User Reviews

Review this title
4 Reviews
Sort by:
Filter by Rating:
7/10
Makes Me Further Appreciate This Cartoon
ccthemovieman-117 June 2007
A few things I learned in this "behind-the-scenes" documentary:

Chuck Jones loved to work with classical music. He had a respectful, but very satirical approach to the Wagner operas.

The whole idea was to make a farce out of the opera in that the basic premise of the opera is the same as in Bugs Bunny cartoon in which Elmer Fudd is always chasing him.

You get some conjectures from various historians about what writer Michael Maltese might have been thinking in this cartoon, along with a detailed explanation of the artwork by layout artist Maurice Noble; what good singers Mel Blanc and Arthur Q. Bryan (the voices of Bugs and Elmer, respectively) were, and a lot of other material. They really break this down and give everyone connected with this cartoon credit for their work. For instance, it was interesting to hear that Bryan started out his radio career as a tenor, a singer, not someone doing other voice or comedy.

When you listen to this documentary, you get a new appreciation on how good this famous cartoon, is, and how accurate the dancing sequences are to real ballet, along with the rest of it. Obviously, a lot of thought and work went into "What's Opera, Doc?"
8 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
For all the folks who've ever wondered about the identity . . .
oscaralbert19 March 2016
Warning: Spoilers
. . . of the Looney Tunes animator responsible for drawing Elmer Fudd's towering shadows in Warner Bros.' animated short, WHAT'S OPERA, DOC?, puzzle no more: This 10-minute documentary short WAGNERIAN WABBIT presents on-camera testimony from the Shadow Artist himself, Corny Cole. Nine of the ten "talking heads" from IT HOPPED ONE NIGHT (an explication of the classic ONE FROGGY EVENING cartoon featuring Michigan J. Frog) are back to prattle about OPERA here. (Eric Goldberg from HOPPED seems to have been on bathroom break when they got around to recording snippets for WABBIT.) "Animation historian" Charles Solomon quotes Mark Twain as once saying that "(Richard) Wagner's music is better than it sounds." We can also see that OPERA is better than it looked to Oscar voters, who did not even nominate it for consideration as Best Animated Short of 1957. Such an oversight would be on par today with filling out a 2016 NCAA Men's March Madness Basketball Bracket picking Middle Tennessee to top Michigan State by 10 points. (They only won by 9.)
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
all in all, the cartoon set the perfect balance between parody and celebration
lee_eisenberg4 December 2007
No doubt at least most of us Looney Tunes fans have seen Chuck Jones's "What's Opera, Doc?". Well, this short documentary explains what all went into it. It just goes to show what an amazing cartoon it was, spoofing Richard Wagner's "Ring of the Nibelungen" while at the same time celebrating its magnificence and splendor. It was clear from early on that the people making the Looney Tunes/Merrie Melodies cartoons liked to work with classical music - just watch "A Corny Concerto" - but when you see the work that went into this one, you truly realize what an accomplishment it was (and remains): the script, the direction, the animation, the layout, the music, the sound effects, and Mel Blanc's and Arthur Q. Bryan's singing.

All in all, "Behind the Tunes: Wagnerian Wabbit - The Making of 'What's Opera, Doc?'" does a very good job looking at the creation of this grand masterpiece of animation. And above all, there will probably never be another cartoon like that in our lifetimes.
4 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
'Twas alright
movieman_kev1 November 2005
This 9 minute and 30 second sort documentary can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2. It features interviews by the same contributers that are on all the other "Behind the Tunes" featurettes, as well as clips from many of the Chuck Jones classical music centric animated Looney Tunes shorts. It was interesting enough, but I expected something a bit better when talking about one of the best cartoon shorts ever. I just couldn't find myself getting into it for one reason or another, I really don't have a clue why as it seemed informative enough.

My Grade: C
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed