(TV Series)

(1957)

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8/10
The IMDb summary has nothing to do with this show....nothing!
planktonrules6 March 2014
This episode of "Climax!" is very unusual. While teleplays were very popular on television during the 1950s, they rarely had a lot of action. They were mostly stage-bound productions and you heard about actions that have occurred off-camera instead of seeing the action in most cases. However, "Strange Sanctuary" is an oddity—an action western complete with gunfights! It made for a very exciting show even though occasionally the plot had a few problems.

The film begins with a bank robbery in the old west. While two of the robbers got away with a lot of cash, the third robber was killed during the holdup. So, the two survivors vow to end their lives of crime and move to California. However, Miguel wants to first stop by a nearby convent and pick up his child he left there long ago. Unfortunately, the child has since died and Miguel's plans on giving her a wonderful life are dashed.

A bit later, Irish (Michael Rennie) and Miguel (Caesar Romero) stop by at a nearby bar to drown Miguel's sorrows in drink. Unfortunately for them, a guy in the bar recognizes them as bank robbers and there is a shootout. Miguel is severely hurt and the pair retreat to the convent for help. What's next? See the show for yourself if you'd like—it's available at archive.org for free download.

The acting was quite nice in this one, as was the action—hence a high rating. The only problem is that the nuns, doctor and sheriff don't always behave logically—at least not to me. But the good far outweighs the bad and it's well worth seeing. Plus, it's well worth seeing the English actor, Rennie, play such an unusual role and play it well.
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Really worth
searchanddestroy-122 August 2013
Warning: Spoilers
This TV western episode reminds me HEAVEN KNOWS MR ALLISON, made the very same year: 1957. See for yourself.

Two bank robbers - Michael Rennie and Cesar Romero - escape after a bloody heist in a small town and one of them - Romero - asks his accomplice to get his own daughter - Romero's one - a child he placed several years ago in a convent. But when they arrive, they both learn from the nuns that the little girl died in the meanwhile. Romero is of course devastated and the two hoods continue their escape journey. But not far. In a saloon, they have to gun fight against the posse after them. Rennie kills a man and both friends have to escape again, but Romero is wounded. So, they come back to the convent where the Romero's daughter lived and died.

The posse goes berserk when the sheriff and his bunch have to struggle against the nuns, who of course refuse to let the posse come into the convent to catch the outlaws.

I won't get any further, but, believe me, I as truly amazed by this surprising episode, with Rennie in a very unforeseeable character.
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Phony, sentimental Western
lor_26 May 2024
Despite the trappings of violence and Live TV immediacy, "Strange Sanctuary" is an old-hat story, not credible at all. Ellis Kadison adds the novelty of nuns at a convent to the formula, but falls back on the Black and White simplicity of the genre's fake-morality.

Michael Rennie plays an Irish bank robber, partnered with Cesar Romero -impressive casting but both in stock roles. They face a typical lynch mob (in Westerns sanitized by a hatred for outlaws, rather than any real-life racism), Noah Beery Junior as the by-the-book sheriff who tries single-handedly to uphold the law and oppose vigilantism, and Osa Massen, solid as the nun in charge of the convent who essentially offers the outlaws temporary sanctuary.

Plot twists are unconvincing all the way, leading to a particularly hokey ending. The only bright spot is a beautiful young Rita Moreno as a girl raised at the convent who falls for Romero, not romantically but out of sympathy. Her role is not stereotyped but still (like the rest of the cast) one-dimensional. It's interesting that series host Bill Lundigan thanks 20th Century-Fox for permission to feature her, under the movie studio's contract at the time, and even gets a plug in for their current nun-themed release: "Heaven Knows, Mr. Allison".
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