(TV Series)

(1975)

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7/10
"Police Story"...with some blacksploitation sensibilities.
planktonrules3 September 2019
Through the 1970s, one of the popular movie genres were the so-called 'blacksploitation films'. In most of the films, the heroes are the black crooks...though sometimes they were the black cops. Regardless, the heroes were sick of playing by the rules and using brains, brawn, firepower and sometimes martial arts, they managed to entertain black Americans sick of seeing the same old heroes and villains.

Because of the popularity of the films, it's not terribly surprising that the sensibilities of the movies sometimes impacted TV shows. In the case of "The Cut Man Caper", "Police Story" manages to infuse a liberal dose of blacksploitation....with a mostly black cast. Of the actors, the most entertaining to watch, clearly, is the pimp-like 'Freddie' (Lou Gossett)....who plays the part with as much subtlety as a stripper at a Mormon picnic!

The story begins with a strongarm robbery at a pawn shop. Soon detectices Tillis and Groves (Robert Hooks and Scoey Mitchell) arrive and investigate. Their leads direct them to a well known snitch and man about town, Freddie. However, it soon is obvious that Freddie is just gaming the system....and the other cops are too naive to realize it. This is not the case with Tillis and Groves...but what are two black detectives to do when everyone else thinks Freddie is to be trusted?

So is this any good? Well, it IS "Police Story" and this show is among the very best of the era....consistently well written and well acted. But be forewarned...it's jam-packed with a few extreme racial stereotypes and will possibly offend folks today...or make them laugh! Overall, a slightly below average episode...but still worth seeing.
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6/10
All Star Cast, Great Period "Feel" - Low On Plot Development
therealdougsmith13 May 2019
Warning: Spoilers
This episode is BIG on both established, and, up-n-coming lead and character talent (Scoey Mitchell, Lou Gossett, Geoffrey Cambridge, Pepper Martin, James Gregory and Harrison Page to name but a handful). It also has excellent period authenticity and feel galore in it's dialogue and style (particularly Lou Gossett's "scheme-a-scene (tm)" central player "Freddie" - who is seriously likeable as a complete scoundrel.

Too bad all this visual goodness and, quality assembly of talent is wasted on an episode that seems to drag a few ideas out over a 74 minute duration that could really use either:

1. More time developing characters and, arcs...and, more effort in weaving them in/out of one another

2. Serious editing. Cut 30 minutes of meandering and unnecessary fat and, mold this into a fast-paced, tightly wound, character-driven, winner.

POSSIBLE MINOR SPOILER BELOW



As is, it kinda feels to me to be a lot like the scene where the "PRUV IT" 70s "Boogie Van" tails Freddie and, keeps hitting dead ends. The scene (like the episode) is easy on the eyes, meanders on too long, and, ends up leading nowhere.
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So good !!!!!!!!
searchanddestroy-113 April 2009
That's the only POLICE STORY episode I could catch up to now. I'll try to do better in a near future. I promise. It's really a very rare and magnificent series I usually watched in the seventies, when it was aired on french TV.

I love the atmosphere from this decade, and the daily work of policemen. All the problems they have to fight: hookers, hoodlums, drunk people, violent husbands, hit and run drivers, corrupt officers, divorced men of the force, and so on...

This episode gives us nothing special,concerning the topic I mean, but the actors directing and shooting are quite good, efficient, sharply made, with no length. Dialogues are amazing. Nearly a blaxploitation feature, where the force tracks a bunch of black armed robbers down. The director is Don Medford, a great TV director, as well as big screen industry, but in a lesser scale. He gave us the powerful: HUNTING PARTY.

One of my ever best.
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