magazine job, and rents the back house of Cliff (Kurtwood Smith) and Liv Forrester (Gwynyth Walsh), whose 14-year-old daughter, Adrian (Alicia Silverstone) becomes enamored with him. Nick...
- 9/24/2022
- by BJ Colangelo
- Slash Film
The idea of a grown man having sex with a teenage girl is disturbing. This is — sort of — the point of "Roost." I think? It's never really clear what the thriller is trying to say. To be honest, I may have just missed the memo: partway through this film, my urge to crawl out of my skin was so strong that I think my soul left my body. When it was all over, I stumbled out of the theater in a haze, mumbling apologies to those I bumped into, desperately searching for a dark quiet corner to silently scream in private.
Premiering at the Toronto International Film Festival, "Roost" is a drama about a young 16-year-old girl who falls in love with a much older man via FaceTime. Why she didn't clue in that he was older by the glaringly obvious signs is a mystery. Maybe she was blinded by his flattery of her poetry.
Premiering at the Toronto International Film Festival, "Roost" is a drama about a young 16-year-old girl who falls in love with a much older man via FaceTime. Why she didn't clue in that he was older by the glaringly obvious signs is a mystery. Maybe she was blinded by his flattery of her poetry.
- 9/16/2022
- by Sarah Milner
- Slash Film
When one thinks of Stanley Kubrick's 1964 Cold War satire "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb," the most iconic image that comes to mind is that of a hollering Slim Pickens straddling a descending hydrogen bomb. The journey to that image was a royal pain for the celebrated filmmaker.
"Strangelove" co-writer Terry Southern penned a memoir piece titled "Strangelove Outtake; Notes from the War Room," originally published in Grand Street magazine in 1994. He describes the pressure that Kubrick was under to employ Peter Sellers in multiple roles, which the Columbia suits had determined was the sole reason for the success of "Lolita" (it wasn't). So Kubrick agreed to cast Sellers in "at least four major roles," three of which made the final cut: Group Captain Lionel Mandrake, President Merkin Muffley, and the titular Doctor Strangelove.
The fourth role was Major Kong, who commands...
"Strangelove" co-writer Terry Southern penned a memoir piece titled "Strangelove Outtake; Notes from the War Room," originally published in Grand Street magazine in 1994. He describes the pressure that Kubrick was under to employ Peter Sellers in multiple roles, which the Columbia suits had determined was the sole reason for the success of "Lolita" (it wasn't). So Kubrick agreed to cast Sellers in "at least four major roles," three of which made the final cut: Group Captain Lionel Mandrake, President Merkin Muffley, and the titular Doctor Strangelove.
The fourth role was Major Kong, who commands...
- 8/18/2022
- by Anya Stanley
- Slash Film
Tatiana Maslany is heading back to the AMC Networks family. The actress, who previously starred on AMC’s BBC America series “Orphan Black,” will star in and executive produce “Invitation to a Bonfire.”
Due out 2023, the series is psychological thriller based on the novel by Adrienne Celt.
It is inspired by Vladimir and Vera Nabokov’s co-dependent marriage. The real life Vladimir Nabokov wrote the controversial 1955 novel “Lolita.”
The show is set in the 1930s at an all-girls boarding school in New Jersey. It follows Zoya (Freya Mavor), a young Russian immigrant and groundskeeper, who is drawn into a lethal love triangle with the school’s newest faculty member (Pilou Asbæk) — an enigmatic novelist — and his bewitching wife (Tatiana Maslany). The cast also includes Ngozi Anyanwu.
Maslany’s character, Vera Orlov, is described as more than Leo’s wife; she is his editor and his everything.
Also Read:
Tatiana Maslany...
Due out 2023, the series is psychological thriller based on the novel by Adrienne Celt.
It is inspired by Vladimir and Vera Nabokov’s co-dependent marriage. The real life Vladimir Nabokov wrote the controversial 1955 novel “Lolita.”
The show is set in the 1930s at an all-girls boarding school in New Jersey. It follows Zoya (Freya Mavor), a young Russian immigrant and groundskeeper, who is drawn into a lethal love triangle with the school’s newest faculty member (Pilou Asbæk) — an enigmatic novelist — and his bewitching wife (Tatiana Maslany). The cast also includes Ngozi Anyanwu.
