"Hawaii Five-O" The Late John Louisiana (TV Episode 1970) Poster

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9/10
Despite a somewhat weak ending, one of the better episodes of the season.
planktonrules21 February 2010
Warning: Spoilers
Aside from the wonderful episode starring Hume Cronyn ("Over Fifty? Steal"), this is probably the best show of the third season. And, while it isn't perfect, it did have a unique plot that kept my attention.

When the show begins, a woman is picking up her husband from the airport in Maui. However, some thug is watching them--who he is and why, you don't know--but it isn't good! Later, when the family is about to have dinner, the man sees this thug outside the window. He gives chase and a moment later there is a gunshot--the thug is dead. However, instead of calling the police, the couple vanish--and when Five-O responds later, they find that the place has been wiped clean. Who these two were is a mystery, though what isn't a mystery is that the dead man was a hired killer working for a mobster named Quon.

The couple now have relocated to a new apartment and slowly who they are becomes apparent. The husband actually Quon's second in command--and he killed his co-worker because his wife is actually a woman he supposedly killed two years earlier! Apparently this woman witnessed Quon killing someone and her death was ordered. But the hired gun had fallen in love with her and killed a similar looking woman--and got everyone to think it was her.

As for Five-O, they did their work in this episode but without any of the unnecessary heroics or posturing that harmed a few episodes (such as one a few episodes earlier when McGarrett, on his own, took on the kidnappers). It's typified by good police work.

The crooks, however, did behave a little bit unrealistically stupid near the end. When they discover that their man did NOT kill the lady, you'd think they'd just shoot him and then find her. However, they order HIM to kill her--but why should they trust him--didn't he betray his boss two years earlier?! Still, despite this little mistake, it did make for an exciting episode--well worth seeing and quite original.

By the way, occasionally on this show the casting was funny. Because the pool of actors was rather limited on the islands, sometimes villains later went on to be good guys in later shows and vice-versa. Kwan Hi Lim (who was a real life attorney) plays a coroner here, but most of the time he was cast as a mobster. Also, Al Harrington who replaced Zulu as one of McGarrett's men (as "Ben") here plays an assassin and thug!!
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7/10
Murder in Maui
rizzojj14 May 2008
Warning: Spoilers
McGarret and crew must hop islands and visit Maui to investigate the murder of a thug connected to Harry Quon, one of McGarret's nemesis'. Quon's top hit man, Nick Pierson, was sent 2 years ago to "rub out" a female witness that could put Quon away for life. Pierson falls in love with the girl instead and serves up a look-alike for the girl but now Quon is onto Pierson and wants him to get it done right. Meanwhile, McGarret is closing in on the truth and wants the girl to testify. Fun episode, no idea if they really filmed any on Maui (probably not) but the scenery is stunning, as usual. Interesting and strange side-note is seeing Al Harrington play Charlie, another of Quon's thugs. Harrington ends up on the Five-O squad as Ben a couple years later replacing Kono.
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9/10
He's a Complicated Man and No One Understands Him but His Woman
GaryPeterson6718 February 2016
Warning: Spoilers
I wasn't sure what to expect from this inscrutably titled episode. Certainly not a super-sad sob story about star-crossed lovers. I mean, this is HAWAII FIVE-O, not PEYTON PLACE! Oh, this ill-fated romance is between a hit man and his target? And the hit man's boss thinks he completed the hit two years ago and the target doesn't even know her boyfriend is a contract killer? Wow, what an inventive scenario, and one played out with aplomb by two talented actors who embody the characters so thoroughly one forgets they're acting. The relationship between Nicky and Julie was so convincingly real that I'd be lying not to admit I choked up at the last scene.

That "The Late John Louisiana" was going to be a syndicate story was telegraphed in the very first scene by a woman awaiting the plane conspicuously clutching a Mario Puzo paperback (but not The Godfather; looks like The Fortunate Pilgrim).

Until the end credits I thought Julie was played by Marianna Hill. The resemblance is uncanny! Marianne McAndrew couples beauty with talent as Julie. Her emotional scenes never slip into schmaltz. She strikes a balance between vulnerability and grit. She was gutsy in the end when she told McGarrett he never knew Nicky, contradicting his earlier boast. Actually, both McGarrett and Julie had very incomplete pictures of Nicky, a complicated man who proved adept at compartmentalizing his sordid life.

Alfred Ryder played the villain of the piece: Harry Quon, a quasi-Oriental mob boss. Two scenes highlight his uncouth manner of eating, lapping up his food with an extended tongue that would provoke Gene Simmons to envy. This was a nice albeit nauseating touch that added to Quon's loathsomeness. Fellow fans of THE INVADERS will enjoy seeing Jack Lord and Alfred Ryder working together again. They enjoyed a special chemistry playing George Vikor and Mr. Nexus in the 1967 "Vikor" episode of Roy Thinnes' short-lived series. I was disappointed this episode's story didn't allow for the same interaction between the two men. Even sadder is the fact this would be Ryder's sole appearance on HAWAII FIVE-O.

I'm just glad it wasn't Al Harrington's last appearance. I really enjoyed Harrington as Quon's number three thug, Charlie. He brought a distinct personality to his second banana role, especially at the end when he attempts to badger Nicky into shooting Julie. I did suspect the scene where Charlie stops to buy candy from a vending machine was an early and awkward example of product placement as the M&Ms are prominently positioned alongside a Mountain Bar and a Milky Way. I was glad to learn that Harrington will return a few years down the road as a series regular on the right side of the law.

This excellent episode belonged wholly to Don Stroud and Marianne McAndrew. McGarrett and Danno warm the bench more than usual. Kono has a couple negligible scenes, and Chin Ho is a no-show. This story has suspense, character development, and beautiful scenery, but in the end was a crushing heartbreaker and an example of the kind of intelligent and thoughtful television they just don't make anymore.
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10/10
In Love and Out of Time
chris999899 March 2010
Warning: Spoilers
This is my all-time favorite episode of Hawaii Five-O. It's amazingly well-acted. From the first kiss at the airport, something seems just a little off about this beautiful young couple. Their ardor appears to spring from a source other than newlywed amorousness; something in the way they relate to each other is unexpectedly clingy, a little too desperate. But they're young, they're in love, they live in Hawaii. What problem could they possibly have?

Well, mobsters are out to kill the wife. That's certainly a problem, and the swiftness with which it's revealed seems to risk reducing dramatic tension. Turns out, this early revelation is artful misdirection that deepens the mystery, because when viewers discover who's really having problems with mobsters, and who's really a mobster, it's a complete shock.

The pivotal scene, for me, is the one in which Nick confesses to Julie. I saw the problem he faced and how he solved it as best he could. I felt her realizing the truth of her own situation and at the same time putting herself into his position. When he says he put her watch on the wrist of the girl he killed in her place, I saw her remembering she'd always wondered what happened to that watch.

The camera work in this scene is terrific; the walls close in. The acting is superlative. I felt like a fly on one of those encroaching walls, watching a real couple, and not 2 guest actors in a weekly police drama.

There's almost something Greek in the magnitude of this TV tragedy. Nick can't escape his karma; this relationship is doomed from the outset. It has to be, because a man who kills people for pay can't have a happy life. But what about his wife? She thought she married a Oahu business executive; why does she have to suffer? And what kind of man is both a heartless contract killer and a loving husband? Shouldn't he have chosen one path or the other? Did he even have a choice? If Nick were truly without conscience, when the crunch comes, wouldn't he kill his wife to save his own skin? The ending proves that his was selfless love; is he a hit-man with a heart of gold?

TV dramas rarely raise issues this morally complex.

Marianne McAndrew (why did this wonderful actress disappear?) and the always-great Don Stroud completely convinced me. And, as a small point, her wardrobe is absolutely perfect. It's just what I imagine a young, newly-married, stylish 70s woman would wear. The music's great, too. This episode deserves a higher IMDb rating.
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