Directed by
| Ray Austin | ||
Writing Credits
| Kenneth Johnson | ... | (created by) |
| David Braff | ... | (written by) |
Cast (in credits order) complete, awaiting verification
| Jane Badler | ... | Diana | |
| June Chadwick | ... | Lydia | |
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Jennifer Cooke | ... | Elizabeth Maxwell |
| Robert Englund | ... | Willie | |
| Faye Grant | ... | Dr. Julie Parrish | |
| Michael Ironside | ... | Ham Tyler | |
| Marc Singer | ... | Mike Donovan | |
| Lane Smith | ... | Nathan Bates | |
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Blair Tefkin | ... | Robin Maxwell |
| Michael Wright | ... | Elias Taylor | |
| Jeff Yagher | ... | Kyle Bates | |
| Pamela Ludwig | ... | Annie | |
| Xander Berkeley | ... | Isaac Henley | |
| Christian Jacobs | ... | Billy | |
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Patricia Allison | ... | Annie's Mother |
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Charles Macaulay | ... | Colonel Sawyer |
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Burt Marshall | ... | Steve Roller |
| Herman Poppe | ... | Vanik | |
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Michael Abelar | ... | Kyle's Friend |
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Mary Baldwin | ... | Female Guard |
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Fiona Guinnes | ... | Cafe Customer (as Fiona Guinness) |
| J.D. Hall | ... | Cafe Customer | |
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Greg Zadikov | ... | Kipper Cordisco |
| Rest of cast listed alphabetically: | |||
| Bob Harks | ... | Security Guard (uncredited) | |
| Howard K. Smith | ... | Howard K. Smith (uncredited) | |
Produced by
| Daniel H. Blatt | ... | executive producer |
| Michael Eliot | ... | associate producer |
| Dean O'Brien | ... | producer |
| Garner Simmons | ... | supervising producer |
| Robert Singer | ... | executive producer |
Music by
| Dennis McCarthy | ||
Cinematography by
| Dennis Dalzell | ... | director of photography |
Editing by
| Mark S. Westmore | ... | (as Mark Westmore) |
Casting By
| Jennifer Jackson Part | ||
Art Direction by
| Patricia Van Ryker | ||
Set Decoration by
| Rochelle Moser | ... | (as Rochelle G. Moser) |
Makeup Department
| Alan Fama | ... | makeup |
| Sharleen Rassi | ... | hair stylist (as Sharlene Rassi) |
| Marvin G. Westmore | ... | makeup (as Marvin Westmore) |
Production Management
| Stephen J. Fisher | ... | unit production manager |
Second Unit Director or Assistant Director
| Tana Baker | ... | second assistant director |
| Mary Ellen Canniff | ... | first assistant director |
Art Department
| Sam Loreno Sr. | ... | property (as Sam Loreno) |
| Sam Moore | ... | property |
| John Sweeney | ... | assistant propmaster |
Sound Department
| Larry Kaufman | ... | sound editing |
| Richard Raguse | ... | sound |
Special Effects by
| Melbourne A. Arnold | ... | special effects (as Melbourne Arnold) |
| Robert Sturgis | ... | special effects technician |
Visual Effects by
| Richard L. Bennett | ... | optical effects consultant |
Camera and Electrical Department
| Michael T. Travers | ... | best boy grip |
| Rick Whitfield | ... | video coordinator |
| Dennis Dalzell | ... | additional cinematographer (uncredited) |
| William Jay Gahret | ... | camera operator (uncredited) |
| Susan C. Ingram | ... | second assistant camera (uncredited) |
| Jeffrey Norvet | ... | first assistant camera (uncredited) |
Costume and Wardrobe Department
| Jan Kemp | ... | costume supervisor: men's costumes |
| Donna Roberts | ... | costume supervisor: women's costumes (as Donna Roberts Orme) |
Editorial Department
| Scott C. Eyler | ... | supervising editor (as Scott Eyler) |
| Richard L. McCullough | ... | optical editor |
Location Management
| Ron Windred | ... | location manager |
Music Department
| Jay Alfred Smith | ... | music editing |
| Bruce Babcock | ... | composer: additional music (uncredited) |
Script and Continuity Department
| Brian Taggert | ... | executive script consultant |
Additional Crew
| David Abramowitz | ... | story editor |
| David Braff | ... | executive story editor |
| Paul F. Edwards | ... | executive story consultant |
| Paul Monash | ... | creative consultant |
| Bob Harks | ... | stand-in (uncredited) |