Maslany’s character, Vera Orlov, is described as more than Leo’s wife; she is his editor and his everything.
Also Read:
Tatiana Maslany...
- 8/10/2022
- by Jolie Lash
- The Wrap
Sundance Now, AMC Networks’ streaming platform, has unveiled two upcoming series: “Totally Completely Fine” starring Thomasin McKenzie (“Last Night in Soho”) and “Sanctuary” with Elaine Cassidy (“The Wonder”).
The Sundance Now Original shows — set for a 2023 premiere — join a previously announced slate of series that feature actors Sarah Goldberg (“Barry”), Temuera Morrison (“The Book of Boba Fett”) and Travis Fimmel (“Vikings”).
Inspired by true events, “Totally Completely Fine” is a six-part dark comedy that explores the complexities of grief, the power of friendship and the ways in which sadness can unite people. It follows a 20-something Vivian Cunningham (McKenzie), whose life is a mess. The logline continues, “Last week she accidentally burnt down her brother’s vegan food truck with a bacon-flavored vape and this week she’s inherited her grandfather’s coastal clifftop shack and is tasked with helping people who come too close to the edge. Strangely enough,...
The Sundance Now Original shows — set for a 2023 premiere — join a previously announced slate of series that feature actors Sarah Goldberg (“Barry”), Temuera Morrison (“The Book of Boba Fett”) and Travis Fimmel (“Vikings”).
Inspired by true events, “Totally Completely Fine” is a six-part dark comedy that explores the complexities of grief, the power of friendship and the ways in which sadness can unite people. It follows a 20-something Vivian Cunningham (McKenzie), whose life is a mess. The logline continues, “Last week she accidentally burnt down her brother’s vegan food truck with a bacon-flavored vape and this week she’s inherited her grandfather’s coastal clifftop shack and is tasked with helping people who come too close to the edge. Strangely enough,...
- 8/10/2022
- by Natalie Oganesyan
- The Wrap
Click here to read the full article.
Tatiana Maslany’s next TV role will be a world away from her current one.
The Emmy winner and She-Hulk: Attorney at Law star has joined AMC Networks’ drama Invitation to a Bonfire. She’ll also be an executive producer of the series, which is inspired by the codependent marriage of Lolita novelist Vladimir Nabokov and his wife, Vera.
The announcement was one of several AMC Networks made during its time at the Television Critics Association press tour Wednesday. The company has also named a new showrunner for its series Dark Winds and set a guest lineup for season two of IFC’s Sherman’s Showcase.
Invitation to a Bonfire is set at a girls boarding school in the 1930s. It follows Zoya (Freya Mavor), a young Russian immigrant and groundskeeper at the school, who’s drawn into a lethal love triangle with the...
Tatiana Maslany’s next TV role will be a world away from her current one.
The Emmy winner and She-Hulk: Attorney at Law star has joined AMC Networks’ drama Invitation to a Bonfire. She’ll also be an executive producer of the series, which is inspired by the codependent marriage of Lolita novelist Vladimir Nabokov and his wife, Vera.
The announcement was one of several AMC Networks made during its time at the Television Critics Association press tour Wednesday. The company has also named a new showrunner for its series Dark Winds and set a guest lineup for season two of IFC’s Sherman’s Showcase.
Invitation to a Bonfire is set at a girls boarding school in the 1930s. It follows Zoya (Freya Mavor), a young Russian immigrant and groundskeeper at the school, who’s drawn into a lethal love triangle with the...
- 8/10/2022
- by Rick Porter
- The Hollywood Reporter - Movie News
The first, and greatest, adaptation of Vladimir Nabokov’s troubling 1955 novel still possesses a strange and unnerving power
What happens when a magnet for controversy depolarizes with age? Vladimir Nabokov’s 1955 novel Lolita still attracts plenty of analysis, admiration and disgust, in the classroom and beyond. But despite the pedigree of the beloved film-maker Stanley Kubrick, the first film adaptation of Lolita – released 60 years ago this week – is arguably more of a curio these days, forced to excise or elide some of the book’s thorniest elements for the sake of being allowed to exist at all.
The sheer unlikelihood of a Lolita movie being made near-contemporaneously with the novel was worked into the ad campaign, some of its posters adorned with a cheeky question: “How did they ever make a movie of Lolita?” Good question, relatively simple answer: by ageing up the title character slightly, and relying on innuendos...
What happens when a magnet for controversy depolarizes with age? Vladimir Nabokov’s 1955 novel Lolita still attracts plenty of analysis, admiration and disgust, in the classroom and beyond. But despite the pedigree of the beloved film-maker Stanley Kubrick, the first film adaptation of Lolita – released 60 years ago this week – is arguably more of a curio these days, forced to excise or elide some of the book’s thorniest elements for the sake of being allowed to exist at all.
The sheer unlikelihood of a Lolita movie being made near-contemporaneously with the novel was worked into the ad campaign, some of its posters adorned with a cheeky question: “How did they ever make a movie of Lolita?” Good question, relatively simple answer: by ageing up the title character slightly, and relying on innuendos...
- 6/13/2022
- by Jesse Hassenger
- The Guardian - Film News
As the Venice Film Festival prepares to celebrate its 90th anniversary, researchers have reconstructed how Stanley Kubrick’s first film, now known as “Fear and Desire,” came to screen on the Lido in 1952.
The screening of the film, initially titled “Shape of Fear,” took place at the Palazzo del Cinema on the Lido on Aug. 18, 1952, in a section called Festival of the Scientific Film and Art Documentary.
Basically, Kubrick’s debut was invited for a special screening after not making the cut for competition due to “the length and character of the film,” as an exchange of letters between the 23-year-old Kubrick and then Venice chief Antonio Petrucci attests (see below).
The whole story has been reconstructed for the first time in the letters and documents preserved in the archives of the fest’s parent organization, the Venice Biennale, ahead of an international conference celebrating the 90th anniversary of the world’s oldest film festival,...
The screening of the film, initially titled “Shape of Fear,” took place at the Palazzo del Cinema on the Lido on Aug. 18, 1952, in a section called Festival of the Scientific Film and Art Documentary.
Basically, Kubrick’s debut was invited for a special screening after not making the cut for competition due to “the length and character of the film,” as an exchange of letters between the 23-year-old Kubrick and then Venice chief Antonio Petrucci attests (see below).
The whole story has been reconstructed for the first time in the letters and documents preserved in the archives of the fest’s parent organization, the Venice Biennale, ahead of an international conference celebrating the 90th anniversary of the world’s oldest film festival,...
- 6/8/2022
- by Nick Vivarelli
- Variety Film + TV
Writer/director Eskil Vogt joins hosts Josh Olson and Joe Dante to discuss a few of his favorite movies.
Show Notes: Movies Referenced In This Episode
The Worst Person In The World (2021)
The Innocents (2022)
The Godfather Part II (1974) – Katt Shea’s trailer commentary, Glenn Erickson’s Blu-ray review
The Breakfast Club (1985)
Ferris Bueller’s Day Off (1986)
Trust (1990)
Fight Club (1999)
Evil Dead II (1987) – Alex Kirschenbaum’s review
Gremlins (1984) – Glenn Erickson’s Blu-ray review
The Getaway (1972) – Larry Karaszewski’s trailer commentary
The Getaway (1994)
Junior Bonner (1972) – Glenn Erickson’s Blu-ray review
Star Wars (1977)
The Limey (1999)
Point Blank (1967) – John Landis’s trailer commentary
Out of Sight (1998)
The Hunger (1983)
Providence (1977)
Blind (2014)
Mishima: A Life in Four Chapters (1985)
The Card Counter (2021)
First Reformed (2017) – Glenn Erickson’s Blu-ray review
Taxi Driver (1976) – Rod Lurie’s trailer commentary
Light Sleeper (1992)
American Gigolo (1980)
Notorious (1946) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Torn Curtain (1966)
Jacob’s Ladder (1990)
Lolita (1997)
Deep Water...
Show Notes: Movies Referenced In This Episode
The Worst Person In The World (2021)
The Innocents (2022)
The Godfather Part II (1974) – Katt Shea’s trailer commentary, Glenn Erickson’s Blu-ray review
The Breakfast Club (1985)
Ferris Bueller’s Day Off (1986)
Trust (1990)
Fight Club (1999)
Evil Dead II (1987) – Alex Kirschenbaum’s review
Gremlins (1984) – Glenn Erickson’s Blu-ray review
The Getaway (1972) – Larry Karaszewski’s trailer commentary
The Getaway (1994)
Junior Bonner (1972) – Glenn Erickson’s Blu-ray review
Star Wars (1977)
The Limey (1999)
Point Blank (1967) – John Landis’s trailer commentary
Out of Sight (1998)
The Hunger (1983)
Providence (1977)
Blind (2014)
Mishima: A Life in Four Chapters (1985)
The Card Counter (2021)
First Reformed (2017) – Glenn Erickson’s Blu-ray review
Taxi Driver (1976) – Rod Lurie’s trailer commentary
Light Sleeper (1992)
American Gigolo (1980)
Notorious (1946) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Torn Curtain (1966)
Jacob’s Ladder (1990)
Lolita (1997)
Deep Water...
- 5/10/2022
- by Kris Millsap
- Trailers from Hell
Jay Binder, whose more than four decades as a prominent Broadway casting director included finding just the right talent for such productions as The Lion King, Beauty and the Beast and Jerome Robbins’ Broadway, among many others, died peacefully today at his home. He was 71.
His death was announced by a press spokesperson.
Hollywood & Media Deaths In 2022: Photo Gallery
A founder and driving force behind the popular and acclaimed Encores! Great American Musicals in Concert series at New York City Center, Binder cast that series’ Chicago revival, which went on to Broadway and a Tony Award.
In all, Binder cast nearly 100 Broadway productions, including A Gentleman’s Guide to Love & Murder, Dames At Sea, Nice Work If You Can Get It, Gypsy, and The King and I. He cast Neil Simon’s Lost in Yonkers and every other production of the playwright’s work from 1990 through 2009.
“I worked hand-in-glove with Jay for two decades,...
His death was announced by a press spokesperson.
Hollywood & Media Deaths In 2022: Photo Gallery
A founder and driving force behind the popular and acclaimed Encores! Great American Musicals in Concert series at New York City Center, Binder cast that series’ Chicago revival, which went on to Broadway and a Tony Award.
In all, Binder cast nearly 100 Broadway productions, including A Gentleman’s Guide to Love & Murder, Dames At Sea, Nice Work If You Can Get It, Gypsy, and The King and I. He cast Neil Simon’s Lost in Yonkers and every other production of the playwright’s work from 1990 through 2009.
“I worked hand-in-glove with Jay for two decades,...
- 4/15/2022
- by Greg Evans
- Deadline Film + TV
Normal 0 false false false En-us X-none X-none
By Todd Garbarini
The major question that I have about Douglas Heyes’s Kitten with a Whip, which opened in New York on Wednesday, November 4, 1964 on a double bill with Lance Comfort’s Sing and Swing (1963) with David Hemmings at some theaters, is this: where is the titular whip? We have the kitten, as embodied by the overly beautiful Ann-Margret as “bad girl” Jody Dvorak, but there is no whip to be found. Perhaps the “whip” is her personality? There certainly is an argument to be made for that. Jody has just made a break from a juvenile detention center but not before seriously wounding the head of the place who becomes hospitalized. Outwitting the police, she breaks into the semi-upscale home of David Stratton (John Forsyth), a stuffy, by-the-book political candidate hopeful twenty-three years her senior whose wife and daughter are conveniently...
By Todd Garbarini
The major question that I have about Douglas Heyes’s Kitten with a Whip, which opened in New York on Wednesday, November 4, 1964 on a double bill with Lance Comfort’s Sing and Swing (1963) with David Hemmings at some theaters, is this: where is the titular whip? We have the kitten, as embodied by the overly beautiful Ann-Margret as “bad girl” Jody Dvorak, but there is no whip to be found. Perhaps the “whip” is her personality? There certainly is an argument to be made for that. Jody has just made a break from a juvenile detention center but not before seriously wounding the head of the place who becomes hospitalized. Outwitting the police, she breaks into the semi-upscale home of David Stratton (John Forsyth), a stuffy, by-the-book political candidate hopeful twenty-three years her senior whose wife and daughter are conveniently...
- 4/13/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
In scripted content, or “The Godfather,” people should never take sides against the family. As proven by some of 2021 and 2022 top launches, from “Kin,” a Rte One No. 1 launch in Ireland, to South Africa’s “House of Zwide” (E.TV) and Fox’s “The Cleaning Lady,” family bonds continue to dominate no matter the genre.
“The main reason for family being so strong in so many shows, is that if you really want to break out in a linear way, you have to create co-viewing potential,” observes Avril Blondelot, head of content insight at Glance, who co-presented on Monday In Cannes the conference session One TV Year in the World: Cracking Audience Trends.
An analysis of global TV trends which marks one of the highlights at the first day of of the MipTV trade fair, the session was presented with Frédéric Vaulpre, Glance vice president, and Beatrice Rossmanith, Tape Consultancy clients service director.
“The main reason for family being so strong in so many shows, is that if you really want to break out in a linear way, you have to create co-viewing potential,” observes Avril Blondelot, head of content insight at Glance, who co-presented on Monday In Cannes the conference session One TV Year in the World: Cracking Audience Trends.
An analysis of global TV trends which marks one of the highlights at the first day of of the MipTV trade fair, the session was presented with Frédéric Vaulpre, Glance vice president, and Beatrice Rossmanith, Tape Consultancy clients service director.
- 4/4/2022
- by Marta Balaga
- Variety Film + TV
"Everything in the world is about sex except sex. Sex is about power."Oscar Wilde Adrian Lyne makes erotic films that aspire to be respectable, the kind of movies that barely exist anymore in this age of mainstream geek culture. Lyne's films are about sex, yes, but they're classy, made for adults. Think of Glenn Close and Michael Douglas discussing Madame Butterfly between romps in the sack in Fatal Attraction, an R-rated film that was nominated for six Oscars and the top grossing film of 1987; or Jeremy Irons charming us as an insidiously eloquent writer helplessly smitten with a young girl in Lolita (1997), or the handsome bookseller (Olivier Martinez) wooing an unhappy housewife (Diane Lane) in Unfaithful (2002). Lyne makes movies that want to be taken seriously, never veering into camp, though they can be quite funny, like Michael Douglas hobbling around with Glenn Close in his arms and his pants around his ankles.
- 3/30/2022
- MUBI
One of the most identifiable — and imitated — cinematic tropes is the "Kubrick Stare," a particular type of close-up shot used in several films by director Stanley Kubrick. It turns up in "The Shining," "Full Metal Jacket," and "Eyes Wide Shut," and to a lesser extent, "Lolita" and "2001: A Space Odyssey."
Those latter two films don't quite fit the "Kubrick Stare" mold because they were made prior to the "Stare's" concrete origin point: 1971's "A Clockwork Orange." Although Kubrick had used close-ups in a unique and piercing fashion since his debut feature, "Fear and Desire," it was "Clockwork" that perfected and defined the usage of the "Stare": namely,...
The post How Malcolm McDowell Created The Signature 'Kubrick Stare' appeared first on /Film.
Those latter two films don't quite fit the "Kubrick Stare" mold because they were made prior to the "Stare's" concrete origin point: 1971's "A Clockwork Orange." Although Kubrick had used close-ups in a unique and piercing fashion since his debut feature, "Fear and Desire," it was "Clockwork" that perfected and defined the usage of the "Stare": namely,...
The post How Malcolm McDowell Created The Signature 'Kubrick Stare' appeared first on /Film.
- 3/22/2022
- by Bill Bria
- Slash Film
Patricia Highsmith’s “Deep Water” is a 1957 novel about a smart man in a soured marriage who grows so mad with jealousy over the affairs that his wife keeps flaunting in front of his face — and so resentful toward the reliable boorishness of her lovers — that he starts murdering her boy-toys with the same brazenness that she took them into her bed. Adrian Lyne’s “Deep Water” is a 2022 Hulu movie about a smart man in a soured marriage who grows so mad with jealousy over the affairs that his wife keeps flaunting in front of his face — and so resentful toward the reliable boorishness of her lovers — that he starts murdering her boy-toys with the same brazenness that she took them into her bed… and it makes his wife horny as hell.
The distinction is subtle until the moment it’s not. Which isn’t to say that Melinda...
The distinction is subtle until the moment it’s not. Which isn’t to say that Melinda...
- 3/16/2022
- by David Ehrlich
- Indiewire
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